First you watch it. Then you are short $15

Hidden Figures finally lept-frog La La Land this weekend at the domestic box office. With budgets around 25-30 million each they're both going to be very very profitable films for their studios and stars. They remain the biggest hits among the major Oscar nominees but Lion also had reason to celebrate this weekend. It finally went wide and landed in the top ten. But, since is the US box office, violent horror-tinged movies are seemingly always at the top of the charts and the weekend belonged to Split and the latest installment of the Ring franchise, inventively titled Rings this time. Its missing its original star Naomi Watts but the star of all horror franchises is actually the villain so "Samara" is back to kill people who watch her experimental art film shorts.

Samara is PISSED that Hidden Figures is more popular than Hacksaw Ridge and she wants you to suffer as she has!

TOP TEN 
01 Split $14.5 (cum. $98.7) 
02 Rings $13 NEW 
03 A Dog's Purpose $10.8 (cum. $32.9) Podcast
04 Hidden Figures $10.1 (cum. $119.4)  Podcast
05 La La Land $7.4 (cum. $118.3) on the Costumes, Reviewish, and How Rare It Is!
06 Resident Evil: The Final Chapter $4.5 (cum. $21.8) on the franchise  
07 Sing $4 (cum. $262.9)
08 Lion $4 (cum. $24.7) a cocktail with Nicole, Podcast, Review
09 The Space Between Us $3.8 NEW
10 xXx: The Return of Xander Cage $3.7 (cum. $40) 

 What did you see this weekend? 

Resident Evil ...Again.

by Brian Zitzelman

One of the strangest things about Oscar month is that the movies that open during it are usually the opposite of prestige. Tomorrow sees the release of Resident Evil: The Final Chapter, the allegedly last installment of this long-running franchise. With more than a decade's worth of subpar critical reviews, it's nonetheless more notable than it might seem upon first glance.  

Superhero movies aside, R-rated action franchises haven't especially been booming in the twenty-first century, or even in the post Arnold/Stallone/Willis dominated run of the 80s to mid-90s...

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46 Days Until "Feud"

first promotional shot from FEUD

The new Ryan Murphy anthology TV series' first eight-episode season, premieres on Sunday March 5th (yes exactly one week after the Oscars which seems very kind). The season looks at the legendarily bitchy Joan Crawford (Jessica Lange) vs Bette Davis (Susan Sarandon) wars. Two Oscar winners playing two Oscar winners. We're in!

We don't want to know too much ahead of time as that ruins so many TV shows and movies these days but it would be nice to have a leaked list of films referenced beyond Whatever Happened to Baby Jane (1962) so we could do a little revisiting of some key titles before the premiere, though it seems likely that the series will also cover the production of Hush Hush Sweet Charlotte (1964) given the character list in the credits. Jessica Lange doesn't look or feel much like Joan Crawford in face or persona which could be a problem but Sarandon might well be the perfect choice for Davis. Alfred Molina is playing the director Robert Aldrich and Kiernan Shipka will play Bette Davis daughter B.D. Hyman. Other celebrity mimicry going on will include Sarah Paulson as Oscar-winner Geraldine Page, Catherine Zeta Jones as Oscar-winner Olivia de Havilland, Kathy Bates as Joan Blondell, Judy Davis as the oft-played gossip columnist Hedda Hopper (Helen Mirren recently played her in Trumbo and Tilda Swinton played a twinned riff on her in Hail Caesar!), and multiple non-famous actors playing various Oscar winners (Gregory Peck, Eva Marie Saint, Maximillian Schell) in single episode showcases and/or cameos... who knows.

QUICK POLL
The image above most makes you want to...

🔲  Watch Whatever Happened to Baby Jane? again for the umpteenth time
🔲  Give in to the impending T***pocalypse and regress to childhood fantasies with ice cream in hand...
🔲  Find a time machine and skip the next 45 days.
🔲  Other [please describe] 

Interview: Babak Anvari on British Oscar Submission 'Under the Shadow'

By Jose Solís.

At first glance, Babak Anvari’s Under the Shadow seems to announce itself as a fine Iran-set social drama, as we meet Shideh (Narges Rashidi) a young mother who discovers her political past - she protested the war against Iraq - has deemed her ineligible to return to medical school. When her husband (Bobby Baderi) gets sent to a battle zone for work, she is left behind with her daughter Dorsa (Avin Manshadi) trying to make sense of her life, while their city is under the constant threat of Iraqi missiles. If that wasn’t enough, strange things begin to occur in their home as Dorsa is convinced there is a presence that wants to take her away.

Even though this is Anvari’s first feature film, he displays a mastery of horror techniques that would put others to shame...

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75th Anniversary: The Wolf Man

by Tim Brayton

This weekend marks the 75th anniversary of one of the most special of all horror classics: it was on December 9, 1941 that Universal Pictures released The Wolf Man. And in so doing, the studio that did so much to invent American horror cinema made one of its most lasting contributions to popular culture.

The Wolf Man was not the first werewolf movie (though it can be easily argued that, at the time it was released, it was the best), but its success did more to pave the way for future werewolves in film and literature than any other individual work of art...

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