Doc Corner: How much has the changing Academy changed the Best Documentary category ?

By Glenn Dunks

Among all of the talk happening since the Oscar nominations, a good deal of attention has been paid to the role the new roster of Academy members might have played in what we were given. With good reason, too, considering the nomination list reads rather obviously as the awkward merging of two very different kind of voters. Virtually every category has something for both the old and the new guards – or, at least what we perceive to be the old and the new guards. 

Even a category like Best Sound Editing has a horror movie and a Mexican domestic drama sitting next to musical biopics and action blockbusters. In Best Makeup and Hairstyling you'll see standard old/overweight and royalty makeup side-by-side with a curious Scandi whatsit. And doesn’t it feel odd to imagine the same acting branch voter notching Sam Rockwell’s name for Vice and simultaneously selecting Marina de Tavira one category over?  The documentary branch is no different. Their 2018 nominees for Best Documentary Feature are even more 'new guard,' taking this idea of a shift in identity even further...

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22 days til Oscar - Walt Disney and his nearest rivals (?)

by Nathaniel R

Everyone presumably knows that Walt Disney (1901-1966), one of the 20th century's most influential titans, holds the records of most competitive Oscar wins. He amassed a total of 22 Oscars in his career which broke down like so:

• 12 animated shorts
• 6 live action shorts *
• 2 documentary shorts
• 2 documentary features

A few notes on these achievements and Disney's nearest rivals in these categories (and whether or not the ranks might change) after the jump...

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Sundance: "The Inventor: Out for Blood in Silicon Valley"

The Film Experience has two contributors at Sundance this year, Murtada and Abe. So here's your first of several reports. -Editor

Alex Gibney discussing his new doc on opening night of Sundance 2019

by Abe Fried-Tanzer

One of the first films to premiere at the 2019 Sundance Film Festival comes from renowned documentarian Alex Gibney, who has previously taken on the Catholic Church, Scientology, Enron, and Lance Armstrong. He won an Oscar for his exposé on torture practices in the disturbing Taxi to the Dark Side (2007). It’s fair, at this point in his filmography, to assume that whatever Gibney wants to spotlight is going to be interesting.

The Inventor: Out for Blood in Silicon Valley tells the recent story of young entrepeneur Elizabeth Holmes and her company Theranos, which launched with the promise of performing over 200 medical tests using just a tiny drop of blood...

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Shorts Predictions -- All Oscar Categories Complete!

by Nathaniel R

some of the shorts contenders we're most curious about after investigating the titles

For better or worse all of the Oscar predictions are completed including the last three hold outs: Live Action Short, Animated Short, and Documentary Short. Though we have yet to see the shorts (that'll have to wait until nominations) predictions were made via an unholy combo of hunches, IMDb ratings, plot descriptions, tea leaves, blind faith, coin tossing, and a teensy bit but not much of seeing what other people around the web are saying but never following that exactly because nobody ever scores 5/5 in all shorts categories. Including me, of course, but there's always a first time. Maybe? 

 Final Predictions All Categories
INDEX | PICTURE   | DIRECTOR |
ACTRESS | ACTOR | SUPP ACTRESS |
SUPP ACTOR | SCREENPLAY  |
FOREIGN FILM | ANIMATION, DOCS, SHORTS |
VISUALS | SOUND

Doc Corner: Final Oscar Predictions – A Big Year For Box Office Hits?

Editor's Note: We're turning over the final nomination predictions in Documentary to our resident doc expert. Take it away, Glenn -- Nathaniel R

By Glenn Dunks

It’s always somewhat impossible to gauge just what direction the documentary branch will go in. In the past, they have often been criticized for ignoring big non-fiction hits while the next year they're equally criticized for just nominating the documentaries that people have heard of and ignoring the smaller titles that haven’t the benefit of famous subjects or popular themes (WWII, for instance).

2019 was an unusually spectacular year at the box office for documentaries with four titles all reaching seven figures at the cash registers of cinemas in the US. It has been great to see documentaries enter the zeitgeist in such a way. Unfortunately that has meant that most awards organizations have defaulted to a standard list of those top four box office champs: Won’t You Be My Neighbor, Free Solo, RBG and Three Identical Strangers. Maybe with Netflix’s Shirkers or Hulu’s Minding the Gap thrown in for good measure. Will Oscar follow suit?

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