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Entries in gender politics (231)

Saturday
Dec282013

Scorsese's Women. Scorsese's Best.

There are times when Margot Robbie's beauty feels so glossy and airbrushed in The Wolf of Wall Street that she feels almost CGIed in. But, as previously mentioned, Robbie seems to have shaken off whatever dullness once clung to that considerable if generic Barbie Doll beauty. Her Naomi LaPaglia is a hungry performance. It's not just Jordan Belfort that'll be opening the wallet and offering her everything, but Hollywood proper. Expect her to be rumored for every role in her age bracket in 3...2...1...

Scorsese has a long history of vivid supporting women in his movies. And yet, the women in his movies trouble me. They often pop but that isn't necessarily a tough assignment for a beautiful woman to clear, especially when she's the sole woman in a sea of somewhat interchangeable men, the men often playing variations on the same type within their rigidly masculine conformist communities.

Which is to say that Scorsese's films are never about the woman even when they're inordinately feminine (The Age of Innocence). Perhaps Alice Doesn't Live Here Anymore is a glorious exception but couldn't it be argued that that fluke sprung from Scorsese's obsession with film genres (let's try a 'woman's picture' this time) more than anything else? [more...]

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Tuesday
Dec242013

Stage Door: Why no remake of "Oliver"?

In just one year's time the newest incarnation of Annie will be on movie screens. It'll be the third major filmed version after a handful of Broadway revivals. So why can't its boy counterpart Oliver! get any love? Both are musicals about optimistic orphans who get caught up in a web of criminal activity involving boozy lying scene-stealing adult caretakers (Miss Hannigan and Fagin). Both orphans escape the clutches of criminals to find great happiness / wealth in a proper home in time for the curtain call. The sun'll come out tomorrow, indeed.

I'm on record as being a huge fan of the much maligned Best Picture winner Oliver! (1968)  but the current stage production at Papermill Playhouse in New Jersey (running through the 29th if you're interested) is unlikely to provide me with lots of new company. [more]

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Friday
Nov292013

Team FYC: In a World... for Best Original Screenplay

In this series Team Experience sounds off (individually) on their favorite fringe Oscar contenders. Here's Tim Brayton asking you to consider "In a World..." The Spirit Awards did, nominating it in this very category...

What’s a talented comic actress with no good parts coming her way supposed to do, anyway? If you answered, “write herself a damn starring role, already”, then you’re on the same page as Lake Bell, the immensely likable and talented star of the TV series Childrens Hospital, making her feature debut as writer, producer, and director with In a World… Though for all her hypens, it’s as screenwriter that Bell most impresses with this project, a hugely ambitious affair all around despite how utterly low-key and normal it all feels.

There are three things happening here all at once, and the script pays equal attention to all of them. First, In a World… is a conventionally satisfying romantic comedy, with the added benefit of having interesting people who act like human adults and have interests and personalities far beyond “if I’m not in a relationship THIS EXACT MINUTE, I will die, and also I am a failure as a woman". Second, it’s one of the best peeks inside the movie industry we’ve gotten in a lot of years, attending with focus and what feels like a great deal of authenticity to the world of trailer voice-over artists, paying tribute to their skills and lightly mocking them for the puffed-up egos common to all actors. Thirdly, and most impressively given the things mainstream cinema likes to talk about in 2013, it’s a cutting investigation into how gender is experienced both in culture generally and in traditionally male-dominated industries. Not just because of the expected “arrg, girls can’t narrate trailers!” plotline, but in how it anticipates and subverts the way we expect to see these people behaving, given the film’s generic requirement, and in Bell’s pet-observation about “sexy babies”, and how women are encouraged by the media and society to diminish themselves and their autonomy.

Heavy-duty stuff, treated with a light, wry tone that gets all of its ideas across without ever forgetting that first and above all, this is a comedy, and it needs to be both funny and fun. There’s no doubt that In a World… is both of those things, and insightful and truthful along with; it looks and acts like a lightweight confection, but it has more ideas packed into its tidy frame than the most wordy and self-important prestige pictures would know what to do with.

previous FYCs  Costume Design Lawrence Anyways | Sound Mixing in World War Z  | Cameron Diaz in The Counsellor | Spectacular Now for Best Picture | MakeUp for Warm Bodies 


Monday
Nov252013

The Linking Games: Catching Blog

Self Styled Siren has ten rental suggestions for your friends who are haven't yet become true movie fans - 10 classics anyone will love
The Cut Scarlett Johansson's runway looks for her 29th birthday
Vanity Fair Jason Statham on 'poncy actors' and stuntment deserving Oscars 
Variety Emma Thompson is just killing it in these campaign stops for Saving Mr Banks


