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Entries in editing (123)

Thursday
Jan172019

Final Predictions: All Visual Categories

We're almost to the nominations, can you believe it? So we're furiously trying to wrap up our predictions. Let's do Costume Design and the rest of the eye candy categories.

COSTUME DESIGN
My favourite tech category should give three-time winner Sandy Powell a historic THIRD double-nomination in a single category with both Mary Poppins Returns and The Favourite feeling secure for nominations. It also feels like there's little chance that Black Panther could miss, and we expect voters will want to take this opportunity to finally hand Ruth E Carter her Oscar (this will be her third Oscar nomination, tying her with Viola Davis and Octavia Spencer for most Oscar nominations for a black woman). Those are the locks...

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Monday
Jan072019

Guild Nominations En Masse!

by Nathaniel R

Today is a big day. It's Globe fallout day but also the day when  the guilds start announcing en masse. Today we heard from the writers, the editors, and the art directors guilds to give us more clues as to which films the industry is gaga for. The only films that scored at all three guilds were A Star is Born and Roma, which NOT COINCIDENTALLY feel like the two most likely films to win Best Picture on Oscar night, give or take Black Panther.

The nominations are all after the jump...

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Friday
Dec212018

Eight Links Out

Deadline 10 upcoming films that were given by funding from the British Film Institute... including a new meaty role for Sally Hawkins
Filmmaker picks the 10 best films directed by women this year from Kenya's Rafiki through the US indie Madeline's Madeline. The biggest grosswer on the list is You Were Never Really Here by Lynne Ramsay...
TFE <-- which, in case you missed  our year in review of box office hits, is only the 8th biggest grosser among female helmed films this year just behind Leave No Trace and Can You Ever Forgive Me?
The Muse "Penny Marshall and the Movies That Shaped Me" 
Gold Derby if Lady Gaga wins two Oscars this February she'll be the fifth woman to accomplish that trick in one night (but first actress).
Pajiba picks some favourite movie costumes of the year and thankfully doesn't ignore contemporary films
Electric Literature why recent movies about queer friendships are so revolutionary
Awards Daily talks to Black Panther's editor Michael Shawver about some of the movie's best scenes and a compliment from Francis Coppola
/Film you have just one week to watch Pixar's animated short finalist Bao online. It's soooo adorable

Saturday
Aug252018

West Side Story, Pt 3: Tonight Won't Be Just Any Night

Occassionally Team Experience passes a movie around amongst the team for a retrospective. This month's installment is West Side Story (1961), one of the most popular films of all time and winner of 10 Oscars.

Part One - by Lynn Lee
Part Two -by Eric Blume

Part 3 by Nathaniel R

Growing up I watched West Side Story as often as I could. It was surely my most formative film though as a kid I didn't really know the hows and whys of movies, only how they made me feel. Some movies were good for laughing, others for crying, and a lot of them just to get caught up in adventures and stories. West Side Story was, no, IS, all the things a movie could be in one massive tuneful package. I devoured it every chance I got as a kid. 

When Eric left us in Part Two Maria and Tony had just symbolically wed, lit by heavenly golden light, as they finished singing "One Hand, One Heart". A soft, reverent hush fell over the scene as the lovers kissed and the music faded. Then an abrupt cut to:

01:34:59  This impossibly bold red sky. It's a hard image with a blaring aggressive music cue signalling a major shift within the movie.  From here on out: tragedy. The juxtaposition of the wedding with this image, remains to this day, one of the most violent cuts I've ever seen in a movie. Red is the only choice for it. The camera then swoops down to street level as the Jets begin to sing "Tonight"...

 

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Sunday
Aug192018

Sharp Objects: Episode 6 "Cherry"

by Nathaniel R

As you may have noticed we've been passing Sharp Objects around baton style amongst the team. I'm offended, offended I say, that Chris didn't spend 1000 words and nearly as many screen caps or gifs on that filthy filthy sex scene between Amy Adams and Chris Messina in the previous episode "Closer". In truth I nearly abandoned the series after my second episode duties were done but then I began to feel guilty that I was abandoning my teammates without commenting on their pieces so I binged the past four episodes back-to-back and finally perked up once, ahem, Messina did...

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