BAFTAs "live"

David here, bringing you the least live 'live blog' in TFE's history. Nowhere on the planet are the British Academy Film (and Television) Awards broadcast live - not even in their home country. No, we Brits struggle along with the rest of you as the BBC stubbornly refuses to move with the times and shows the edited ceremony two hours after its begun.

But let's make the best of it. Over the next few hours I'll bring you a melange of results and commentary, mostly surmised until the ceremony comes in, which will hopefully have some individual flavour worth reporting. The celebrities have already walked up the foaming red carpet in London's famous torrential rain, so, to kick off, here are a few highlights from the BBC's brief coverage so far.

Chilled to the rust and boneMarion Cotillard couldn't even muster a brave face as she was persuaded to stop racing down the carpet and pose for a few photos. Has it ever NOT rained on BAFTA night?

Marion's here tonight as a Best Actress nominee for Rust & Bone - BAFTA also nominated Helen Mirren, leaving Quvenzhane Wallis and Naomi Watts on the sidelines for tonight - but it's Emmanuelle Riva, who wisely skipped the long route into the building, who I've got my fingers crossed for tonight. Can she add a little flavour to the Best Actress race by surprising J-Law here?

Helen Mirren. Pink hair. The interviewer here oddly didn't even attempt to ask what's going on with this. MORE...

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Link Bowl

AP the inventor of Etch-a-Sketch has died. If I still had one still, i would draw you the saddest frown right now. Unhappy about this!
YouTube "Upside Downton Abbey" via Sesame Street
Playbill interviews Sebastian Stan who has now made a name for himself on all three actors mediums: film, tv, and stage (with Picnic, previously discussed)
BuzzFeed why The Amazing Spider-Man sequel will prove to be a bizarro version of Spider-Man 3 

Comics Alliance this made me lol'an extensive discussion of Batman punching animals'
Salon Richard Kramer remembers his mentor Pauline Kael
/Film Matthew Modine has had his diaries from Full Metal Jacket made into an iPad App. Great idea.
Carpetbagger Wreck-It Ralph scores at the Annie Awards
Empire Johnny Depp might finally play a non cartoon again. He could attend Black Mass, a true story crime drama, with Barry Levinson directing. He's done this genre before to varying but mostly positive results (Public Enemies, Donnie Brasco) 

Awards Daily on the conjoined fall & rise of Zero Dark Thirty and Argo
The New Yorker nominated The Paperboy for future camp classic now that it's on DVD "where it belongs"
Jeremy Helligar on why Joaquin Phoenix should win the Oscar instead of Day Lewis. Love this bit... 

Quell was a mix of standout characteristics of at least three of the characters played by Phoenix's Best Actor Oscar competition, a drunk like Washington's Whip Whitaker, cuckoo like Cooper's Pat Solitano (though hardly recovering) and criminal like Jackman's Jean Valjean (again, hardly reformed). If The Master had been set 100 years earlier, circa 1850, I have no doubt that Freddie would have wanted to free the slaves, too.

Do you have any impossible dream of Daniel's third going to someone else?

"Holy Motors" Tops The Inaugural Team Experience Awards

Amir here, welcoming you to the first ever Team Experience Awards.

Before going any further, let me assure you that the Film Bitch Awards that we all know and love so much aren’t going anywhere. Nathaniel will be posting them as usual and everything will be intact. But we thought it’d be a good idea to experiment with something new and add to the site’s annual roundup. With so many regional critics’ group adding their opinions to the conversation, there’s no reason our eclectic Team Experience should hold back.

The Holy Motors Experience?

What you see here is the result of compiling the imaginary Oscar ballots of all contributors at the website (except Nathaniel.) Twenty films won citations as winners or runners-up, though an astonishing 163 films were mentioned in one category or another during the voting.

The winner of our best picture prize was… *drum roll* … Leos’ Carax’s Holy Motors. It was a tight race all the way and the runners-up finally tied, both falling short of the French enigma by just a few points. The Master was the biggest favorite across the board, finishing in the top three in almost every category it was eligible for. Another favourite was Benh Zeitlin’s vibrant bayou-set drama, Beasts of the Southern Wild, though it doesn’t show up in any of the main categories here. Consensus titles naturally take over most of the awards, though you’d be surprised to know there was strong support for less expected films like The Kid with a Bike and Take This Waltz.

Full list of our winners and curiously popular vote-getters click to continue

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SAG Nominations: Bless Them For 'Charlotte Bless'

The Screen Actors Guild Award nominations, now in their 19th year, are often a bipolar experience to read through. I'm annually enraged by the rules dictacting who receives a nomination when an ensemble nomination happens, but generally speaking there tends to one thing worth being super-thrilled about in the mix beyond all the sleep-inducing reiterations of every Oscar pundit's list.

Outstanding Performance by a Male Actor in a Leading Role
BRADLEY COOPER / Pat - “SILVER LININGS PLAYBOOK” (The Weinstein Company)
DANIEL DAY-LEWIS / Abraham Lincoln - "LINCOLN” (Touchstone Pictures)
JOHN HAWKES / Mark - "THE SESSIONS" (Fox Searchlight)
HUGH JACKMAN / Jean Valjean - "LES MISÉRABLES" (Universal Pictures)
DENZEL WASHINGTON / Whip Whitaker - "FLIGHT" (Paramount Pictures)

In with Bradley Cooper. Out with Joaquin Phoenix? The Master enters the Oscar nomination period looking shakier than ever. We could see a complete shut out or 4 or 5 nominations for the handsome, well acted but ultimately not too accessible film. It might just be the year's biggest wild card at this point.

It's worth noting that people often emphatically exaggerate the meaning of "snubs". For all we know Phoenix's no show here was a matter of one vote, rather than anything to do with the movie (though it probably isn't well enough loved) or his feelings about awards campaigns. MORE...

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The Masters of My Eyeballs

I like getting lost at the movies. I live for the moments when you dive into the blue box. Ever since Mulholland Drive, that's what I've called that delirius feeling. That's when a movie with a tractor beam size pull just sucks you in until you're fully immersed in its world. Sometimes it's only for a moment. Sometimes it happens in fits and starts. With masterpieces it can last for the whole running time once you've stopped resisting. In these moments we've left the movie theater behind; the projectionist isn't the only one projecting.

Paul Thomas Anderson movies usually give me just this blue box sensation. I ate at the diner in Hard Eight. I hung out on porn sets and called Julianne mommy while high on coke in Boogie Nights. In There Will Be Blood I fell right in the oil well with Daniel Day-Lewis but only one of us emerged again after that prologue. I even lost myself a time or two in Punch-Drunk Love flights of rage and whimsy. 

 THE MASTER and HOLY MOTORS after the jump

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