Miyazaki To Retire (Again)

Anne Marie here, with some news I have been trying desperately to ignore all weekend: Hayao Miyazaki is officially retiring. It's worth noting that this isn't the first time the master animator has announced his retirement. But each time he threatens to leave, a little color goes out of the world.

My feelings at this exact moment.

Miyazaki is one of those unique artists who sees the extraordinary in the ordinary, and draws from a seemingly inexhaustable wellspring of imagination. My favorite film is Princess Mononoke only because it was the first Miyazaki film I saw, and I was thus completely overwhelmed by the movie.

What's your favorite Miyazaki film? Do you fear this retirement is the permanent one?

Reader Spotlight: Grace Miao

In Reader Spotlight we get to know The Film Experience community one by one. It's taking forever for which you know I'm grateful. Today we're talking to Grace in Toronto.

NATHANIEL: Hi Grace. Why do you read The Film Experience?

GRACE: I originally read it for your Oscar predictions, but I got hooked on the thoughts and insights in your movie reviews - and actressexuality! It's a little Ebert-esque, but love or hate a movie, you have an undercurrent of overall admiration and appreciation for the medium that keeps me coming back.

What's your first movie memory or obsession?

GRACE: E.T.  I'm so blood/gore-averse that I distinctly remember hiding my face behind my hands when Elliot cut his finger on the circular saw. And wanting a flying bicycle.

I know we have a mutual love of Tilda Swinton and Tony Leung since you've told me so. Name three other actors you always love to watch.

Nicole Kidman! I know she's on everyone's list, but her Monster Year in 2000/2001 kind of sealed the deal for me - I loved her in "Moulin Rouge", "The Others", then later in "Dogville" and "Birth". She's always good, but with an auteur director, it's absolute magic to watch her.

Maggie Cheung. I really miss seeing her onscreen, especially since Tony's still working (such amazing chemistry!). I was SO excited to hear that she was going to be in Inglorious Basterds and disappointed that they cut her scenes. She's one actor who, like Tilda, I can buy in anything and any role. Plus very few people can make Cantonese Chinese sound as elegant as she does.

I saw Ralph Fiennes in Quiz Show in a high school English class and it sent me digging through his filmography and my Dad's video library. For years, I just couldn't get enough of him (though I skipped "Maid in Manhattan") - I could be repulsed by him ("Schindler's List"), swoon over him ("The English Patient") and every time he speaks, I just want to curl up and fall asleep in his voice. I could see someone like Tom Hiddleston following in his footsteps.

If I could pick runners-up, I'd choose Peter O'Toole, Kirsten Dunst and Russell Crowe. 

If you were in charge of Hollywood for a year, what kind of movies would you greenlight?

At this point, I think I'd greenlight virtually anything that isn't a prequel or sequel. I'd give the go-ahead to works that put story and character development at the forefront; if Lars Von Trier/Kar Wai Wong/Alfonso Cuaron/Hayao Miyazaki/David Lean's ghost are in any way involved with the project, I'd give it an automatic pass to production. And I'd have Christopher Doyle be the DP for everything.

What's the last movie you watched before answering these questions [note: we had this conversation a couple of weeks ago]

I'm embarrassed to say G.I. Joe: Retaliation, but that wasn't a voluntary choice. Can I redeem myself with No starring Gael Garcia Bernal, which I saw the week before with my BFF?

Yes you may. Good choice. Which movie would you love to live inside of?

The Fall. Specifically in Roy and Alexandria's imaginary world, in Eiko Ishioka's costumes.

Name your three favorite movies from each decade: 80s, 90s, and 00s 

80s: My Neighbour Totoro (I grew up on Hayao Miyazaki - I could have easily filled up this section with everything he produced that decade), The Last Emperor, and Ran

90s: LA Confidential, Porco Rosso, Apollo 13

00s: The Barbarian Invasions (my Dad had cancer years ago and passed away in 2010, so I can't tell you how much this movie resonated with me. I was weeping in my seat), Children of Men and Dogville (Trying to narrow down what I loved from this decade drove me nuts. I want to cram Spirited Away, In the Mood for Love and Amelie in here as well)

Thanks Grace! P.S. This picture you sent is amazing! So I GIF'ed it. I cannot  believe you were an extra in Mean Girls. That is so fetch.

GRACE: I was.  Right after the Mathletes victory is announced. Two Lindsay Lohan movies, one with Hillary Duff, a TV movie with Anna Sophia Robb and a handful of TV series, including "Monk"!

NATHANIEL: Well done!

