Our Coven: Ursula The Sea Witch

Team Experience is assembling our own coven of preferred witches for Halloween. Here's abstew with ... well, you know who

After nearly two decades of sub par animated films (I'm looking your way, The Black Caldron) that would've made Uncle Walt turn over in his cryogenic freezer, 1989's The Little Mermaid, the studio's first fairy tale in 30 years, finally brought back the art of animation and started the modern Disney renaissance. The film had everything going for it - sassy red-headed mermaid princess, Caribbean accented crab, show-stopping musical numbers, and, most importantly, a voluptuously wicked, tentacled diva villainess.

Early concept art shows that Ursula the Sea Witch's look went through many transformations before the final look of half octopus / half woman (and what a woman - Ursula is said to be modeled after the drag queen Divine). To voice the sea witch, the filmmakers offered the part to Bea Arthur who turned it down due to her work on The Golden Girls and Elaine Stritch had been cast but clashed with lyricist Howard Ashman. Actress Pat Carroll brought Ursula to life delivering some of the film's best lines ("You got it, sweetcakes. No more talking, singing, Zip!) There's always time for a one-liner while being evil. And don't underestimate the importance of body language!

Broom? No use for them under the sea. And probably best not to mention anything wooden as she meets her demise staked by the bow of a ship.

Favored Spell: Fortunately she knows a little magic - it's a talent that she always has possessed. Her spell of choice is taking voices (conveniently stowed in her shell necklace - fashion and function) and turning fishtails into legs in return. Although, if you can't pay the price, you just might find yourself a part of her little garden.

Familiars: Her babies, her poor little poopsies: a pair of scheming eels named Flotsam and Jetsam. They each share a glowing yellow eye that allows Ursula to see what they see.

Pointy Hat?: Her shock of white hair (styled with mousse - how 80's of her!) is pointy enough.

"Only Bad Witches Are Ugly": Considering her beauty regime (waterproof lipstick!) and the fact that she can change you into a weird plant with eyes, I wouldn't call her ugly to her face. At one point she does transform herself into a brunette version of Ariel with Joan Crawford eyebrows, so she's got options. Plus, anyone modeled after a drag queen is gonna look fabulous!

Meet the other members of our coven

Our Coven: The Wicked Queen

Team Experience is assembling our own coven of preferred witches for Halloween. Here's Deborah with the true star of Snow White and the Seven Dwarfs (1937)

Why choose between the sexy vamp witch and the classic hag? With the Wicked Queen, you get two, two, two witches in one! Honestly, I don't know why anyone roots for Snow White in this movie. The Queen has the wardrobe, the jewelry, the sexy butch henchmen, and a castle. Snow White has wooden shoes, dwarfs, and a lot of housework.

I always wanted to be the Wicked Queen when I grew up. And who does her makeup? Those lips! Those eyes!

Broom: If only. Disney villains die in falls from cliffs (it's a rule). If she had a broom, she could have survived.

Favored Spell: Poisoned apple.

Pointy hat: Ha! Jeweled crown, darlings. Jeweled everything. She's fabulous.

Familiar: Magic Mirror.

"Only Bad Witches Are Ugly": Wrong, Glinda. This one's both hag AND femme fatale

related posts: Snow White

Is there hope for an interesting Best Animated Feature race?

Tim here. Right at the end of last week, the Academy very quietly issued a rules change pertaining to the Best Animated Feature Oscar: instead of requiring that members of the nominating committee had seen at least 80% of the films on the eligibility list (an onerous task indeed, given that these are people who care about animation for a living, and that list can sometimes be, like, 20 films long), now the voters can pick any animated films they darn well want to, which is potentially going to do away with all those fun little nominees like A Cat in Paris and The Secret of Kells, things that badly need the exposure. Perhaps not. But if we’re about to enter a world where Planes can snag a nomination over Ernest & Celestine (please oh please Oscar gods, don’t let that happen), something is even more broken with a dodgy category than we’ve thought.

Now comes the news that the European Film Academy has announced its own list of nominees:  the modeling clay stop-motion of Jasmine by Alain Ughetto and a new version of Pinocchio by Italian director Enzo d’Aló. And The Congress featuring Robin Wright which played at Cannes and is the new film by Ari Folman, director of Waltz with Bashir (which famously attempted three specialty nominations for Documentary, Animated Feature and Foreign Film but was disqualified from the first, failed the second and became the first animated film ever nominated for Best Foreign Film.)

Jasmine is a "claymation story of love and revolution"

We have no way of knowing if any of these will be squeaked into the United States in time for Oscar qualification – the vagaries about what counts as “qualifying run” for this category is especially dubious – but given how everyone in the world agrees that we’re looking at the weakest year for animated features since the category was born, I wouldn’t be the least bit surprised if some canny distributor decided to use this nomination as the spur for a Hail Mary pass.

Is there a possibility of repeating 2011, when two functionally un-released foreign films made the nomination list? It’s hard to say, especially with the rules change in the nominating process, but faced with tiny niche releases that nobody has heard of getting national attention, and the possibility of the phrase “Oscar nominee Turbo” ever being said by anybody, I know which one I’m hoping for.

updated animation & documentary chart

Yes, No, Maybe So: Frozen

Hi, it's Tim. In the past couple of days, Disney has released the first full North American trailer for their upcoming animated musical Frozen, giving us the first look at the actual movie beyond that silly, vaguely aggravating gag reel with the snowman that accompanied Monsters University into theaters. Though "first" requires that we ignore the existence of a pretty fantastic Japanese trailer that doesn't resemble the new American one much at all.

Which means, among other things, that this new ad tells us exactly what the Disney marketing people think of their target audiences in different countries, namely... well, let's not give away the ending.

Here's the trailer in case you haven't had the chance to see it yet and the Yes No Maybe So breakdown after the jump

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Mickey and the giant

Tim here. 2013 has proven to be a banner year for Mickey Mouse, the lovable corporate spokesman, marketing juggernaut, and justification for some of the most ruinous developments in copyright law history. I believe he has also, at some point, featured in cartoons.

To celebrate the 85^th anniversary of the character, the Walt Disney Company has promoted a new series of made-for-TV shorts bringing his troublemaking side back to the fore after generations of sanding have turned him into a perfectly respectable, deeply bland mascot (I’ll confess to not liking these shorts much at all, but I’m glad they exist). Later this fall, he’ll be starring in a brand-new, old-style cartoon, Get a Horse!, set to play in front of Disney’s winter tentpole Frozen.

With so much Mickey flying around, it was impossible not to pounce at the 75^th anniversary this week of one of my very favorite shorts starring the character, Brave Little Tailor.

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