Julia Fox in 'Uncut Gems'

by Murtada Elfadl

A star is born about an hour into Uncut Gems. The lead character, an obnoxious can’t-quit gambler (Adam Sandler) catches his mistress (Julia Fox) in the bathroom of 1 Oak Club in New York with The Weeknd. (Yes the Canadian popstar has a small role as himself.) What follows is a dragged-out funny intense loud lovers fight that starts in the club and spills into West 17th Street as Sandler and Fox scream barbs at each other and continue to fight to the bemusement of onlookers. She begs him to understand “Nothing happened, we were just doing coke.” He throws the ultimate final insult to end the fight “Go fuck The Weeknd.” Or so he thinks. That’s when Fox throws her whole body against the hood of the cab he’s trying to escape in, determined to continue the fight. That’s when we knew it; here’s an actress who will have a long career...

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The precursors don't always matter

by Cláudio Alves

In these merry times of winter holidays and gift-giving, there's no better present than the gift of hope. For Oscar obsessives, this can come in many forms. One of them can be the reminder that the precursors aren't everything when it comes to the race for Hollywood's most coveted little golden man.

Even if your favorite performance of the year hasn't been getting any sort of awards love, that doesn't mean its Oscar chances are dead and buried. Remember the case of Marcia Gay Harden, a surprise nominee that became a surprise victor when she conquered the Academy Award for Pollock. What a thrill.

She's the patron saint of Oscar surprises. In honor of her, here's a list of those lucky actors who scored an Oscar nomination despite having no nod whatsoever from the Globes, the SAGs, the Critics Choice Awards, or the BAFTAs...

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FYC: Jo Yeo-jeong

by Kyndall Cunningham

With every nerve-racking awards season, I find myself putting all my emotional stock into the Best Supporting Actress category. There are three main reasons for this: 1) actresses 2) ostensibly, it’s where all the scene-stealers are, and 3) it’s the only category I can count on a woman of color to win. Admittedly, post-Richard Jewell, I’m not nearly as excited about this category as I was, say, a month ago. But I still have faith that this will be the most interesting acting category this season with various wild cards and dark horses popping in and out until the Oscars nominations are announced in January. 

Media outlets have deemed The Farewell’s Zhao Shuzhen the favored dark horse this year, which is great! But I still believe that this category has room for another non-American actress despite the Oscars tendency to stay "local," as Bong Joon-ho would put it.

Jo Yeo-jeong. 

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The Margot Robbie conundrum

by Cláudio Alves

This year's SAG Awards feature an assortment of multiple nominees across categories. Nicole Kidman, Al Pacino, and Scarlett Johansson scored a rare triple nod and they weren't the only ones. Margot Robbie also did it thanks to her participation in two of this season's juiciest awards magnets. In Once Upon a Time… In Hollywood, she's Sharon Tate, while, in Bombshell, Robbie gives life to Kayla Pospisil, a fictional character that stands in for many of the women victimized by Fox News' toxic work environment.

Since Cannes, Tarantino's take on Hollywood's most tragic ingenue has been put through heavy scrutiny. Robbie's role has been accused of being a misogynistic and limited take on Sharon Tate, terminally underwritten and underutilized to boot. Even so, Once Upon a Time… In Hollywood is a critics' darling while Bombshell has been promptly lambasted as soon as the review embargo ended. Controversies notwithstanding, I confess myself dismayed at the way Margot Robbie's Oscar hopes seem to have concentrated solely on the Jay Roach flick…

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Kathy Bates going lead for Richard Jewell!

Shortly after updating the Best Supporting Actress chart and placing Kathy Bates in the mix for Richard Jewell, one of our SAG Nominating Committee friends sent us this image.  SURPRISE. Kathy Bates is campaigning as a lead at SAG.

Longtime awards obsessives will already know this but for newbies to the intricacies of awards season you should know that SAG voters do not have a choice where they place actors. They can only vote on them in the categories for which they've officially been submitted by the studios (same with Emmy voters). Occassionally SAG and Oscar campaign tactics are different, studios changed their mind, or errors are made by administrative types so people nominated in lead at SAG occassionally go on to win supporting acting Oscars (Benicio del Toro in Traffic / Jennifer Connelly in A Beautiful Mind) or go from being a supporting nominee at SAG to a leading player with Oscar (Keisha Castle-Hughes in Whale Rider / Kate Winslet in The Reader).

How will this all shake out?