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Entries in Giant Fucking Robots (22)

Friday
Aug052011

Cinema de Gym: Forrest Gump

Kurt here. On the day Forrest Gump was playing at my gym, it seemed only right that I swap out the elliptical for the treadmill: Run, cinephile! RUN!! In truth, part of me wanted to run right out of the building (this is a behemoth of a movie to chip away at with my modest column). But, I stuck it out, and I tip my hat to the gym's programmers, as I've never been so inspired to burn off as many calories as possible.
Forrest Gump tends to have that effect on people, ever since it ran away with every trophy in sight at the end of 1994. It's a you-can-do-it movie, through and through, with Forrest boasting Oprah-level propulsion – too busy to look back for more than a brief glance. The film itself doesn't wow so greatly the smaller it gets in the rearview, no matter how large it looms on the marquee and no matter how well it urges one to keep up with its star runner. Such is the plight of the overhyped phenomenon.
I like Forrest Gump just fine, but I think it works better as a capsule of Americana than as a movie. And, of course, to be a capsule of Americana is a big part of its aim. It's essentially 141 minutes of milestones and iconography, landmark moments and famous faces. Its underdog-rewrites-history conceit is a good one, always teetering on the edge of magical realism but too awash in actual events to truly show it. That vicious, wonderful – and very viral – review of Transformers: Dark of the Moon stuck it to Gump for being the evil initiator of archival footage manipulation, but it's hard not to find charm in the film's grainy tour of suddenly resurrected legends (JFK, John Lennon), however buffoonish the tour guide may be. I think my personal favorite thing about the film – if I may be so broad – is its sociopolitical Vietnam-era backdrop, which multiple films have since tried and failed to depict with the same buzzing cultural potency (ahem, Across the Universe, ahem). It's what pumps awesome power into Forrest and Jenny's Washington Monument reunion, surely one of the most iconic hugs in contemporary cinema. It's not strength of narrative, but strength of context that gives you butterflies – a movement and an era defined in an embrace. 
Hug it Out

And that's just one moment.
In its tireless forward motion, Forrest Gump, covers an awful lot of ground, each episode another page in the history book. So nimble is its pace that to tell you what I saw during my quick workout is to offer you a clip reel: the rise of the ping pong master, the boiling resentment of a legless Lieutenant Dan, the newsreel mooning of LBJ, the breaking up of the Black Panther “party” and, of course, that lovely aforementioned hug. All scenes that, appropriately, have now found their own places in the pages of history. However you feel about Forrest Gump, few films have so firmly cemented themselves into popular conversation, achieved such immortal quotability, and made themselves known to what seems like every adult media consumer. As I write this, I'm in a house with a ping pong table in the basement. Is it possible to play the game without thinking of a rubber-limbed Tom Hanks? Is it possible to open a box of chocolates without envisioning Sally Field, or a white bench in Savannah, Georgia? 
It was nice to revisit this movie after the major Hanks misfire of Larry Crowne, which won't put a dent in the smiley star's career, but surely bruised his credibility as a filmmaker. There will be no higher peak for Hanks than Forrest Gump, no better instance of his massively, uniquely beloved everyman/leading man persona. I wonder if he knew this when he was making the press rounds with Robert Zemeckis and Robin Wright, or when he collected his Oscar – that this was it, the summit, the key page in his history. I wonder if he wanted to stop and freeze instead of just keep running. 

Conclusions?
  1. See above.
  2. Movies about running are even better motivators than Matthew McConnaughey's abs. (Should I recommend Prefontaine to the gym programmers?)
  3. Admittedly, the whole “box of chocolates” thing is pretty counterproductive here.
  4. Qualms aside, Forrest Gump is something of treasure.  
What do you think of the film? Despite everything, it's surprisingly divisive, especially given the whole Pulp Fiction / Shawshank Redemption Best Pic defeat. 

 

Monday
Jul112011

Box Office: Dark of the Horrible Zookeeper's Moon

I've got those whirling clanking gear-spinning metallic vibration noises clogging my brain today. Thanks a lot Greg P. Russell! ;) The 14 time Oscar nominated mixer had another epic job to perform with Transformers Dark of the Moon and how. Will he finally win the Oscar? Stay tuned.