Previous Reader Spotlights
And our imaginary Honorary Reader Oscars go to...
lovely ladies: Mysjkin, Lynn Lee, Ester, Leehee, Jamie and Dominique 
(and yes we need to hear from more of the girls) 
dashing gents: Peter C, Daniel M, Troy H, Morgan, Patrick, Christian, Lucio, Joey Moser, Zé V, Tony T, Andy H, Ferdi, K.M. Soehnlein, Sergio, Borja, John, Chris, Peter, Ziyad, Andrew, Yonatan, Keir, Kyle, Vinci, Victor, Bill, Hayden, Murtada, Cory, Walter, Paolo, and BBats

The Linkover

Vulture whose butts have we seen on Game of Thrones. Funny interactive even if you don't watch the show
LA Times AMPAS just keeps on changing its rule. That board of governors is the fussiest and most bored ever, right? Always tinkering! Members are now no longer required to see foreign film and shorts at Academy screenings in order to vote on them. I personally liked the more restrictive voting in those categories. If I had my way nobody would be able to vote on anything unless they'd seen all the nominees in the category.
Slate wonders where Jay Gatsby's mythical mansion really is/was (The Great Gatsby) 
Pajiba wonders what Marvel Studios could do to make Daredevil work onscreen 
CHUD it's not every day that a movie spoiler comes by way of costume design (The Amazing Spider-Man 2)
MNPP Which is hotter George Clooney retro edition
Ender's Game website has gone live in anticipation of the trailer. Messages from the crew asking us to "stay informed" It seems to be mostly informative backstory journals at this point. Until Viola Davis is schooling me, I ain't learning this!

it's Bradley's world
Awards Daily Bradley Cooper might not be done with Oscar yet. He's now set to star for Steven Spielberg in American Sniper, a true story about a Navy SEAL who fell victim to another soldier's PTSD
In Contention Bradley will also star in Chef for August Osage County director John Wells

pretty pictures
imgur '50 greatest matte paintings from the movies.' a fine tribute to a lost art now that CGI fills in where set-construction leaves off
/film new images from Hayao Miyazaki's The Wind is Rising which we were just talking about in our
Animated Oscar Predictions (in case you missed them)
Hyung86 cute illustrations of Disney characters as college students. My favorites here are actually Hercules and Pocahontas

Early Bird Oscar Predix: The Toons

Last year's Animated Oscar race is going to be a tough act to follow. In what was arguably the most competitive race of all 12 years of Oscar's newest category, there was precious little agreement about who might win and even less about who deserved to; Brave, Frankenweenie, ParaNorman and Wreck-It Ralph all had their loyal camps (Pirates! A Band of Misfits was the only "just happy to be nominated" contestant.) At the very last minute, buzz-wise, it appeared to boil down to Disney vs. Disney/Pixar. Big-fisted Ralph fought big-haired Merida and the Scottish lass won.

But what does 2013 have in store for us? It's looking like a much leaner year, and a least at first glance, a far less animated (heh) one. Monsters University might just be emblematic of what's going on. The prequel to the inaugural loser of this very category (Monsters Inc) is, like all the rest, part of a franchise or would-be-franchise and also a noisy colorful 3D CGI fest for very young children. That's about all there seems to be from The Croods on through Free Birds in which two turkeys (voiced by Owen Wilson & Woody Harrelson) travel back in time to stop the first Thanksgiving. There's less variety both in types of audiences sought and in types of animated styles.

For different styles and tones of animation we'll have to look to foreign films. Pray and pray hard that Hayao Miyazaki's latest The Wind Rises crosses the Ocean in time. I don't know if it's finished since news has been sparse but Ana Y Bruno is a Mexican film about a little girl who meets a goblin (or some such) in the psych ward of her mother's hospitable (?). But even with foreign films they're often just trying to be Hollywood blockbusters. I haven't seen more than a still from South Africa's Khumba! about a half-striped zebra but it looks very much like a Madagascar-spinoff. And one of it's characters is "Bradley, a self-obsessed, flamboyant ostrich." Uhoh. Should we alert GLAAD?

Hayao Miyazaki's "The Wind Rises" is bowing this summer in Japan

The film that I'm most excited about Song of the Sea, a follow up from the team who made the jaw-droppingly gorgeous The Secret of Kells, will not be ready for this year's race. Big sigh. Which is not to say that this year's race will be lacking in previous Oscar players. One interesting possible development, depending on which films achieve eligiblity is the presence of former Best Foreign Film nominees as directors of new animated features. The Argentinian director of Oscar winner The Secret in Their Eyes, Juan José Campanella, has made a toon called Metegol (aka Foosball) about a foosball team come to life and the Mexican director Carlos Carrera whose drama The Crime of Father Amaro was Oscar nominated is behind the aforementioned Ana. 

We hope that GKids, the new off-the-beaten path animated distributor, brings us something interesting again but for now my crystal ball says it's Disney vs. Disney/Pixar again this year (Round Two). I'm predicting that the final battle will come down to Frozen (based on Hans Christian Andersen's fairy tale 'The Snow Queen') vs. Monsters University. Only this time maybe Disney will beat Pixar... forcing Mike and Sulley to remain Oscarless. Oscar voters will continue to live with their greatest shame: preferring Shrek to Monsters, Inc.

