New Mutants and New Films. What did you see this past week?

Everyone is wondering when it will be safe to go back to movie theaters, or, in some markets (like here in NYC), when theaters will reopen at all? Vanity Fair sent Richard Larson to his home town of Boston for a wonderfully evocative piece about returning to the movie theater... for The New Mutants of all things. That Fox movie's long troubled voyage to cinemas has been well documented on the internet and Vulture recently tried to sum it all up, if you haven't been following along.

I was an avid reader of comic books when The New Mutants first emerged (September 1982) and I gobbled that book right up...

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The New Classics: Lincoln

By Michael Cusumano 

Abraham Lincoln abilities as a writer probably would have earned him a place in history even without his accomplishments as a statesman. He is surely the best writer that has ever occupied the Oval Office. Capable of expressing complex ideas with remarkable economy, he had a deft hand with allusions and was responsible for many evocative turns of phrase that resonate far outside the political context of their time, “The better angels of our nature” or “The dogmas of the quiet past”.  Hell, simply opting for “Four score and seven” over “eighty-seven” reveals a writer’s ear for the musical potential of language.

It's a fitting tribute then, that the most prominent film about the sixteenth president, Steven Spielberg’s Lincoln, with a screenplay by Pulitzer prize winning playwright Tony Kushner, exudes that same love of language. There’s scarcely a scene without some memorable linguistic spin. There's much to admire in Spielberg’s film from the beautifully worn production design to the momentous performances, but the real reason I’ve returned to it repeatedly since 2012 is simply because the characters are such fun to listen to. All of the film’s dramatic peaks involve the spectacle of verbal fireworks, particularly my favorite scene, where Tommy Lee Jones blasts his way out of a political trap firing off ornately worded insults like cannonballs... 

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Our Links Are Sealed

• AV Club Steve Martin and Schitt's Creek cast pay tribute to Eugene Levy
• MNPP Josh O'Connor six times
• Variety uh oh trouble on the new live action adaptation of Avatar The Last Airbender. The original creators are leaving. That's a pity because the last adaptation was widely considered to be horrendous and the animated show is so fun.

After the jump The Go-Gos, Madonna and Diablo Cody, AMC reopening, the musical Diana and more... 

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10th Anniversary: Scott Pilgrim vs The World

by Nick Taylor

I first saw Scott Pilgrim vs The World with my mom at an advanced screening, the benefit of a summer-long stint in 2010 where my parent’s work received passes for secret audience test runs of upcoming blockbusters. The theater was decently sized and completely packed, mainly crowded with teenage boys escorted by parents, grandparents, and other miscellaneous chaperones, plus a good number of twenty- and thirtysomethings who likely read Bryan Lee O’Malley’s recently concluded graphic novel series. You can imagine any number of reasons why this movie would’ve played well to the teen boys in the audience, though it still amazes me how much everyone in the theater seemed to be having a good time with it. Ten years later and it’s still a reliable hit with my immediate family, and someone referring to it as Edgar Wright’s best film can get me on their side real quick...

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Movies-to-Stage. On Musical Adaptations

Today we've turned the blog over to Tom Mizer, one half of the songwriting team Mizer & Moore...

Musicals have alwasy been adapted from non-musical material

by Tom Mizer

Can I admit something and you promise not to judge me? My writing partner and I are working on adapting some movies into stage musicals. If eye-rolling made a sound, I bet I would hear a thousand violent swooshes. “Not another movie made into a musical! Why can’t there be original musicals?”...

Here’s the deal: musicals have always been built largely on the foundations of other forms, whether adapted from novels (South Pacific, Show Boat) or straight plays (Oklahoma, My Fair Lady) or, yes, movies. Musicals are incredibly difficult to make work; there are so many moving parts that having the framework of a good story already in place can be an enormous advantage...

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