Q&A Returns: Whoopi 3, Actressexual 5, Batman 8

Gee, it only took me a month to answer your questions. So on top of it am I! But, silver lining, the Q&A column is back.  We'll do it again soon. I asked you to ask me questions and I choose a handful or two to answer after chucking out all the top ten and ranking questions (those require entire posts). So, let me reload my coffee (so sleepy) and we're off...

JOEY: What "hotly-anticipated" movie of the summer are you anxious to see disappear?

Awesome Dark Knight Rises billboard

I almost never wish for whole movies to disappear but I get advertising fatigue. I'm so happy to be done with The Amazing Spider-Man which already felt extranneous before its promotional onslaught. I'm anxious to get past The Dark Knight Rises too, both because of the bruising "you must love this or suffer death threats" weirdness that surrounded its predecessor and because then the marketing, however brilliant, will stop. I may not love Chris Nolan's movies as much as Composite American Moviegoer but I'd SO much rather be watching any of them than seeing them advertised incessantly. I also don't think I can take The Watch trailer even one more time; shouting is not comedy.

Mr W: Is there any way to donate a sum to you via Paypal without going for a monthly subscription? I'm not a fan of those, but I do feel generous at the moment...

Why yes there is, though considering it took me a month to do this column, your generous moment may have understandably passed. Donations help me pay basics like rent, groceries, movie tickets (I can't always get to screenings since I have to supplement my meager writing income with higher paying off-writing gigs), and travel expenses if I go to festivals (which I don't get to enough due to the costs). I've added a one time donation button under the subscription button.

JOHN T: A terrific actress that never gets discussed on Film Experience --  Whoopi Goldberg. What are your thoughts on her career? Do you have a fave role? And, most importantly, what would it take to get her a third nomination?

I like Whoopi but I've always viewed her as more of a celebrity than an actor. Maybe this is because she started as a comedienne and ended (well, you know what I mean) as a talk show host.

Whoopi, Joss Whedon, and an Actressexual Film Festival after the jump.

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Halfway House 2012. Best Picture (Thus Far)

HAPPY INDEPENDENCE DAY! We're taking stock and talking 2012 crop now that the year is half over. If you asked me to nominate for "Best Picture" right now, here are the titles I'd scribble in the air with sparklers... in alpha order.  I fully expect 2 or 3 of them to be written in ink at the end of the year in my top ten list.

 

The Avengers (review)
Let's not overstate. Popcorn entertainment occassionally does come better than this but The Avengers is still pretty damn fun and clever as it hurdles the complicated 'how on earth do you combine all these franchises into one?' question with confidence and humor. It's easy to forget how wrong this could have gone. Well done Joss Whedon. Extra bonus points for redeeming the two most previously disappointing characters (The Black Widow and The Hulk) by making them the unexpected key pieces of this jigsaw puzzle.

Beasts of the Southern Wild (capsule)
Benh Zeitlin's evocative utopia/dystopia journey is like nothing you've ever seen. So get to seeing it the first chance you get. We'll obviously be talking about it more as the year wears on and top ten lists and awards begin looming.

Bullhead (review)
Michael R. Roskam's brooding tragedy-laced crime drama about a lonely cattle farmer and illegal growth hormones was nominated for Best Foreign Film last year. It finally hit US cinemas this year. They always make us wait. 

Declaration of War 
Valérie Donzelli's restless, experimental retelling of her own traumatic experience as a new parent of a sick child with then boyfriend Jérémie Elkaïm(also playing a version of himself) was a bracing experiene and even an oddly joyful movie. Though it was clearly a longshot for Oscar play (they didn't nominate it for foreign film) I'm glad France submitted it bringing it to our attention here. 

 A Festive 4th of July with Dallas and the Kings of Tampa

Magic Mike (review)
Steven Soderbergh's nuanced observational portrait of a stripper/entrepeneur facing the uncertain future has stylish filmmaking, good solid laughs, and better character portraits than you usually get on the peripheries of the narrative. 

Moonrise Kingdom (capsule)
Not since The Royal Tenenbaums have Wes Anderson's form and content enjoyed a marriage this whimsical, aching and bittersweet. It's multifaceted and, better yet, enjoyable on serious and silly levels depending on your mood. Seems likely to reward us on future viewings. 

Runners up? Not really. Those six stand head and shoulders, even groins in Mike's case, above the pack. Don't miss any of them. If I had to make a top ten list this early with so few films seen (yikes) 7 through 10 in descending order would go to... no I can't it's too unsatisying... I can't I ca... oh, all right. 

JUST 4 OSCARY FUN...
Try to imagine what would happen if the year ended right now. Which films do you think would make Oscar's BP list? It has to be films that are eligible (i.e. released already) so I'm feeling like there's no way it wouldn't be these five: Avengers, Beasts of, The Best Exotic Marigold Hotel, The Hunger Games and Moonrise Kingdom... with Hunger Games losing a Best Director opportunity to Steven Soderbergh for Magic Mike. I've got this alternate reality all figured out! Marketable skill.

Those five movies are arguably the only five that'll have enough devotees to cry "it's going to happen!" in five more months... even if it isn't in most of those cases. Do you agree? Or do you think something heartwarming / messagey (like The Intouchables?) or something critically supported but divisive (like Magic Mike) would surprise and knock the not-beloved-but-way-successful Hunger Games out?

Most importantly: What would your ballot look like so far? And do you think anything we've seen yet is going the distance to an Oscar nomination.