 Awards Daily on a live performance of the score from All is Lost
The Film Doctor revisits Frances Ha and its French New Wave inspirations
MNPP The Moment I Fell For... Mark Ruffalo
In Contention I'm beginning to realize that Guy Lodge and I have very very different taste in actresses. He thinks Julia Roberts is the MVP of August: Osage County. (I will say this for her: she has the toughest role and she is really going for it.)
Gurus of Gold for this week's chart David Poland had us imagine what would happen if Oscar held a "Best Casting" prize and didn't differentiate between Adapted and Original Screenplay. FTR I love some of the other gurus choices for Casting more than my own picks but I was doing it how I thought Oscar might...
Variety Bunheads after glow... TV giant Amy Sherman Palladino joins other producers to bring Sutton Foster back to Broadway in the new musical Violet. Yes, please.
Variety finally a worthy sounding project for Oscar nominee Catalina Sandino Moreno, the biopic Castro's Daughter

All Hunger. All The Time
The Hairpin Closeted characters from The Hunger Games' Katniss Everdeen to everyone in The Great Gatsby
Monkey See and yet more thinkpieces. On gender types: Is Peeta essentially Katniss's girlfriend?
Atlantic Wire An Open Letter to Jena Malone (who does make a fabulous Johanna) 

Tweet of the Week
By name you've undoubtedly heard that Mia Wasikowska and Johnny Depp are both in for a sequel to Eyesore in Wonderland.

 

 

 

What else is there to say really?*

*although don't let that stop you from having doing what you do in the comments

Tuesday
Oct152013

12 Links Today

Cinema Blend 50 Shades of Grey might go with Alexander Skarsgård (and a new screenplay)  now that it lost its leading man. Skarsgård has to be anxious for True Blood to wrap given the movie offers coming his way.
Ultra Culture the exhaustive list of Xavier Dolan's credits... in his own movies.
Xavier Dolan ...oh and he's started film #5
Pajiba has an awesome take down of the recent resurgence of "boohoo it's hard to do female characters" quotes and articles -- I can't even with those comments from the animators of Frozen!

Popcorn Taxi Tom Hiddleston doing Owen Wilson doing Loki. wtf? (and also LOL)
Coming Soon Netflix has ordered a new family secrets thriller series from the creators of Damages
Variety Paul Rudd and Joseph Gordon-Levitt are said to be Marvel's top choices for upcoming superhero flick Ant-Man
Variety Weird. Susan Sarandon and Eva Amurri may star in a mother/daughter sitcom. I can't say I predicted a sitcom for Sarandon and isn't "Mom" already on TV?
i09 the weirdest vampire movies ever made
The Playlist new images and clip from 12 Years a Slave 
MNPP 250 words or less on Captain Phillips 

my favorite Best Actress win of the 1970sFinally...
Movie Mezzanine seemingly asked everyone but me to compile their "top ten" of the 1970s without commentary. I dont know why lists without commentary are fun to read but they are. It's fun to see which movies dominated their massive roundup (The Godfather is the expected winner, topping 6 lists and it's nearest rivals - more interesting -- are tied for 3 #1 ranks each:Annie Hall, Days of Heaven and Taxi Driver). I've already done this particular top ten in an earlier post but if I were to redo it it'd maybe look like so. And weirdly no one they polled had my #1 as #1 though it appears on a few lists. 

1) Manhattan 2) Nashville 3) Cabaret 4) Apocalypse Now
5) Network 6) All That Jazz 7) Carrie 8) Taxi Driver 9) Annie Hall
10) Dog Day Afternoon 11) Cries and Whispers 12) The Conversation
13) Three Women 14) Jaws 15) The Godfather 16) The Way We Were
17) Klute 18) McCabe and Mrs Miller 19) Star Wars
and 20) Grease (for the nostalgia. shut it)

Okay I cheated with a top twenty but the astonishing thing about that decade is that everyone's lists look completely reasonable because great films can be seen wherever you choose to look in your 70s film education. You know? 

Exit Music
How about a little "Chopsticks" with Oscar bound (again) mega-stars Tom Hanks and Sandra Bullock? So crazy that today's new adults (Happy 18th, 1995 babies!) were born into a world where Hanks and Bullock were ruling the box office and today here we are again. Talk about legs (and I don't mean Bullock's literal ones but wow those gams)