Oscar Ceremony: The Greatest Oscar Presentation

by Murtada Elfadl

Remember the Oscar ceremony in February 2009. Hugh Jackman was the host, he brought the house down with his charming opening number. Then it was time for the first award of the evening, best supporting actress. Five former winners came out and what transpired was without doubt the best Oscar presentation in the history of the Academy.

The gasps. How? What? Who? They repeated the same scenario 3 more times that night with the other acting awards. Nothing beat the surprise of that first one though. As someone who loves acting and actors, it was valhalla. A long stretch of time spent on celebrating each nominated performance by previous Oscar winners. No one was in a rush, the jokes were minimal, it was sincerne, it was earnest, it worked. 

The winner from the year before Tilda Swinton talked about Marisa Tomei. Whoopi Goldberg got Amy Adams, Goldie Hawn waxed poetic about Taraji P Henson. Eva Marie Saint paid tribute to Viola Davis and the eventual winner Penelope Cruz was congratulated in Spanish by Anjelica Huston. Bring this back Academy. I don't care how long it is or how too earnest it could get, this is why we tune to the ceremony and why we talk about it all year.

What is your favorite Oscar presentation of all time?

In Lieu of the Supporting Actress Smackdown...

by Eric Blume

This too-short Oscar season has all of us firing on all cylinders here at The Film Experience, so sadly we can't engage in a full Supporting Actress Smackdown this week. (The series will return soon though)  In its absence, and to encourage hearing from all of you, Nathaniel has asked me to submit my personal Smackdown ballot and let the chips fall where they may...

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The Curious Case of the Double Nominee

by Cláudio Alves

To get an Oscar nomination is a wonderful stroke of luck, to get two is even luckier. To get two in the same year is the equivalent of finding a four-leaf clover in a sprawling field. If you're an actor this is particularly true since the Academy's rules make it impossible for the same performer to get two nominations in the same category simultaneously. That's why, for instance, Margot Robbie could only score a single nomination this season. Both her contending performances were supporting roles so, even if she won enough votes for a double nomination -- which she might have if BAFTA is indication -- the performance with fewer votes would have been locked out. 

For Scarlett Johansson that wasn't a problem. Lead or Marriage Story and Supporting for Jojo Rabbit. She thus became the 12th actor to achieve this rare honor, the 9th woman, and if she wins either award, she'll be the 8th performer to do so. Statistically speaking, there's around 64% probability of victory for a double nominated actor. Let's celebrate the 12 double-nominated actors in the history of the Academy Awards after the jump…

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Almost There: Lana Turner in "The Bad and the Beautiful"

This week The Film Experience will be celebrating Lana Turner for her Centennial. Here's Cláudio Alves

According to legend, Lana Turner was discovered in 1936, when she happened to be spotted by the publisher of The Hollywood Report while drinking a Coke at Schwab's Pharmacy. As with most myths of the cinematic Olympus, the story is unlikely to be true, though that doesn't take away from the allure of the actress. Whatever her origin story, Turner appeared in her first film the following year and quickly became one of Hollywood's most beloved sirens, an icon of glamor and sensuality, a megawatt star the likes of which we haven't seen in decades. 

Despite it all, stardom doesn't necessarily equal prestige. Turner was often seen as little more than a pretty face and her acting craft was underappreciated. In 1957, a conflagration of many scandals, personal and literary, secured her a single Oscar nomination for Peyton Place. That wasn't the first time she was in the running for awards, however...

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The Cinematic Redemption of Amy March

by Cláudio Alves

Greta Gerwig's Little Women is a bold adaptation of Louisa May Alcott's beloved classic in more ways than one. Structurally, it shatters the novel's chronology, making past and present, childhood and adulthood, talk to each other in a dialogue of echoes and rhymes. For instance, when Jo loses a sister in the wintery coldness of the present, Gerwig marries the moment to the memory of another kind of sisterly loss, when a wedding in warm colors was a harbinger of future loneliness for the heroine. Another element that makes this new adaptation so radically different from the previous ones is its treatment of Jo's sisters. No longer are Meg, Beth, and Amy March relegated to the periphery of the text. This 19th-century classic is called Little Women, after all, not Little Woman.

When it comes to its portrayal of Amy, the novel's most condemned character, the 2019 film is of particular innovation. We could almost say this Little Women redeems Amy March after centuries of villainizing her…

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