The Ever-Growing Pains of "Beastly"

With Disney's live action remake of "Beauty and the Beast" hitting theaters this Friday, here's Jorge Molina to take a look into the yearbook of forgotten movies and another recent Beauty & the Beast adaptation...

I’ve been always fascinated by the mythology, tropes, and interpretations of fairy tales. They are one of our most lasting and frequently sought pieces of folklore. They are the ultimate piece of intellectual property, belonging to the collective consciousness of entire generations. We love to tell them, retell them, repackage them and resell in as many forms as we can conjure up.

I also was once a teenager that wanted to write movies.

Now, let’s imagine that my thirteen-year-old self (with all his growing pains, confused sexual identity, and overflowing longing for deeper meaning) was given the task of reimagining the classic tale of Beauty and the Beast in a modern setting...

Click to read more ...

Red Carpet: Best Dressed Women at the Oscars

Here's Jose with best looks from the 2016 Academy Awards...

And on Oscar Sunday Meryl said "let there be fashion", and then there was fashion.

The 2010's should not only be remembered for being the decade in which the greatest living actress earned her record-breaking 20th nomination, but also as the decade when she found a red carpet style that fit her iconoclastic image as both the Grand Dame of American cinema and someone who wants the world to think she "woke up like dis". In 2017 she even had her very first fashion feud (paging Ryan Murphy) when she had a PR battle with couture supervillain Karl Lagerfeld over a Chanel dress that was to be worn by no one (perhaps we will see Nicole wear it at Cannes someday?) In the end Meryl showed up in a statement-making Elie Saab couture creation in deep regal blue that combined pants with a ballgown, perhaps a nod to Hillary and the ultimate dig at T**** who believes there is only one way for women to "dress at work"? 

PS: She also forgave Karl.

Following in Meryl's magnanimity this year I present you my favorite looks from the Oscar red carpet unranked... 

Click to read more ...

On the Vanity Fair "Hollywood" Cover

One of the greatest awards seasons traditions is upon us the Vanity Fair "Hollywood" Issue. Last year we had a superstar cover and the year before that a mix of rising stars both male and female but VF likes to alter the mix each year and so we're back to where they began this tradition 22 years ago with a group of youngish female stars of the now. The covergirls this year are: Emma Stone, Lupita Nyong'o, Amy Adams, Natalie Portman, Ruth Negga, Dakota Fanning, Elle Fanning, Aja Naomi King, Dakota Johnson, Greta Gerwig, and Janelle Monáe.

Let's take a closer look after the jump...

Click to read more ...

Podcast: The Lobster, Sing Street, A Bigger Splash, High-Rise

With two not-worthy wide releases set to dominate Memorial Day Weekend, Nathaniel, Nick, and Joe catch up on recent quality limited-release movies we hadn't yet discussed together. Catch these in the theaters, please.

Index (42 minutes)
00:01 The Lobster (Yorgos Lanthimos)
11:18 High-Rise (Ben Wheatley)
15:45 Sing Street (John Carney) and a Keira Knightley tangent
22:37 Dakota Johnson & actress nemeses
24:35 A Bigger Splash (Luca Guadagnino)
40:03 Venice detour & goodbyes

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

The Lobster & Sing Street

Top Ten: Sexiest Things in "A Bigger Splash"

In lieu of a full review for Luca Guadagnino's I Am Love follow up A Bigger Splash -- who can type with one hand -- a hot and bothered top ten list.

THE SEXIEST THINGS IN "A BIGGER SPLASH" 

10. Reflective Sunglasses.
The great cinematographer Yorick Le Saux (look up his filmography. Seriously) makes full use of the reflections in everyone's glasses. We're staring at them, but what are they staring at in this voyeuristic vacation?

09. Tilda Whispering to Matthias
As the movie begins world famous rockstar Marianne Lane (Tilda Swinton) is on vocal rest, doctor's orders. Her visiting friend/ex lover Harry (Ralph Fiennes) and a daughter he didn't know he had until recently (Dakota Johnson) arrive in town unexpectedly and they're told she can't speak. It's not strictly true. Marianne reserves her whispering, which she's allowed, for her younger filmmaker boyfriend Paul (Matthias Schoenaerts). Secretive conspiratorial intimacy is a panty-dropper.

Click to read more ...