Hello, Gorgeous: Best Actress of 2018

A new series by Juan Carlos Ojano

Happy New Year, fellow actressexuals! To start 2024, we return to this series with a banger of a year. 

One thing noticeable in this lineup is that the majority of these actresses are in films with clear auteurial vision. Two of them (Aparicio, Colman) worked with established directors that, by this point, have signature sensibilities and visual choices that are now being associated with them. Two of them (Lady Gaga, McCarthy) are in films directed by (relatively) new filmmakers that are beginning to hone their technical and directorial inclinations by this point. One of them (Close) worked with a director that is well-known and recognized in his home country.

Another thing to note: Lady Gaga marked her feature film debut as a lead actor while Aparicio was nominated for her first acting role ever.

Are you ready? The year is 2018...

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More Category Confusion: LEAD or SUPPORTING?

by Cláudio Alves

Category confusion is always a hot topic in the Film Experience comment section. It's been debated across this awards season, from regional critics honors to the major precursors, from the smallest indie flick to some of the year's biggest blockbuster offerings. So. It's only logical for the LEAD or SUPPORTING polls to make a return. Last time, the lot included Killers of the Flower Moon, Passages, Barbie, and much more. Now, let's redirect our collective attention to newer releases, including the much-discussed May December. Are Charles Melton and Julianne Moore co-leads alongside Natalie Portman? Let's discuss…

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Hello, Gorgeous: Best Actress of 2019

A new series by Juan Carlos Ojano

The Best Actress shortlist in this particular year is noteworthy in that all of them appear at the very beginning of their films.  Three of the five are in the very first shot of their films. One is the first person we see in the film. Meanwhile, another film begins with a different actress (a younger version of the character), but is still the character of the nominated performer.

While not always indicative of how centered they are in the respective narrative of their films, it is nevertheless a striking gesture that informs how we were supposed to enter their stories. Even in two instances where there are other leads aside from the Best Actress nominee, the five films featuring these actresses position them as navigators of their own stories.

Are you ready? The year is 2019...

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Oscar Volley: Who's Really Safe in Best Actress?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Eurocheese and Nick Taylor to talk Best Actress . . . .

Lily Gladstone is coming on strong for KILLERS OF THE FLOWER MOON . . . .

EUROCHEESE: Hi Nick! So excited to discuss the award we all care about most here at The Film Experience - Best Actress. This year has given us a deep bench of competitors, making this feel like a category where we could see a curve ball or two.

Maybe it's best to get the obvious out of the way first - Lily Gladstone's subtle, moving work in Killers of the Flower Moon steals the film from her veteran costars, and Emma Stone's risky, inventive performance is the heart of Poor Things. I don't see the Actress field without them, and I expect one of them will most likely run away with the Oscar. Which one of them takes it? I don't think that's clear yet. I don't put any stock in LA Critics' Supporting mention for Gladstone though - these are our sure things.

NICK: Hi Euro! I’m so excited to discuss this category with you again. I remember we did the pre-nomination volley for last year’s Best Actress contenders. There were so many fun performances to talk about, and in the end I got maybe 3/5 of my predicted lineup right. This year looks similarly crowded, though who knows if another To Leslie is lying in wait . . . .

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Hello, Gorgeous: Best Actress of 2020

A new series by Juan Carlos Ojano

Women are at the center of the Oscars conversation*. Two female nominees for Best Director. Chloé Zhao making Oscar history. Highest number of female-directed films nominated at the Oscars as well as highest number of eligible films at the Oscars in total. Maybe it’s too early to say, but this year is looking like the bellwether of a significant change that is about to happen in the cinematic experience and landscape in the years to come. In a time when cinema as we know it was changing right in front of our collective eyes, this year in film has shown that the future is female indeed.

As for Best Actress - save for one co-lead situation - women are also the center of their respective films’ narratives (longtime Oscar fans know that’s not always the case). The roles nominated during this time exemplify the complex emotions of the year. Social unrest and grief are big forces that confronted us that year. And look at what we have: their nominees’ character introductions are reflective of that.

Are you ready? *The year is 2020...

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