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Friday
Oct202023

Review: "Killers of the Flower Moon" is a Monument of Sorrow

by Cláudio Alves

Killers of the Flower Moon starts in death, but not of flesh or person. The Frontier is no more, the West has been won, and the Track of Tears travailed when the Osage tribe gathers to mourn a way of life. Their traditions, their beliefs, their language are moving into the twilight, so they bury a sacred pipe and give themselves a symbol to weep over and express unsurmountable grief. As if listening to the lament, the earth responds. Black oil bursts from the ground, a geyser of wealth for the People from the Middle Waters brought to this Oklahoma barrenness after settlers pushed them asunder and away from the Great Plains. A pittance place once thought worthless reveals itself a treasure, and, overnight, the Osage Nation becomes the richest per capita population in the world.

So starts Martin Scorsese's latest opus, a title that, even within the context of his hallowed filmography, feels like a monumental achievement…

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Friday
Oct202023

First & Last - Season Finale

Can you guess the movie from its first and last shot? For the season finale of this little guessing game series, we thought this was an appropriate note to end on...

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Thursday
Oct192023

Best International Film: Argentina's "The Delinquents" and Mexico's "Tótem"

by Cláudio Alves

In its long history, the Academy has awarded the Best International Film Oscar to a Latin-American country four times. The first two were from Argentina, 1985's The Official Story and 2009's The Secret in Their Eyes, followed by Chile with 2017's A Fantastic Woman, and Mexico with 2019's Roma. Looking at those dates, it's fair to say AMPAS has become more open to Latin cinema in the 21st century, even though Europe remains the category's continental champion. Hope remains eternal that voters will broaden their horizons. 

I've already reviewed Chile's submission, The Settlers, when at TIFF. So, it's time to consider the films of the other two Latin victors of yesteryear. There's Argentina's newly released The Delinquents, and Mexico's Berlinale prize-winner Tótem

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Wednesday
Oct182023

First & Last - So chilling

Can you guess the movie from its first and last shot? The answer is after the jump...

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Tuesday
Oct172023

Do it for Pom!

by Cláudio Alves

With its buzz and screen count curtailed by Barbenheimer, the latest Mission: Impossible movie ended its run as a box office failure. That fate is rather sad, mainly because Dead Reckoning Part One is one of the franchise's best entries, not to mention a much superior Tom Cruise project to the supposed cinema-saving smash hit that was last year's Top Gun: Maverick. Now that the movie's available on PVOD, it's the perfect time to catch it if you missed its theatrical window. I've previously written about the Ethan Hunt saga, from 1996 to now, going over the latest picture's bold anime-like tonalities where an action man faces against an evil God in the guise of AI unbound, its superb action scenes, and whatnot.

Yet, considering The Film Experience's readership, the best way to convince you to give the movie a chance might be an appeal to its bonafide actressexual cred. In other words, do it for Pom…

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