Yes, readers I did see the latest Michael Bay spectacle. After that shot of glossy violent shot of testosterone I watched Far From Heaven and The Lady Eve back to back as schizophrenic counter-balance.  What did you see this weekend?

Weekend Box-Office (Estimates)
figures via box office mojo

01 TRANSFORMERS: DARK OF THE MOON new $47.1 (cum. $261)
02 HORRIBLE BOSSES new $28.3
03 ZOOKEEPER new $20 
04 CARS 2  $15.2 (cum. $148.8)
05 BAD TEACHER $8.9 (cum. $78.6)


Nation Somehow Failed To Predict Attack By Michael Bay


06 LARRY CROWNE  $5.9 (cum. $26.1)
07 SUPER 8 $4.8 [thoughts] (cum. $118)
08 MONTE CARLO $3.8 (cum. $16.1)
09 GREEN LANTERN $3.1 [review] (cum. $109.7)
09 MR POPPER'S PENGUINS $3.1 (cum. $58)

Number two, bitch.Talking Points: Transformers is now the top US hit of 2011, outgrossing The Hangover Part 2 and Pirates of the Caribbean Part Another One. Worldwide grosses paint a different surprising picture of the film year with Pirates way out front of everything having grossed a billion dollars and Fast Five the second biggest hit of the year with over half a billion. I did not know this. Everyone loves action movies starring cars I guess. But regardless of how you count beans it's a sequel world out there. It's shocking when anything original breaks through.

Meanwhile Bridesmaids and Midnight in Paris, which had both been hanging on to the top ten despite being two months old (the box office equivalent of senior citizens) finally slipped out. Even though they're losing theaters each week they still have tinier percentile drops than any other pictures indicating that word of mouth continues to draw in the curious... or maybe repeat visitors? 

Monday
Jul042011

Transform This

I skipped Transformers: Dark of the Moon this weekend -- too much going on chez moi -- but that didn't stop me from thinking about robots or transformations.

My water pressure is weak. As is my willpower.

Weekend Box-Office (Actuals) 
figures via box office mojo

01 TRANSFORMERS: DARK OF THE MOON new $97.8 (cum. $162.6)
02 CARS 2  $26.2 (cum. $117.2)
03 BAD TEACHER $14.5 (cum. $59.9)
04 LARRY CROWNE new $13 
06 MONTE CARLO new $7.4 
07 SUPER 8 $7.9 [thoughts] (cum. $108.4)
07 GREEN LANTERN $6.5 [review] (cum. $102.2)
08 MR POPPER'S PENGUINS $5.5 (cum. $50.5)
09 BRIDESMAIDS $3.6 (cum. $153) ♥
10 MIDNIGHT IN PARIS $3.5 (cum. $33.7) [podcast]

"I also have an announcement."Related box office news: Bridesmaids is now the highest grossing film from the Apatow school of filmmaking, having knocked Knocked Up from its perch. X-Men First Class [review] recently passed The Incredible Hulk (2008) to become the 19th highest grossing live action superhero flick though it's sadly the lowest grosser in the X-franchise. (So the question is: Did Last Stand and Wolverine, both high grossers despite anger about their quality, kill off the interest in this franchise or was this summer just too full of superheroics?) Finally, you may have heard that Pirates of the Caribbean: On Stranger Tides [review] passed the billion dollar mark worldwide (sigh) indicating that 3 more sequels was a smart studio gamble despite the fact that the franchise has literally never demonstrated any reason for existing. The first film is excellent, yes, but one film does not a franchise make and it's been all weak xeroxing ever since. 

What did you see this weekend? 
Which household items do you wish would transform for you? Did you enjoy the long weekend? 

Friday
Jul012011

O Canada, we stand on link for thee!

Pajiba celebrates the hottest Canadian celebrities for Canada day. I didn't even know that Iceman (Shawn Ashmore) and Helo  (Tamhoh Penikett) were Canadian.
Movie|Line opts for "badass Canadians" like Carrie-Anne Moss and Nathan Fillion. 
unexamined / essentials Lovely review of Woody Allen's Midnight in Paris. (I hadn't considered Gil's insomnia before.) Hey maybe when Woody is done with Rome he should continue his world tour in Canada. Maybe Montreal? Winnipeg?
Guardian a new book of private candids of Elizabeth Taylor and famous friends. Fun fact: Liz married Richard Burton (the first time at least) in Canada. The second time they were married in Botswona. Obviously.

