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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Sunday
Apr122020

Tweetweek

Stuffed with easter dinner so let's share random amusing bonmots of tweets that made us lol or make you go hmmm.

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Sunday
Apr122020

Game: In this brave new face mask world, the eyes have it. 

Okay. Ready to play a game? Not everyone's eyes are as unforgettable as Bette Davis... 

But movie star eyes do tend to be wonderful to look at since eyes are the window to the soul and it's the actors job to project humanity, soul, and all else to us. Only answer ONE question at a time in the comments to give a chance for multiple people to play.

Tell us WHAT FAMOUS ACTOR you're looking at in the following 26 photos. Ready? Set. Go ! ...

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Sunday
Apr122020

Happy Easter!

May you find something to do today that's as sexy as feeding Paul Newman eggs...

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Sunday
Apr122020

Barbara Stanwyck: Comedy Goddess

by Cláudio Alves 

Despite being one of Old Hollywood's most electrifying actresses, Barbara Stanwyck feels somewhat forgotten (apart from cinephiles) when compared to her contemporaries like Bette Davis, Joan Crawford or Ingrid Bergman. The one role that arguable does keep her immortal with the mainstream is the devilish Phyllis Dietrichson in Billy Wilder's Double Indemnity, the noir to end all noirs starring the greatest femme fatale of them all. Still, to believe that Stanwick was essentially a noir vixen is unfair to her grand legacy. More than many actresses of her time, she rejoiced in hopping from genre to genre, unencumbered by exclusive contracts to studios that might want to pin her down to one type of role. 

Because of that, she was able to experiment with the extremes of Pre-Code libertinism (Baby Doll), weepy melodrama (Stella Dallas), historical epics (Titanic), tragic romances (There's Always Tomorrow) and even camp classics (Walk on the Wild Side). Her tonal flexibility was unparalleled as she was able to mold her trademark toughness and sexual confidence into almost any role conceivable. She was much more than just the venomous Mrs. Dietrichson, even though that is one of her greatest achievements. I'd go so far as to say that she was one of the great comediennes of her era, on par with Irene Dunne, Carole Lombard, and Jean Arthur. Just take look at her second Oscar nomination…

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Saturday
Apr112020

Emmy Watch: Best Actress in a Drama

by Abe Fried-Tanzer

We’re looking at another Emmy Awards category today – Best Lead Actress in a Drama Series.  All but two of last year’s nominees are eligible again.

The remaining nominees – defending champion Jodie Comer (Killing Eve), Sandra Oh (Killing Eve), Laura Linney (Ozark), Mandy Moore (This Is Us), and Viola Davis (How to Get Away with Murder) – will have to fight hard for their slots due to a major influx of contenders from shows that are once again in the running this year or in the running for the first time.

The past four years have gone like so... 

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