10th Anniversary: Scott Pilgrim vs The World

by Nick Taylor

I first saw Scott Pilgrim vs The World with my mom at an advanced screening, the benefit of a summer-long stint in 2010 where my parent’s work received passes for secret audience test runs of upcoming blockbusters. The theater was decently sized and completely packed, mainly crowded with teenage boys escorted by parents, grandparents, and other miscellaneous chaperones, plus a good number of twenty- and thirtysomethings who likely read Bryan Lee O’Malley’s recently concluded graphic novel series. You can imagine any number of reasons why this movie would’ve played well to the teen boys in the audience, though it still amazes me how much everyone in the theater seemed to be having a good time with it. Ten years later and it’s still a reliable hit with my immediate family, and someone referring to it as Edgar Wright’s best film can get me on their side real quick...

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Links: John Boyega's activism, Criterion Channel says "Black Lives Matter," The Eisner Awards and more...

We're always behind with our news roundups. Forgive. It's such a difficult time out there. We know we aren't the only people struggling to concentrate...

• THR A personal history of queer cinema by critic David Rooney with Dirk Bogarde anecdotes
• Vulture the 100 best movies on HBO Max
• The Guardian for our UK readers, Guy Lodge points out the awesome movies from RKO pictures that you can stream online there now

After the jump John Boyega's activism, Criterion Channel on Black Lives Matter, the Oscars of comic books', theaters opening in time for Tenet and more...

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No Time to Link

• Variety cultural conversations about a TV show lift its Emmy prospects
• The Guardian on Leonard Bernstein's 10 year affair with a Japanese fan
• /Film Bond 25 has a title No Time to Die
• Daily Xtra Joey Moser remembers seeing movies with his father on the weekend - lovely

After the jump Love Simon, Spider-Man divorce, cool film festivals, and Marvel Comics avoiding anti-fascist "politics" in a genre built on just that...

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Links: Mike & Maleficent & Marvel & The Mother

• Spirit Airlines are decorating their planes to "soar" with Dumbo. That seems like a costly promotion, there!
• Slant ranks all the Marvel films. I found this interesting because it's a) insane and b) the people they've assigned to write up the movies dont necessarily agree with their ranking in the list so it's weirdly schizophrenic
• /Film confusing and bizarre history of Captain Marvel in the comic books
• THR Idris Elba in talks to replace Will Smith in the Suicide Squad sequel

After the jump Maleficent 2's teaser poster, Gregg Araki's new series, Rock Hudson, Magic Mike casting, and more...

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Spider-Man: Into the Spider-Verse, Reviewed

Every Saturday this month, Tim will be taking a look at one of the films submitted for the Best Animated Feature Oscar.

Fans of Marvel's iconic hero Spider-Man have had a packed 2018, between Tom Holland's third big-screen turn as the character in Avengers: Infinity War and Tom Hardy's role as the antihero Eddie Brock in the conspicuously Spider-Man-less Venom. But the best has very much been saved for last, in the form of Spider-Man: Into the Spider-Verse, a new animated feature that's easily the best Spider-Man movie since Spider-Man 2 (2004) back in the distant early days of the modern superhero movie boom.

The film is the first big-screen adventure of Miles Morales (Shameik Moore), who first appeared in comic books in 2011 as a new Spider-Man following the temporary death of Peter Parker. He's a Brooklyn teenager, awkwardly fitting into life at an elite boarding school, living in perpetual chagrin at the overbearing authority of his cop dad (Brian Tyree Henry), and expressing himself through graffiti art (one of the things his dad is specifically overbearing about). And if that was all he ever was or did, Into the Spider-Verse would still put up a good argument for itself as a more than worthy movie...

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