10th Anniversary: Scott Pilgrim vs The World

by Nick Taylor

I first saw Scott Pilgrim vs The World with my mom at an advanced screening, the benefit of a summer-long stint in 2010 where my parent’s work received passes for secret audience test runs of upcoming blockbusters. The theater was decently sized and completely packed, mainly crowded with teenage boys escorted by parents, grandparents, and other miscellaneous chaperones, plus a good number of twenty- and thirtysomethings who likely read Bryan Lee O’Malley’s recently concluded graphic novel series. You can imagine any number of reasons why this movie would’ve played well to the teen boys in the audience, though it still amazes me how much everyone in the theater seemed to be having a good time with it. Ten years later and it’s still a reliable hit with my immediate family, and someone referring to it as Edgar Wright’s best film can get me on their side real quick...

Click to read more ...

Review: The Old Guard

by Lynn Lee

In my more fanciful moments, I have a pet theory that Charlize Theron is a reincarnated ancient goddess.  I’m not just talking about her statuesque beauty, effortless glamour, or seeming immunity to aging.  No, I mean her superhuman ability to batter, dirty up, strip down and sometimes strip away that beauty in service of a role…only to reemerge in the same state of impossible physical perfection as before, as if nothing had happened.

Who better, then, to play a female warrior who never dies or grows old and whose wounds heal without a trace?  While Theron’s played a lot of certifiable badasses in recent years, she hasn’t often been cast as a bona fide superhero, and the results have been mixed when she has (Aeon Flux is the last that comes to mind, unless you count Hancock).  I’m happy to report she finds a good fit with The Old Guard, Netflix’s latest attempt to make us all forget we ever needed to go to a movie theater...

Click to read more ...

Inception's dreamy femme fatale

by Cláudio Alves

It's a bit strange for me to be writing a celebratory piece about Inception on the movie's 10th anniversary. I've always considered the picture to be a tad overrated, undeserving of the titles of life-changing masterpiece or perfect action movie that I've seen people bestow upon it. Aside from a deadening first hour of exposition, my main issue has always been a matter of imagination or lack thereof. The world of dreams and the human unconscious is so rich in possibility, that it's disheartening to see Christopher Nolan bend it to fit the model of a heist picture.

Even the set design reflects that. There's much talk of impossible architecture, but what we get is modernist lines as far as the eye can see, bellicose fortresses and concrete cityscapes without a hint of surrealism. Notoriously, Satoshi Kon's Paprika, an anime hallucination with a lot of similarities to the Nolan blockbuster, is a good example of how the oneiric world of dream-sharing can be used to explode the rules of cinema. Still, has previously stated, this is a celebratory write-up and, while Inception's creative limitations may be frustrating, it would be a lie to say they are devoid of value.

After all, the most interesting character in the whole flick is an archetype of crime pictures and film noir. She's a trope, an old character type that has deep roots in men's fear of complicated women. She is Marion Cotillard's Mal…

Click to read more ...

"Die Another Day," Or, How the Mighty Have Fallen

We're celebrating 2002 this week. Here's Deborah Lipp...

When Die Another Day was released in November of 2002, it was greeted with tempered enthusiasm. Spending time, as I do, among movie fans, and within the narrower Bond fan community, there were certain very clear reactions: Invisible car: Dumb; Madonna song: Bad; Movie overall: Pretty damn great.

How the mighty have fallen. I should explain...

Click to read more ...

National Pet Week: "Maggie" from The River Wild

Team Experience has been celebrating pets at the movies (and in our homes) all week. We'll wrap up Sunday. Here's Ginny O'Keefe... 

The best kind of pet in any movie is a loyal one. And it doesn’t hurt if the pet is cute. Also, a sprinkle of badassery is always welcome. All that is nicely packaged in a yellow Labrador retriever named Maggie in 1994’s rafting/crime adventure film The River Wild. For those who haven’t seen this Streep vs. Bacon gem, Meryl plays rafting expert Gail who is forced to take two criminals (John C. Reilly and Kevin Bacon) down a dangerous river all the while trying to protect her son, Rourke (Joseph Mazzello), and husband Tom (David Straithairn). Along for the trip is Maggie. From the get-go, Maggie is sweet, bubbly and you can tell she loves her humans deeply. She’s also good at digging up dead bodies in the woods (spoiler). Overall, she’s a good girl. But when s**t hits the fan, then we see how great of a girl she is...

Click to read more ...