Highsmith @ 100: "Carol" is a perfect adaptation

by Cláudio Alves

Patricia Highsmith was born 100 years ago this week. The writer died when she was 74, leaving behind a collection of full of classics. Many of those novels were adapted to the big screen, her mellifluous psychological thrillers most of all. Strangers on a Train and the many stories of Tom Ripley being the most popular. It was through cinema that I discovered the author and ended up falling in love with her prose. I adore how she seduces and stabs, hypnotizing us with beautiful words, undercutting the splendor with her character's monstrousness. 

There was a mysterious softness to Highsmith's poisonous style, an insightful breath of romance that reached its apotheosis with The Price of Salt, later retitled Carol. First published in 1952, the novel was one of the first lesbian romances with a happy ending to see the light of day, making it a revolutionary text in many regards. By 2015, Todd Haynes and Phyllis Nagy finally told that story in celluloid, delivering what's arguably the best cinematic adaptation of a Highsmith novel…

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Review: One Night in Miami

by Matt St Clair

Regina King’s directorial debut One Night in Miami is a wonderful departure from the traditional biopic formula. Instead of focusing on key events from the lives of the famous, One Night in Miami  gives us a fictionalized, night-long conversation four iconic men might have been having at that exact moment in history. The titular night is February 25th, 1964, just after Cassius Clay’s boxing match with Sonny Liston and just before the famous athlete changed his name to Muhammad Ali.   

Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), musician Sam Cooke (Leslie Odom Jr.), and former NFL player Jim Brown (Aldis Hodge) gather together in a motel room to discuss the weight they carry as celebrities to help create social change through the Civil Rights Movement. Thanks to the lead actors, along with genius writing by Kemp Powers who adapted his own  play for the screen, we’re able to get a glimpse of the real people behind the iconic personas...

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Review: Monster Hunter

by Tony Ruggio

2020 has been a prolific year for monster movies, be they funny and romantic (Love & Monsters), purely for kids (A Babysitter’s Guide to Monster Hunting), or in the case of Monster Hunter, mindless action. Paul W.S. Anderson (Mortal Kombat, Resident Evil) returns to the other genre that made him, the genre he never really left: video game adaptations. He and wife Milla Jovovich are the king and queen of them, if there can be such a thing for the seemingly accursed genre.

Folks, including myself, keep saying they’re the next big thing in Hollywood after superhero movies, and while valiant attempts have been made, even when talented people are aboard (Jake Gyllenhaal in Prince of Persia, Justin Kurzel and Fassy/Cotillard in Assassin’s Creed), they don't pan out. Like all the rest, Monster Hunter ain’t exactly the ticket to Hollywood genre royalty...

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1987: Karen Allen in "The Glass Menagerie"

Each month before the Smackdown, Nick Taylor considers alternates to Oscar's ballot...

Remember way back when this Smackdown season started with 1981, and I mentioned Karen Allen as someone who somehow missed out on a well-deserved Supporting Actress nomination despite how few films Oscar bothered to recognize that year? Her barnstorming performance in Raiders of the Lost Ark is one of that adventure classic's secret weapons, building on the potential in Marion Ravenwood and delivering a tangible, electrifying character even when the script lets her down. In truth, I sometimes think of Allen alongside contemporaneous stars like Jessica Harper and Brooke Adams: singular, charismatic screen presences you could never mix up for one another despite their similar appearances, all of whom starred in some of the best, most idiosyncratic films of the ‘70s and ‘80s. 

I’d also wager that Harper and Adams’ personas would suggest themselves for the role of the shy, undemonstrative Laura Wingfield in Tennessee Williams’ The Glass Menagerie more than Allen’s would. Who’d pick Marion Ravenwood (!) for a part given to Jane Wyman in 1950? Yet it was Allen who played the role onstage opposite Joanne Woodward, John Sayles (!), and James Naughton at the Williamstown Theatre Festival in 1986, and Paul Newman was so impressed by their performances that he decided to make a damn movie...

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Yes No Maybe So: Hillbilly Elegy

Can the movie world please slow down? After months of nothing much happening, everything is happening at once. Three more festivals start today and the trailers keep hitting. It's as if we're in a typical year's mid October even though Oscar nomination battles are not two months away (as they'd usually be) but four months away. Early buzz on Hillbilly Elegy has been a bit hard to read. Is it going to be bad? Is it going to be good? Is it going to be so bad it's good camp classic. Is it going to wow and compete for all the Oscars or none after face-planting? 

Glenn Close and Amy Adams Arguing About Who is Going to Win the Oscar First: The Movie (2020) pic.twitter.com/VDZgSVjQze

— Nathaniel Rogers (@nathanielr) October 15, 2020

We'd argue that the trailer does not answer these questions although there is a lot of capital A acting (which is always hard to judge out of context though lord knows everyone does when they see trailers) So we invite you to contribute your own Yes No and Maybe So in the comments as we're at a loss.

P.S. We've adjusted the Best Actress (Amy) and Best Supporting Actress (Glenn) charts to reflect the confirmed campaigns.