Brando & Liz, so candid its almost demystifying.

Rants of a Diva Halfway Report: best rentals, hot boys, best films, and more...
CHUD Why there's no sequel to Spike Lee's Inside Man and what might be next for him. 
Awards Daily They're now calling The Invention of Hugo Cabret, "Hugo" only. Gah, DULL. Audiences are so dumb. Or Hollywood thinks they are. It amounts to the same thing.

Telegraph Whoa. Tim Robey kinda likes Transformers Dark of the Moon. I love this bit especially...

If you wonder why it had to take a spirit-taxing two and a half hours about this, it’s because Bay’s ego clearly considers it logically irrefutable that the longer one of his films is, the better it must be.

You can say the same, unfortunately, for many far greater auteurs. Length -- one might say dick-measuring --almost always comes with the territory of being a respected auteur, whether you're respected for your art or your money-generating craft... the same thing tends to happen.
My New Plaid Pants meanwhile JA fears he'll go see it this very weekend "like some sort of brain-damaged masochist." hee.

 

Finally, Clothes on Film has a fine piece on Kate Winslet's omnipresent floral housedress in Todd Haynes' remake of Mildred Pierce (which should be cleaning up in the Emmy nominations in a couple of weeks -- I'm most curious to see if/how many supporting actress nods it manages since I suspect Brian F. O'Byrne and Kate Winslet are givens). Ann Roth was the costume designer for that miniseries. You can see an interview with Ann Roth about her designing process (not a Mildred interview) here.

Wednesday
Jun292011

Crabs, Robots, Divas, Ships, Sing-Alongs... LINKS

Montages top ten robots on film (in norwegian but with pics) Roy Batty of Blade Runner is at number one selvfølgelig. Who else, you know?
Hollywood Reporter in case you've been wondering why there's still talk of a Green Lantern sequel (despite the lame box office for the Ryan Reynolds affair), here's why it might happen.
Ultra Culture "better than the last one but still pretty shit" sharp funny review of Transformers Dark of the Moon. Most of the bile is saved for Shia LaBeouf but Megan Fox's replacement gets this.

It might be a little premature to judge Megan Fox’s replacement, British model Rosie Huntington-Whiteley, given how little she has to work with here — STICK YOUR BUM OUT, LOOK SCARED, POUT YOUR LIPS IN SUCH A WAY AS TO SUGGEST THAT YOU MIGHT BE PROFICIENT AT ADMINISTERING A BLOWJOB — but even with just a handful of lines she’s a firm lock for worst performance of 2011. I’m not even sure she can do a British accent properly.

"Dr Horrible" vinyl lp by Joe SpiottoAlt Screen suggests you see Choose Me (1984) tonight if you're in NYC. God I loved this movie on VHS in the late 80s. Don't remember much of it though.
Critical Condition Oscar Songs Project 1989. Time for The Little Mermaid.  
Super Punch "Doctor Horribles Sing-a-Long Blog Vinyl Album." By the artist Joe Spiotto. Soooooooo cute I just died. (Must finish this post in Zombie-Nathaniel form.)
Hollywood Reporter James Cameron's 3D conversion of Titanic (1997) generating buzz. I will see it because I love all things Cameron but I worry that it will restore the lustre of 3D just as it's been (rightfully) fading.
Kenneth in the (212) "the greatest 30 seconds in cinema" Shirley Maclaine is. still. here. Actually is she? Where is she? 

Go Fug Yourself is absolutely right about this hideous tacky Newsweek cover. 
Coming Soon Madonna, who has been photographed constantly with her supposed "ex" French dancer Brahim Zaibat this week will soon have a cluttered December calendar. The Weinstein Co has announced they'll open W.E. (recently discussed) on December 9th and expand by January. Mark your Oscar calendars. 
Cinema Blend reports that Scarlett Johansson may be starring in the music-centric film  Can a Song Save Your Life? from Once talent John Carney. This seems like a very good idea since ScarJo doesn't even seem like an actress anymore, right?, just a celebrity.