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Entries in Cinematography (393)

Tuesday
Feb282012

Tues Top Ten Pt 2: 84th Oscar Takeaways

It's (almost) all over but the dresses. But first we're counting down the ten takeaways from Oscar's 84th year. Your takeaways may vary of course but these are the ten things I expect I'll keep thinking about beyond the big night....

10 Direction is Everything
09 Fincher's Oscar Stride
08 Leggy Angelina Jolie
07 Movie Stars on Movies
06 A Separation's Win


Jessica and her Nana

05 Jessica Chastain is a Girly Girl
Just when we started thinking of her as a Serious Serious Actress she showed up in awards season all giggling, bouncy, girlish. This doesn't mean she isn't a serious actor of course but it was rather a shock, even after speaking with her. Celia Foote's uninhibited enthusiasm in The Help might be the closest we've seen to the real woman behind the chameleon. This impression continued on Oscar night when she brought her Nana and went all womanchild shy and cuddly after her clip. Later during the Best Actress presentation she looked enormously worried for Viola Davis. No wonder she's an actress; her face registers every flush of big feeling. 

04 Emmanuel Lubezki Is Never Going To Win an Oscar
I was more sure that "Chivo" aka Emmanuel Lubezki would lose the cinematography Oscar for The Tree of Life than I was sure who would win it. I predicted The Artist but the prize went to Robert Richardson (Oscar #3) for Hugo.  Lately AMPAS seems much more interested in cinematography as a complicated technical profession rather than a spiritual one that's all about light and tone and feeling. For the past three years Oscar has definitely preferred heavily processed CGI behemoths here. We hope they one day get back to movies that feel crafted by hand... and God. Like There Will Be Blood (which miraculously won).

Lubezki is brilliant but it's lost on the general voters. At least the cinematography branch knows his worth. He has the unique distinction of being nominated with frequency despite rarely lensing Best Picture nominees (which is rare) and despite not being inextricably tied to any one specific filmmaker (also rare). His nominations, all of them deserved (rarer still!), come from filmmakers as diverse as Alfonso Cuaron, Terrence Malick and Tim Burton.


03 Best Presenter: Emma Stone
Easy A was such a confident comic star turn that it was inevitable that she would ascend but it's delightful that she's just as funny at the big show as on the big screen. Entering the stage to present strenuously waving, emphatically gesturing, widely grinning, Emma Stone was so keyed up you had to ask if she was for real. Before she spoke you were caught for an instant on the line between 'is this a skit? and 'ohmygod she is really into this' which, as it turns out, was the skit.

We are here tonight to present the award for visual effectsTHIS IS MY FIRST TIME PRESENTING AN AWARD. Hiiiiiii. 

Waitwaitwaitwait let's stop rushing. We should have some banter.

What joy. Emma is just as funny as herself. Or maybe as Anne Hathaway, if you take this as a comic send up of that ill fated Oscar hosting last year. (In tonight's performance Ben Stiller will be playing the supporting of the less stoned but equally dull James Franco there only to bring his partner down). From Stone's unbridled enthusiasm to her ADD Show Person energy to the spontaneous singing... Was it too Mean Girl? I am crazy in love with Anne Hathaway myself but I laughed and laughed.

(Runners up: The Bridesmaids "SCORSESE!!!!!" [knocks back drink]. It was smart to give the six of them the three short film awards as their numbers dwindled on stage. I only wish they could've had a Sound of Music send off or some comic interstitial to shoo each other off the stage 'adieu adieu to you and you and you'. Distant third: Gwyneth Paltrow and Robert Downey Jr in "The Presenter")

02 Meryl Streep's Third Win. Be Careful What You Wish For
As previously discussed... but also the night's best speech. (Streep would have had a rival in Christopher Plummer but for his speech being in syndication for a couple of months now)

01 They Weren't Fooling Around With 'The Year of Nostalgia'
The Oscar Producers will see your Hugo and The Artist and The Help and War Horse and The Tree of Life and Midnight in Paris and every other backwards gazing collage of deeply felt memories, shared at the movies or privately recreated by or vicariously lived through the movies and they'll raise you Tom Cruise, Jennifer Lopez, Meryl Streep Winning, Tom Hanks all over the place, Cameron Diaz, and Billy Crystal thawed from his cryogenic freeze. If you squint your eyes a little this ceremony took place in...1994.

What will you take away from the 84th Oscars? 
Are you already dreaming of the 85th?

Thursday
Jan262012

The Art Direction I Live In

I always try to finish the "Oscar Categories" of my own Film Bitch Awards before the Oscar nominations. I was racing to the deadline, panting heavily, sweating profusely and then I collapsed. I am now crawling towards the finish line. If anything can revive me it's eye candy! So here are my nominees for Art Direction and Cinematography. I would post Costumes too but I'm still arguing with myself over 8 films. (So many worthy efforts!) 

