The New Classics: Capote

Michael Cusumano here to celebrate a film that is so much more than just another "based on a true story" prestige pic. I have noticed that Bennett Miller’s Capote is often shoved into the biopic genre in a way that diminishes the film’s achievements. 

Lesser biopics bask in the glow of reflected importance coming off their subjects. Significance through osmosis. They value the flush of recognition over insight, and the accumulation of incident over meaning. Capote on the other hand is crafted with a stark, unwavering discipline. It has more in common with a portrait of artistic self-destruction like Black Swan than with Walk Hard inspirations like Ray...

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May Retrospective: "A New Leaf" (1971)

by Cláudio Alves

A master comedian of immense historical importance, a Tony Award-winning stage actress, an Oscar-nominated screenwriter, and one of the greatest American directors of the 1970s. Those are portentous descriptors, each of them difficult to earn individually during a lifetime. For someone to deserve them all is astounding, but astounding is an ever-appropriate word to categorize Elaine May.

She remains a genius through-and-through and, despite her career as a movie director having been abruptly halted in the late 80s, many are devoted to the celebration of her directorial legacy to this day. If you need any proof that Hollywood has little respect for the talent of female directors, look no further than the example of Elaine May whose filmography we are here honoring. After all, what better time to sing the praises of May than during the merry month of May?

First up, we have 1971's A New Leaf…

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Emmy Watch: Lead Actress in a TV Movie or Miniseries

by Abe Fried-Tanzer

Will "Unbelievable" score big with nominations... or will its early release in the eligibility period be a problem?

This year’s Best Actress lineup for limited series and TV movies is populated with a LOT of deserving contenders. This category is no stranger to double nominees from the same project, with four instances occurring in just the past four years. In 2017, there were two sets of nominated actresses from the same shows, and it’s pretty likely that’s going to happen again this time…

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We had so much fun on "Down with Love"

Costume Designer Daniel Orlandi concludes his guest-blogging day with our favourite of his pictures. You should follow him on Instagram for more fun set photos & costume sketches....

by Daniel Orlandi

The Doris Day / Rock Hudson sex comedy romps were among the first movies I saw as a kid. I was so enamored of the look. So when I read the script to Down with Love (2003), I had to do it. I owe a lot to Producer Paddy Cullen for helping me get the job. She slipped me that script early and got me in to meet the director and producers first.

There was one problem, though...

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Films that made me want to be a costume designer

Costume Designer Daniel Orlandi Guest Blog Day. Here's Daniel...

Growing up in New Jersey I started to sneak into Manhattan at a very young age to see Broadway shows which made me want to be a set designer. Bu it was at the movies where I fell in love with costumes. My parents both loved movies and they took me with them as it was cheaper than getting a sitter. I can watch a film as an adult and think “Oh wow that's what the film was about. Suzie Wong was a prostitute!” Movies theaters were also my Saturday afternoon activity. Mom would drop me off and pick me up after she ran her errands.

I loved the Doris Day and Rock Hudson films and all their imitations. The film where I first really noticed costume design was The Art Of Love (1965). I saw it so many times as it was the second feature Saturday afternoon for so many other films...

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