Read Also "Best Of..." Actress, Actor , Supporting Actor and Supporting Actress

April Foolish Predictions: Best Picture

Every year in the first week of April we try to mentally project ourselves forward several months. This is not easy to do due to the pesky problem of films being so much different on screen than they are "on paper". Drama is Oscar's favorite category and the year has already produced two hit dramas in The Grey and The Hunger Games, one a surprise the other a bonafide phenomenon but they're both essentially genre movies so that's one strike against them. And they'll be old news when voting occurs. Strike two.

We're projecting forward anyway.

The Oscar race doesn't actually begin until summer's end anyway when media and pundit types (guilty!) get all respective about 'the year thus far'. At that point box office and critical heat will hopefully combine for one or two of the blockbusters or sleepers and give us our first real contenders. Fans who never forgave the Academy for leaving The Dark Knight out of the 2008 Best Picture field will surely hope that the magic strikes again for The Dark Knight Rises but I personally can't see it happening. It would have to surpass that film, I think, and even if it does it won't have the unrepeatable tragic connections that elevated the reception of the earlier film. Since I'm doubtful that that could possibly happen and don't particularly think Oscar should feel guilty about that omission (I'm much more pissed that WALL•E missed the list that year) I'd rather dream about an Oscar bid for a certain wild-haired princess. Can Pixar regain their "do no wrong" magic with Brave or did that era run out of gas [*cough Cars 2*] or will Merida strike a bullseye? Sorry to mix metaphors but archery is so hot this year (see also: The Avengers and The Hunger Games).

Late year curiousity and prediction battles after the jump

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The Lady of the Link

Off Oscar. Should You Need a Break
Boy Culture attends Madonna's royal premiere here in NYC for W.E.  
David Bordwell "a guide to the perplexed" for Tinker Tailor Soldier Spy 
Stale Popcorn We need to talk about "Katniss". Good question: What is it with archery these days? 
THR Two Beauty and the Beast related projects coming. Because in Hollywood there always must be double dipping on the limited idea pool. 

Okay. Back to Oscar. Stop Slacking!
Tom and Lorenzo on Jennifer Lawrence's unfortunate morning as the nominee announcer.
Ultra Culture on the best typography among the Best Pic Nominees. Love this.
Towleroad "Hot Movie Moment" from one of my favorite Best Pictures Wings (1927) the first one!
Indiewire The Oscars are moving to electronic voting in 2013. Cue: thousands of articles about whether or not This. Changes. Things. Oscarologists are so excitable.

In Contention looks at the Art Direction category
Examiner plays an "Oscar Replacement" game for the nominations 
Carpetbagger on Glenn Close and her makeup and wig team for Albert Nobbs 
MNPP A rarity: JA sounding off on the Oscars. Yay. He's one of the only blogging voices we love that have virtually no interest in them. (No interest in the Oscars? I know. I know. Difficult to comprehend.)   

Finally... a sad goodbye to British actor Nicol Williamson (1936-2012), my very first "Merlin" (though I've lost track of how many actors I've seen as the sorcerer since).

Mirren and Williamson owning Excalibur (1981)

Daily MUBI has the roundups of obits for the Excalibur (1981) actor. My most vivid memories of that film, aside from the Lancelot nudity (gasp) was the Merlin/Morgana Le Fay rapport. I was way too young to know that Helen Mirren and Williamson had... history. 

Box Office: Kate Beckinsale Still Unstaked, Oscar Hopeful Money

There's just no killing Kate Beckinsale's career. No matter how many terrible movies she throws at you, her undead heart will go on. I think she avoids Heigl levels of hatred because she doesn't make as many movies. That's my theory. But nevertheless the fourth installment of her werewolf vs. vampire franchise Underworld Awakening took the top spot at the box office, besting the George Lucas' produced war drama Red Tails and the third week of the hit action film Contraband, and the wide release of the presumed to be failing Oscar hopeful Extremely Loud and Incredibly Close. Steven Soderbergh's Haywire (reviewed) had a rough first weekend coming in fifth but there were a lot of other action films fighting it for dollars. Plus wouldn't people who go "ooh!" when they hear 'Steven Soderbergh' have been seeing the Oscar contenders anyway?

What did you see this weekend?

Oscar Money Talking Points...
The Artist finally got a major expansion though it's per screen average is no longer something to celebrate. Nevertheless this is good news. Within the next couple of weeks it's likely to pass The Hurt Locker's gross so if it wins Best Picture it won't be the lowest grossing BP ever. The film has earned $33 million worldwide to date. That's pretty impressive for a black and white silent. It just passed one of its Weinstein stablemates My Week With Marilyn's in terms of domestic gross. Although it's roughly 47 times better than that film I think it only goes to show how mishandled Marilyn was ... such a small release for such a pre-branded "wide" topic! 

The Descendants just crossed the $50 million mark and will soon leapfrog Hugo and Midnight in Paris for the "Top Grosser That Isn't Named The Help" title among the predicted BP nominees. Unless Moneyball or Dragon Tattoo get nominated in which case this milestone is no biggie.

Best Picture Hopeful Grosses as of 01/22/2012

P.S. I was at a birthday party last night attended by a very international crowd (the birthday girl, a good friend of mine, is German). The movie everyone was talking about was... A Separation. I was surprised how many people had seen it and everyone seemed to love it... though one woman told me she just thought it was "good" until about 20 minutes after it ended when it hit her in full force. It just crossed the 1/2 a million mark at the box office but it's still barely at any theaters. One wonders how well it can expand with word of mouth so strong and potential Oscar glory coming? 

Naturally all of these movies are hoping for a boost next weekend to capitalize on their presumed Oscar nominations. How many of them will keep expanding and how many will wither from people losing interest?