Two Guys and Two Gals from U.N.C.L.E.
Here is Kyle with a review of Guy Ritchie's The Man From U.N.C.L.E.
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Here is Kyle with a review of Guy Ritchie's The Man From U.N.C.L.E.
Murtada here to praise the images released so far from next weekend's wide release The Man from U.N.C.L.E.
Henry Cavill and Armie Hammer are lookers and judging from the trailer seem to be having fun. It’s Alicia Vikander’s big year and of course she’ll be entertaining. However the most exciting proposition the marketing has offered so far is Elizabeth Debicki as the villain. And her gorgeous costumes.
Debicki is the big baddie of the movie. Her name is Victoria Vinciguerra, the mastermind behind the criminal organization that our spies must stop before she throws the world into calamity. [More...]
[UPDATE: We have been asked to remove the posters]
I currently have the film predicted in all five top categories (Picture, Director, Screenplay, Actor, Actress) as well as three more craft categories. Is this putting too much faith in it, too little or just right? How bullish are you feeling about this one? It's certainly timely in the year of Caitlin's coming out party.
Can Eddie Redmayne can be the first actor to pull off consecutive wins since Tom Hanks 21 years ago?
½way mark - part 4 of ?
Here's Lynn Lee on 2015's Most Ubiquitous Actress
In the act(ress)ing world, there are rising stars and then there are rockets – the ones whose careers lift off so high so fast it leaves us all blinking a little. Think Jessica Chastain in 2011, or Jennifer Lawrence in 2012. 2015 looks to be a rocket year for young Swedish actress Alicia Vikander, who’s attracted favorable notice here at TFE and by critics and directors on both sides of the Atlantic, though she’s yet to achieve mainstream moviegoer recognition.
If she keeps going as she’s begun, she may soon have that, too.
I first took note of Vikander in 2012, the year of her breakthrough role in the historical drama and Oscar best foreign film nominee A Royal Affair, as a young queen who helps bring the Enlightenment to 18th century Denmark, and a supporting turn in Joe Wright’s Anna Karenina. Nathaniel nominated her for a Film Bitch Award that year and she’s worth watching in both films, especially the former. But it wasn’t until I saw her back to back in this year’s Ex Machina and Testament to Youth that I really got what the fuss was about.
We return to Cannes glamour...
NATHANIEL: It has been a full week since the last Red Carpet conversation which is INEXCUSABLE, this being Cannes but the sheer volume of dresses (and I'm not talking about size though there is some of that) but quantity have made it rather daunting. So let's discuss 11 looks today.
Before we get to the lineups, I don't much care for white dresses at events unless someone is getting hitched so Zoe Kravitz is the only one out of an original multiperson white lineup I was going to do. Because I think the extension braids totally complete the look.
JOSE: Rooney Mara corners the market on bridal couture on the red carpet in my opinion, but Zoe looks really nice too! I wish she would've worn this in Mad Max instead of looking so dirty. That movie did nothing for my OCD. I wanted to hand everyone a gallon of Purell
NATHANIEL: I love that her name in Fury Road was "Toast the Knowing".... LOL. You can't expect toast to not have that scrape off burnt layer though personally i think Zoe and her fellow rogue sex slaves looked pretty immaculate considering the white wraps and that they were riding UNDERNEATH A FUEL TRUCK.
JOSE: They needed more Valentino though! Have they learned nothing from looking glamorous in dystopia? Madonna pulls it off in Ghosttown beautifully...
MARGARET: Zoe clearly understands this, making up for it by rocking Valentino here. In white gowns, especially ones this simple, the pressure is on the hair and makeup to sell the look and she nailed it on both counts.