FYC: Jo Yeo-jeong

by Kyndall Cunningham

With every nerve-racking awards season, I find myself putting all my emotional stock into the Best Supporting Actress category. There are three main reasons for this: 1) actresses 2) ostensibly, it’s where all the scene-stealers are, and 3) it’s the only category I can count on a woman of color to win. Admittedly, post-Richard Jewell, I’m not nearly as excited about this category as I was, say, a month ago. But I still have faith that this will be the most interesting acting category this season with various wild cards and dark horses popping in and out until the Oscars nominations are announced in January. 

Media outlets have deemed The Farewell’s Zhao Shuzhen the favored dark horse this year, which is great! But I still believe that this category has room for another non-American actress despite the Oscars tendency to stay "local," as Bong Joon-ho would put it.

Jo Yeo-jeong. 

Click to read more ...

Lunchtime Poll: "Marriage Story" custody battles

Bear with us through today's lunchtime poll which is NOT about whose side Marriage Story takes (the hot takes are abundant online and it's exhausting) but about which side you'd take --not Nicole's or Charlies -- this Q takes a second to get your head around but it's fun and totally worth asking for those of us who live for the movies: 

If you had to divorce Marriage Story, what part of the movie would you want custody of ?

We couldn't help but ask Team Experience this question too so there answers are after the jump to get your started...

Click to read more ...

The Margot Robbie conundrum

by Cláudio Alves

This year's SAG Awards feature an assortment of multiple nominees across categories. Nicole Kidman, Al Pacino, and Scarlett Johansson scored a rare triple nod and they weren't the only ones. Margot Robbie also did it thanks to her participation in two of this season's juiciest awards magnets. In Once Upon a Time… In Hollywood, she's Sharon Tate, while, in Bombshell, Robbie gives life to Kayla Pospisil, a fictional character that stands in for many of the women victimized by Fox News' toxic work environment.

Since Cannes, Tarantino's take on Hollywood's most tragic ingenue has been put through heavy scrutiny. Robbie's role has been accused of being a misogynistic and limited take on Sharon Tate, terminally underwritten and underutilized to boot. Even so, Once Upon a Time… In Hollywood is a critics' darling while Bombshell has been promptly lambasted as soon as the review embargo ended. Controversies notwithstanding, I confess myself dismayed at the way Margot Robbie's Oscar hopes seem to have concentrated solely on the Jay Roach flick…

Click to read more ...

"Everyone was nominated... except you!" Our annual SAG outrage!

by Nathaniel R

Alanna Ubach does a lot with very little screen time in "Bombshell" but she isn't part of the cast nomination

We'll keep doing these posts each year until the Screen Actors Guild does something about their most unfortunate awards rule. For those who are new to the awards game, please note: If you are a working actor lucky enough to wind up in a film nominated for "Outstanding Performance by a Cast in a Motion Picture," that doesn't mean you are included in the nomination; you have to have your own title card for that! What this means each year is that actors who aren't really famous yet, or don't have an aggressive agent, wind up left out of the official nomination even if they contributed immeasurably to the success of the film or were highly memorable in some small but defining way.

So who got the stealth snub in 2019, who otherwise had every reason to celebrate the nomination? Read on for the specific exclusions this year and the history of most embarrassing omissions from the past due this ruling...

Click to read more ...

Review: Uncut Gems

by Chris Feil

In recent years, director duo Josh and Benny Safdie are cornering a market all their own of thriller of toxic neons and fatal consequence, after the deeply grim exploits of Heaven Knows What and Good Time. Nobody makes films quite in the way that the Safdies are making them right now, even if their particular brand of originality swims in back alley, off-putting aggressiveness. This round, their Uncut Gems is a dose of high anxiety filmmaking that’s partly Shakespearean tragedy of hubris and part underbelly crime saga in another unexamined pocket of New York City life.

Their best and most subversively accessible, it’s something enervating, infuriating, and compulsively watchable, all centered on a complex protagonist that also embodies all of the film’s contradictory qualities. That man is diamond dealer Howard Ratner, arrogantly betting off his assets and dwindling goodwill in the hopes of one massive payout, brought to exhilarating life by a possessed Adam Sandler.

Click to read more ...