Chastain wins San Sebastian (+ Best Actress Chart Updates)

by Nathaniel R

Women won every award at San Sebastian this year.

Congratulations are in order to Jessica Chastain who took Best Actress at the San Sebastian Film Festival for her sensational star turn in The Eyes of Tammy Faye. We've updated the Best Actress chart. At this very early stage it's looking like a Stewart vs Chastain vs Gaga battle royale. Yes yes the internet always likes to crown the winner before there's even a battle (with everyone deciding Kristen Stewart is winning) but here at The Film Experience we prefer the contest for the nominations -- it's more egalitarian and one should always celebrate multiple actresses as there has never been a year with only one worthy contender. And, listen, when you earn substantial Oscar buzz you're already a winner baby.

Nevertheless "wins" do exist so let's look at the other San Sebastian winners and which actresses have won all the major festivals thus far after the jump... 

Click to read more ...

Review: Jessica Chastain and those "Eyes of Tammy Faye"

By Nathaniel R

A makeup artist fumbles, discovering she can't undo what Tammy Faye hath wrought. It's not a matter of removing the makeup and starting fresh as some of it is tattooed right on. The former televangelist's lips are permanently lined and the raccoon eyes are there to say; mascara as monument. Was this scene at the beginning or the end of the new biopic The Eyes of Tammy Faye? One can never remember with framing devices that flashback to tell you the whole story that got us there but it hardly matters. The point that comes across is not so much how we got there -- though perhaps the filmmakers think go given the framing device-- but that Tammy Faye's clown makeup bioqueen persona is an absolute. She didn't will into it existence so much as uncover and reveal its eternal nature. 

Is this laying it on too thick? The prose, I mean, not the mascara. Of course! But "too much" is just right for anything Jim and Tammy Faye Bakker related...

Click to read more ...

Nathaniel's Venice Wrap-Up: Jury of One Awards

by Nathaniel R

The Venice jury and I agree on a Screenplay prize for THE LOST DAUGHTER

Elisa's already shared the official winners of Venice (and her take on those choices since she saw the whole competition slate). I admire her completism at festivals but my habit is instead to sample a bit from each program. I saw twenty-one films which is a very low number to see over eight days at a major fest — blame Venice’s absurd ticketing system this year which encouraged people to be on their phones securing tickets WHILE watching movies -- i met several people who had set timers for themselves! -- since they sold out in seconds after becoming available every few hours. Since I refused to play on my phone during movies I missed two crucial movies (Spencer and Dune) but here are my favorite achievements from the films I did catch from all programs (Competition, Out of Competitions, Orizzonti, Biennale Collage Cinema, and Critics Week)

RULES: In true festival jury fashion (even though it’s just myself) I’m only allowing one prize per film. And rather than giving out a Best Actress and Best Actor prize (don't make me decide this early!) I’m listing my 15 favorite performances after the jump. What, too much? Acting is magic so I shan't apologize…. 

Click to read more ...

Nathaniel in Venice: "Atlantide" and "The Lost Daughter"

Nathaniel reporting from Venice. Day 2

"Atlantide" is a stunner. And better yet, Venice specific!

My second day of the fest was a day of high highs and low lows. The high (other than the movies) was that it was a full social day. That doesn't always happen at festivals but it is like a shot of energy for extroverts like myself. The fun began meeting two Spanish journalists on the ferry to the Lido who introduced themselves since they read The Film Experience. We had a great conversation about the new Almodóvar and they totally sold me on the idea of the San Sebastian Film Festival -- new goal! Then between films a quick drink with longtime friend Boyd van Hoeij (who you've heard on the podcast a couple of times) and then a late night very Italian dinner with our own Elisa Giudici. She's been our Italian correspondent at TFE for a year now (kicking it off with last year's Venice summary) but this was our first time actually meeting in person. She's such a delight in person, as personable and fun as her writing. I'm really quite chuffed to be sharing this Venice experience with her.

The low was very low realizing that this full day of screenings wasn't going to be the norm...

Click to read more ...

Almost There: Shirley MacLaine in "Madame Sousatzka"

by Cláudio Alves

The Venice Film Festival is upon us and, this year, The Film Experience has two writers attending – Nathaniel and Elisa. For those at home, though, it might help satiate some of the FOMO to look back at the festival's long history. Indeed, these next two Almost There write-ups will focus on actors who won the Volpi Cup, managed to capture some Oscar buzz, but still failed to catch the Academy's attention. Today's example is exciting, for it comes from a rare tie. In 1988, the jury presided by Sergio Leone decided to award two performers with the Best Actress prize, an ex-aequo honor. They were Isabelle Huppert for her breathtaking tour de force in Chabrol's Story of Women and, our present subject of analysis, Shirley MacLaine in John Schlesinger's Madame Sousatzka…

Click to read more ...