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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Entries in editing (125)

Wednesday
Nov162016

Honorary Oscars - The Acceptance Speeches

The General Election really threw off coverage here but we're back on our feet (if a bit wobbly) and we hope you are, too! The annual Governor's Awards where the Honorary Oscars are handed out were held this past weekend with basically everyone in attendance. Here are the four honorees giving their very sweet speeches from the event. They're so moved as well they should be by this historica honor.

Enjoy if you haven't yet seen them...

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Wednesday
Oct262016

Oscar Horrors: The Dangerous Editing of "Fatal Attraction"

Boo! It's a bonus episode of "Oscar Horrors". We're looking back on horror-connected Oscar nominations until Halloween. Here's Daniel Crooke on a Best Picture nominee's brilliant rhythms

Fatal Attraction wants you to keep your doors locked; it gets off on invasion. On lulling you into a false sense of security, sneaking in through the back gate, and shredding the nerves of you and everyone inside while it wreaks increasingly deranged havoc with maniacal glee. Such manipulation is not only the mark of a great psychopath but of a great editor, as well. In Fatal Attraction, you’ve got both; Glenn Close’s rhapsodic performance as jilted stalker Alex Forrest slashes at unexpected intervals but she meets her match in the finely screw-tuned cuts of Michael Kahn and Peter E. Berger. Adrian Lyne’s classic cautionary tale of infidelity gone wrong and what happens when you turn down someone’s invitation to the opera goes for the jugular (and the groin and the brain) but it’s up to Kahn and Berger to keep your guard down, raise the hairs on your neck, and provide a clear path for Close to sneak up behind you with the knife.

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Wednesday
Oct192016

"Silence" is Shorter, Still Possibly Golden

a new image from the film - our first look at Adam Driver

In very good news for butts of all shapes and sizes, news came this morning that Martin Scorsese's Silence is no longer going to be his longest feature film ever. That dubious honor will continue to be held by the excruciatingly long winded duo of Casino and Wolf of Wall Street. It seems that Marty and his trusted editor Thelma Schoonmaker have whittled away some 22 minutes from the earlier reported running time of 3 hours and 1 minute (or thereabouts)...

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Thursday
Sep012016

Honorary Oscars to Jackie Chan, Frederick Wiseman, Lynn Stalmaster, and Anne V Coates

The Board of Governors from AMPAS have finally announced their selections for this year's Honorary Oscars. This year they're not giving out the Thalberg (for Producing) or the Hersholt (for Huminatarian efforts) but just the regular ol' Honorary Oscars. If such a thing can be deemed "regular" since they're so hard to come by. Consider that James Ivory still doesn't have one despite being a masterful oft imitated but never duplicated director behind three major Best Picture contenders (and many other beautiful films) and never having won an an Oscar and being 88 years old. Nathaniel wept. Oscar remains remarkably stingy with the gays but at least they've noticed the need for diversity in other ways.

Congratulations to this year's esteemed recipients! 

Jackie Chan's starmaking hit The Legend of Drunken Master (1978)

SUPERSTAR JACKIE CHAN
He's a famous actor, producer, and director and his filmography is just enormous with well over 100 films under his belt. What's more he's a major figure in Asian cinema which is about the last place Oscar ever looks to hand honors so good on them. He's only 62 which is young for an Honorary prize but Spike Lee got his while still in his late 50s recently so they appear to be loosening up with their age restrictions. 

EDITOR ANNE V COATES
Though The Film Experience is against Oscar's strange practice of giving Honorary Statues to people who've already won (like Coates) there's no denying that she's one of the best editors the cinema has ever seen. And in truth they've been a bit stingy with her with only 5 nominations and a win (Out of Sight, In the Line of Fire, The Elephant Man, Becket, and her winning film Lawrence of Arabia when she was still in her 30s). I was personally horrified when she was not nominated for her vigorous artful editing on Erin Brockovich (2000). At 91 she doesn't work much anymore but she did edit Fifty Shades of Grey (2015) recently. 

DOCUMENTARIAN FREDERICK WISEMAN
The Academy has been egregiously stingy with this 86 year old. He's never been nominated despite being considered one of the all time greatest documentarians. He has made nearly 40 documentaries including such well regarded titles as Titicut Follies (1967), High School (1968), Hospital (1970), Welfare (1975), Domestic Violence (2001), and At Berkeley (2013)

Lynn Stalmaster at the TCM FestivalCASTING DIRECTOR LYNN STALMASTER
Since AMPAS does not have a category for casting this is a great use of the Honorary award. Lynn Stalmaster is 88 years old and a legend in his field. Within his first three years as a casting director he already had a Best Actress winning film under his belt (I Want to Live!, 1958). Among his many films there are quite a few examples of situations where the perfect actors for that particular project where chosen including: In the Heat of the Night (1967), The Thomas Crown Affair (1968), They Shoot Horses Don't They (1969), Harold and Maude (1971), Deliverance (1972), Tootsie (1982), The Right Stuff (1983), Nine and a Half Weeks (1986) and many more. I adore that he had such a thing for Faye Dunaway though maybe she regrets how frequently he cast her since Mommie Dearest (1981) and Supergirl (1984) were towards the end of it. 

The non-televised Governors Awards will be held on November 12th. As usual we'll be doing some posting on these four careers in the lead up to their honors so we have quite a range of films to choose from. Any requests?

Friday
Jul292016

HMWYBS: A Sensational Diane Keaton in "Looking for Mr Goodbar" 

Best Shot 1977 Party. Chapter 3
Looking for Mr Goodbar (1977)
Directed by: Richard Brooks
Cinematography by: William A Fraker

Finally with chapter 3 in our look back at the Cinematography nominees of 1977 -- a little prep work for the Supporting Actress Smackdown (last day to get your ballots in) -- a real threat to Close Encounter of the Third Kind for the Best Cinematography crown. Close Encounters won the Oscar, its sole competitive Oscar, but William A Fraker was more than worthy as a nominee for his evocative experimental work on Looking for Mr Goodbar. The cinematography (along with its swinging partner, the editing) are ready and able to capture the whirlwind moods, liberated momentum, self-deprecating humor, and multiple flashes of fear within this time capsule of the sexual revolution.

My only regret in showcasing the cinematography for this series is that good images are hard to come by. More (a little bit NSFW) after the jump...

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