But while I have your eyeballs, I want to talk about one film in particular. Film is a visual medium so you'd think it would be a given that filmmakers would convey their themes and moods and characters visually. But many of them don't, relying on dialogue as exposition or voiceover profundities or leaning heavily on the gifts of their actors to get themes and nuances across. In other words, we have too few Pedro Almodóvars behind the camera.

In the two stills above from The Skin I Live In (which went without any Oscar nominations and was not submitted by Spain for Best Foreign Film) you can see how visually rich and how carefully planned every beat in an Almodóvar film is [MORE AFTER THE JUMP]

Click to read more ...

Wednesday
Jan112012

ASC Nominees. Cinematography With the Soldier-Spy Tattoo

The cinematography guild has spoken and, like the Art Directors, Directors, Producers and Writers they're totally packing off for a vacay in the snowy murderous isles of Sweden with The Girl With the Dragon Tattoo. What the hell is going on over there in Hollywood?* There was once a time, believe it or not, when instant remakes of foreign films were looked on suspiciously (from an artistic standpoint, not a financial one). Even The Departed which won rave reviews and eventually the Best Picture had some early doubters due to its remake nature. And Dragon Tattoo doesn't have those "masterpiece!" reviews. That said Jeff Cronenwerth is an amazing DP and like all of Fincher's films this one is beautifully put together. (We just wish he'd chosen material more worthy of his immense gift is all.)  

The ASC Nominees

 

  • Jeff Cronenwerth (The Girl With the Dragon Tattoo
  • Emmanuel Lubezki (The Tree of Life)
  • Robert Richardon (Hugo)
  • Guilliaume Schiffman (The Artist)
  • Hoyt van Hoytema (Tinker Tailor Soldier Spy)

 

Emmanuel Lubezki, A.S.C., G.E.N.I.U.S.An excellent list all things considered.

I've given up hoping for Emmanuel Lubezki (100% certified genius) to ever win the Oscar and I suspect this year he'll lose again especially because The Tree of Life doesn't seem to have much AMPAS support. I expect the Oscar will go to either Schiffman or Richardson. The whole of the Academy votes on the winners and they often vote on their favorite film as opposed to how it's shot and lit. 

But will these five men carry over to the Oscar nominations? Usually one person is dropped for the Oscar list.

* My three theories
a) Everyone is waking up and going "D'oh!" about The Social Network losing last year. Sorry Fincher!
b) Everyone loves violence against women (sadly this is obvious in pop culture) especially when its got the sheep's clothing of a sort of feminist icon wrapped around it.
c) Hollywood just really likes the movie and its freshest in the memory.

Monday
Dec262011

OFCS Nominations: The Drive of Life

The Online Film Critics Society is the latest group to chime in with their nominations for the best of 2011. They'll announce the winners on January 2nd but because they're a big group we deigned to feature their nominees this year. As in most years there are a couple of eyebrow raising choices (I really can't handle Editing and Screenplay nominations for We Need To Talk About Kevin! Shoot me now... with bow and arrow if you must.) but their Best Cinematography list is just... well, we should only pray we get an Oscar field that beautiful, that acclaimed, that challenging, that perfect, that War Horse evading.

The Tree of Life led their field of contenders with seven nominations including two for acting (Brad Pitt was honored there,  not for Moneyball) with Drive in hot pursuit with six. And for what seems like the first time in ages, Martha Marcy May Marlene was not left out in the cold, picking up three nominations including Original Screenplay for Sean Durkin (recently interviewed).

Full list of nominations with a few thoughts after the jump.

Click to read more ...

Wednesday
Dec212011

Utah Picks "Drive", Black Film Critics Love "Pariah", And More...

Well, look at that!

Critics group finally veered off the three well paved roads of Best Picture honors (The Artist, The Descendants and The Tree of Life were the only previous films named "Best Picture" by a US critics group. No, the NBR is not a critics group). Utah named Drive the Best Picture of 2011 and the Black Film Critics Circle went for The Help

Their love for the film which earned two additional prizes also broke up the clean sweep by The Tree of Life in cinematography. Emmanuel Lubezki's god like talents are truly majestic (and have been jaw dropping for a long time prior to The Tree of Life) but it's nice to see another artistic photographic achievement honored, in this case Newton Thomas Sigel's evocative night time cityscapes and theatrically dreamy interiors. Sigel has done rich work before, particularly on X2: X-Men United and Three Kings, but nothing as fine as his work on Drive. He's never been honored by his own guild or Oscar so hopefully that'll happen for him this year since he's done his best work ever.

Consider this prize a wee detour as there are more honors to come for Lubezki, though, surely. Lubezki might actually win the Oscar this year... though I'm trying not to hope for it too emphatically as Oscar has a way of ignoring his genius.

 

Full list of Utah's prizes and two more critics groups after the jump...

Click to read more ...