Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Yes No Maybe So (349)

Saturday
Aug012015

Yes No Maybe So: "Room" and "Spotlight"

We have heard your complaints about not featuring the Room trailer just yet. It was not from lack of love for Brie Larson (who improves every single movie she's in) as you'll remember we were among her greatest cheerleaders for a Best Actress bid for Short Term 12. It was merely lack of time. But do you think she'll get closer to the Best Actress lineup this year?

The Room trailer follows this poster along with our Yes No Maybe So commentary. That plus the new Tom McCarthy film Spotlight, and its all-star cast, which is also tipped as 'Oscar bound' or at least testing very very well...

Click to read more ...

Thursday
Jul232015

Yes No Maybe So: Spectre

Here's new contributor Kyle Turner to talk Bond, James Bond...

Bond hasn’t had much of a history the last fifty years or so, and by that I mean Bond the character. The Bond films, perhaps up until 2006’s Casino Royale, had been content with a more anthological and informal character illustration. But with the Nolanizatoin of the Bond franchise (aka the Daniel Craig era), we’ve been treated to a revisionist approach to James Bond: history, character, person. That appears to be continuing with the newest film SPECTRE, from Skyfall helmer Sam Mendes, which looks like another pretty, maybe interesting, maybe terrible chapter in 007’s origin story. 

Let's break down the trailer yes no maybe so after the jump...

Click to read more ...

Thursday
Jul232015

Yes No Maybe So: Freeheld

Manuel here eager to discuss the new trailer for Julianne Moore and Ellen Page's upcoming lesbian drama, Freeheld. Nat is swamped off-blog today so it's up to me to rush in to talk about this (ugh watermarked!!) trailer that premiered last night. We all know where the TFE readership will fall in pre-viewing collective excitement about Peter Sollet's film about the legal fight of a local cop with the Ocean County, New Jersey Board of Chosen Freeholders over her pension benefits transferring to her domestic partner after she's diagnosed with lung cancer. But that won’t stop us from submitting it to our handy Yes No Maybe So test, and typing YES several times in the next couple of paragraphs.

The breakdown and trailer after the jump...

Click to read more ...

Tuesday
Jul212015

Yes No Maybe So: Judy Greer leads "Addicted to Fresno"

Here's David on a new comedy...

With Judy Greer being the current centre of the ever-increasing storm over the poor state of roles for women in Hollywood (Jurassic World and Ant-Man... they aren't exactly "Judy Greer movies"), a new trailer showcasing both Judy and Natasha Lyonne in a comedy is hopefully a defiant YES on our patented trailer- judgment scale.

But let's put it to the test anyway, after the jump...

Click to read more ...

Friday
Jul172015

Teasing "The Revenant"

I ain't afraid to die anymore. I done it already."

We don't yes no maybe so teasers but if we did this would be a YES with the small NO of "can already tell we won't be able to tell all these bearded sweaty fur clad men apart during action sequences and mayb even some closeups" 

Question 
As our Oscar charts have suggested all year we expect this one to go over well but this very gripping teaser makes you wonder: Could Inarittu win Best Director back-to-back? It has only happened twice before and that was several decades back  (John Ford won for Grapes of Wrath and How Green Was My Valley (1940/1941) and Joseph L Mankiewicz for A Letter To Three Wives and All About Eve (1949/1950). No one has ever won Best Picture back-to-back... though David O. Selznick would have in 1939 (Gone With the Wind) and 1940 (Rebecca) if they had awarded Best Picture to producers back then as they do now. Four men have won Best Cinematography twice consecutively including Emmanuel Lubezki(Gravity & Birdman) and since he's lensing this one in what looks like continuous shots with only natural light, he could conceivably break the record and be the sole most consecutive Oscar winning DP.