Nathaniel in Venice: "Power of the Dog" and "Madeleine Collins"

Nathaniel reporting from Venice, day 1 part 2

Day 1 (continued). I didn’t expect death to linger so completely over Parallel Mothers and curiously my opening night at the fest kept on inviting the grim reaper in. The first day of screenings ended with Jane Campion’s The Power of Dog in which death is far less of a subject but clouds the vast Montana skies.  But first I took in Madeleine Collins, a French addition of our favorite subgenre here at The Film Experience, Women Who Lie To Themselves™  in which everyone in the film avoids talking about a death they probably should have spent lots more time processing.  

Madeleine Colllins (Antoine Barraud)
Elisa already hit the highlight of the film in her brief capsule, but it bears repeating: Virginie Efira! Virginie Efira! Virginie Efira!

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Judy Holliday @ 100: The Oscar Winner's Fascinating Career

by Brent Calderwood

I’m just going to say it. I’m glad Judy Holliday won the Best Actress Oscar for the 1950 comedy Born Yesterday. I’m not saying she should have won—I’m not even saying I would have voted for her if I’d been a member of the Academy. But if I could have been there when the winner was announced on March 29, 1951, I would have been cheering the loudest.

Today—100 years after Holliday’s birth and 56 years and two weeks after her untimely death—Holliday’s Sea Biscuit victory over frontrunners Bette Davis for All About Eve and Gloria Swanson for Sunset Boulevard is still a topic of discussion and debate...

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Interview: Nadia Stacey, Cruella's Hair and Makeup Designer

by Nathaniel R

Nadia Stacey talks "Cruella"

When I sat down with Cruella's Hair and Makeup designer Nadia Stacey over Zoom we just had a few minutes to talk. To break the ice quickly, a true story. When I first saw the image of Emma Stone as Cruella, my mind immediately lept to Olivia Colman as Queen Anne in The Favourite and her disgruntled "I look like a badger" quip. I had no idea why. Only when prepping for our Cruella interview did I realize the films had the same makeup designer. Stacey laughs, fondly remembering her BAFTA-winning film. "I feel like there’s a theme going on with me doing mask-kind of faces!"

And with The Favourite (a beloved favourite) duly cited, we jump right in to our conversation about her impressive filmography and her biggest assignment yet, designing Disney's live-action Cruella. [This interview is edited/condensed for clarity]

NATHANIEL: You've done a few movies with Olivia Colman and two with Emma Stone. Are you just going to keep The Favourite-ing from now on?  

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93rd Academy Awards: A strong Adapted Screenplay race

by Eric Blume

We have our strongest list of contenders for the Best Adapted Screenplay Oscar that we’ve had in years…I’d argue one of the strongest ever.  These five films represent vastly different stories and emphasize different screenwriting strengths, and involve an array of intelligent decisions from the writers in delivering the best cinematic experience possible based on their source material...

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The Piano Lesson - Let's keep this August Wilson ball rolling!

by Nathaniel R

Netflix announced yesterday that the next adaptation from August Wilson's Century Cycle will be his second Pulitzer winner The Piano Lesson. For those who thought Ma Rainey was way too stagey... well, you're not in luck! It's way too early to know how this will pan out given the pandemic and Broadway having been closed so long but this one is sticking even closer to the stage in a sense. The current plan is for Samuel L Jackson,  Danielle Brooks (yay!!!) and John David Washington to play the central roles (and uncle and his niece and nephew) in the Broadway revival in 2022 and then go directly into filming the movie version when they're done. Having seen Danielle Brooks on stage in The Color Purple trust that Orange is the New Black barely scratched the surface of what she can do so this is exciting news for her fans.

The play, which centers on the theme of family legacies, is about a brother and sister in conflict over what to do about a family heirloom which has been connected to the family since the days when their great grandparents were slaves...

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