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Oscar Takeaways
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Entries in Action (90)

Monday
Jan272020

Almost There: Michelle Yeoh and Zhang Ziyi in "Crouching Tiger, Hidden Dragon"

by Cláudio Alves

History repeats itself, especially when it comes to the Academy Awards. Throughout its 92 years, very few Asian actors have been recognized, even when their films were otherwise embraced. This year, the victim of the insidious trend was Parasite, which won the SAG for Best Ensemble but couldn't muster enough support for a single acting nomination at the Oscars. Thinking back to the last non-English speaking Asian production to score a Best Picture nomination, we see the same phenomenon.

In 2000, Ang Lee's Crouching Tiger, Hidden Dragon conquered a remarkable 10 nominations, including for Picture and Director but none of the nods were for acting. In the end, the blockbuster won four of its categories. Despite the acting branch's oversight, Michelle Yeoh and Zhang Ziyi received many nominations elsewhere, including the BAFTAs. The younger actress even conquered the Independent Spirit Award for Best Supporting Actress…

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Tuesday
Nov192019

Review: Charlie's Angels (2019)

Box office and reviews have been tough on the new Angels. I guess today the contrarian corner is a theme here at TFE. Tony likes it! - editor.

by Tony Ruggio

We'll start with where I'm coming from: I’m no fan of the original series. The early-Aughts adaptations were mostly forgettable save a dance or two from Cameron Diaz and Sam Rockwell. But these 2019 Angels are surprisingly fresh and fun. It’s an IP brought back from irrelevant hell and updated with verve.

About the three new Angels. Elizabeth Banks is clearly in love with Kristen Stewart, and who can blame her? Stewart is a charisma machine as the weird, spunkiest Angel of the bunch. She's so good you almost wish she took movie star roles more often. You also forget there was once a time when she got gruff for playing mopey all the time. Those days are long gone...

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Sunday
Oct132019

Review: Gemini Man

by Tony Ruggio

We live in a polarizing world, a place of right or left, love or hate. In the age of the internet, if you want to be noticed, if you want to be included, not ignored, you take a side. No one wants to wail about both the good and the bad and find themselves alone on an island. They want to see the good or see the bad and say to everyone "god is good" or "god is awful." 

I don't believe in astrology or zodiac signs but Geminis supposedly have dual personalities, an ability to harbor two different points of view simultaneously. Coincidence or not, I'm a Gemini. I find myself witnessing most debates from the middle of love and hate, from geopolitical quagmires to frivolous media circuses to the movies.

Film criticism often succumbs to group-think, and the need to deify or decry a particular movie. Following in the footsteps of Joker, Gemini Man is the latest victim of such...

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Thursday
Aug222019

Over & Overs: Indiana Jones and the Last Crusade

In this new series, members of Team Experience wax rhapsodic on films they've never been able to stop watching. Here's Lynn Lee...

Conventional wisdom holds that Raiders of the Lost Ark, the O.G. Indiana Jones, is also the best Indiana Jones.  Yet the Indy installment I love the most is Indiana Jones and the Last Crusade, which I’ve watched more times than I can count and can practically quote from beginning to end.  It’s one of my cinematic comfort food go-tos. I can count on it to put a smile on my face and – perhaps more surprisingly – a tear in my eye.

I suspect my deep affection for The Last Crusade is at least partly rooted in the fact that it was the first Indiana Jones movie I saw, and the only one I ever saw in a theater...

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Tuesday
Aug132019

The New Classics: Mission Impossible: Ghost Protocol

by Michael Cusumano

Scene: Scaling the Burj Khalifa
In the course of writing this column, I eventually got around to asking myself the inevitable question:  “What is the 21st century scene I’ve watched the most times?” 

I knew with certainty that the answer was the Burj Khalifa scene from Brad Bird’s Mission Impossible: Ghost Protocol, even if I couldn’t immediately account for the why. Of course you could simply say ”Why not?” It’s already firmly established in the pantheon of great action scenes. But it’s not like the past two decades have seen a dearth of great action filmmaking. Why not “Ship’s Mast” from Death Proof or the centerpiece car chase from Drive? What exactly is it about Tom Cruise pawing his way up the side of the world’s tallest building? 

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