In the absence of a Pixar original (I'll stop weeping that they've joined the rest of Hollywood in franchise laziness and just live with it though I reserve the right to spit at Toy Story 4 whenever that rolls around given that its existence would forever tarnish the finality . What other choice do I have?) the film I'm most eager to see is definitely Frozen. I loved Tangled (which went unnominated in a narrower field of three) and I'm hoping that their latest musical fairytale -- this one has Kristen Bell and Broadway musical alumni Idina Menzel, Josh Gad, and Jonathan Groff doing the voicework -- is a worthy follow up.

RELATED: New Animated Feature Oscar Chart

Box Office: Cowboys, Smurfs, Soldiers, Aliens, Beginners

Confession: I loved The Smurfs when I was young though I knew that they drew scorn from many corners. I would sing "la la laLALALA la la la la la" loudly whenever I wanted to annoy my older brother. That said, the movie looked a-tro-cious so I felt roughly zero in the way of nostalgic pull. I don't know how you cast talents as comedically strong as Hank Azaria and Neil Patrick Harris and then rely on fart jokes but apparently they did since "Who smurfed?" is supposed to be a joke therein. I was discussing this on Twitter last night with strangers lamenting that their kids liked it and Miyazaki would have to wait. I just returned from a vacation week with close friends and their children (including my goddaughter) and I'm happy to report that Miyazaki is well loved by the tween / early teen set. So there's hope for all disheartened parents of toddlers out there! Some of your children will grow out of their bad taste. Some of them won't and will grow up to rush to movies like Zookeeper wtih Kevin James on opening weekend. It's not the end of the world. It only feels like it to the devoted cinephile.

Weekend Showdown. Cowboys vs. Tiny Blue Aliens

box office top ten
01 COWBOYS AND ALIENS new $36.4
02 THE SMURFS new $35.6
03 CAPTAIN AMERICA: THE FIRST AVENGER [review] $25.5 (cumulative $117.4)
04 HARRY POTTER AND THE DEATHLY HALLOWS PART TWO [review] $21.9 (cum $318.5)
05 CRAZY STUPID LOVE [your take] new $19.1
06 FRIENDS WITH BENEFITS $9.2 (cum $38.1)
07 HORRIBLE BOSSES $7.1 (cum $96.2)
08 TRANSFORMERS: DARK OF THE MOON $6 (cum $338)
09 ZOOKEEPER $4.3 (cum $68.8)
10 CARS 2  $2.3 (cum $182.1)

Items of Note: HP 7.2 passed the difficult $300 million barrier domestically and the even rarer billion mark globally placing it at the #2 position for 2011 just behind #1s Transformers 3 (domestic) and Pirates of the Caribbean 4 (global). Given that "It All Ends!" has only been in release for two weeks, it'll easy defeat both of those films any day now. In ten days Captain America has earned about $116 here in its home country which means its already falling behind Thor despite a similar opening weekend draw. Thor was an even bigger hit across the Atlantic which doesn't seem likely for Cappy due to his homeland hero specificity. Cars 2 is running out of fuel, and may become the first Pixar release since A Bug's Life to fall short of $200 million domestically. Ah well, they'll always have their merchandising bonanza. Wasn't that the whole point of the sorry film to begin with?

poll by twiigs.com

other films we thought we'd check in on...
18 SARAH'S KEY $.3 (cum. $.5)
20 THE TREE OF LIFE [overheard / thoughts] $.3 (cum. $11.6)
25 BEGINNERS [review]  $.2 (cum. $5)
39 THE DEVIL'S DOUBLE new $.09
53 THE FUTURE new $.02 

Sarah's Key a Holocaust drama starring TFE favorite Kristin Scott Thomas has been surprisingly robust with ticket sales thus far at only 33 theaters. Should we have been considering this one long ago?

I included The Devil's Double and The Future because I missed critics screenings but I'm totally curious about both (would love to hear your thoughts if you've seen them). Plus, we hadn't checked in on the lower ranks of the charts in some time. Terrence Malick's The Tree of Life, keeps puttering along in arthouses (widest release peaked at 237 theaters) and it might even eventually gross as much as the first two days of Zookeeper (!) which, as one friend soberly notes, '...is why we can't have nice things.'

'Sarah's Key' and 'Beginners' are arthouse hits

Beginners has been a small and sturdy arthouse attraction itself, roughly akin to Winter's Bone at this point in its life (2 months) in terms of both gross and theater count. But can a 5 million grosser summon up enough energy to grow legs and stride through the often brutal precursor awards season without, one presumes, a lead performance and director with similar awards hopeful traction? Do you think Christopher Plummer has a good shot still or did the film need to catch on with more fervor for what might be a lone supporting bid?