Drama League Nominations

by Nathaniel R

Tracy Letts & Annette Bening are both nominated for the Broadway revival of "All My Sons"

The Drama League has announced the nominees for their five categories. Yours truly had the privilege of serving on their nominating committee this season. The nominating committee changes each year and is composed of industry professionals, producers, artists, audiences and critics. You're sent to random shows to evaluate (you don't get to pick which) and productions and performances that reach a certain threshold of collective enthusiasm are then nominated (that's why the category sizes differ so much. The awards will be giving out on May 17th. 

The Lucille Lortel Award nominations (which are strictly for Off Broadway Shows) were also announced. Full list of nominees is after the jump...

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New Podcast: High Life, Sauvage, and Mary Kay Place in Diane

by Murtada Elfadl and Nathaniel R

 

Index (50 minutes)
00:01 Claire Denis' High Life starring Robert Pattinson, Juliette Binoche, and the Fuck Box
16:00 A gay hustler movie from France Sauvage/Wild
24:10 Mary Kay Place is Diane in Kent Jones' intimate narrative debut starring a slew of underutilized older actresses
34:50 What we've been seeing on Broadway as the Tony nominations approach
44:44 Coming Soon & miscellaneous silliness since Murtada wants to know if Cate Blanchett is in Avengers: Endgame)

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Sauvage Diane

Stage Door: What's in the running for Tony nominations this year?

With Emmy nomination voting still two months away, the Awards calendar is now strictly focused on the Broadway stage: it's Tony season!

The 2019 Tony Award eligibility runs May 31st, 2018 through April 25th, 2019. The eligible shows will find out their fate when Bebe Neuwirth and Brandon Victor Dixon announce the Tony nominations on Tuesday, April 30th. A Tony win, even moreso than an Emmy or Oscar triumph, can result in a huge change in the financial fortunes of the nominee/winner. That's especially true if the show doesn't come with a major marketing hook like "based on a popular movie" or "hear all your favourite songs by so & so!" in the case of jukebox musicals. 

So what's eligible this year? It's not time for predictions yet but we've compiled all the titles for you in chronological order because that's more interesting than alphabetical...

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Stage Door: Hillary and Clinton

We're seeing a lot of theater in the run up to the Tonys. Here's new contributor J.B.

For the last twenty years or so, and probably longer, well-crafted stories about women in politics told on stage or screen have frequently been described with words like “timely” or “vital.”  These stories, in many cases, are ones we haven’t heard before, and to the extent we as a society want our art to imitate life (and indeed, vice versa), they are, now more than ever, ones we need to hear.

It is for this reason that Hillary and Clinton, a well-crafted story about the quintessential woman in American politics now playing at the John Golden Theater in New York, feels like such an anomaly. The play, written by Lucas Hnath and directed by Joe Mantello (his SEVENTH production on Broadway in just the last three years), takes place in a hotel room during the thick of the 2008 New Hampshire Democratic Primary and offers an imagined glimpse into what exactly the titular characters (played by Tony-winners Laurie Metcalf and John Lithgow, respectively) may have been thinking, feeling, and communicating to each other at that precise place and time in history...

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Stage Door: "The Cher Show" and "Aint too Proud"

by Nathaniel R

Musical theater has its own version of limited and wide release / indie and blockbuster if you will. The analogy is far from perfect but those movie groupings are sort of comparable to Off Broadway and Broadway. Every Broadway show is trying to be a four-quadrant blockbuster.  

One of the safest routes to a quick buck (if not necessarily continuous sales) is the jukebox musical. Not all of them try to double as biographies of whoever's songbook it is but many do. That way they're easily marketable, excessively familiar, and can rely on nostalgia and sight-unseen goodwill to fill the house...

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