"Movies for Grownups" Awards - 20th Anniversary

by Nathaniel R

Dame Judi Dench as "Granny" in Belfast

The AARP 'Movies For Grownups' Awards is now 20 years old. They'll be airing a PBS special on March 18th to celebrate their 20th anniversary. This year their favourites were Belfast with 8 nominations and West Side Story with 6. Their awards specifically honor filmmakers and actors over 50 which is why their acting lineups are generally a combination of actors with genuine Oscar buzz paired with random celebrity fillers. Though let's just say in their supporting categories they largely have no excuse for their lapses of taste since plenty of great roles / performances come from the over 50 set each year...

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Dame Judi Dench deserved the Best Actress Oscar for "Notes on a Scandal"

by Matt St Clair

Dame Judi Dench is an international treasure. The legendary actress currently has seven Oscar nominations under her belt, having won once in Best Supporting Actress for her role as Queen Elizabeth I in Shakespeare in Love (recently discussed right here at length). Should the stars align, she might add an eighth nomination to her record for her role as the lovable Granny in current Best Picture frontrunner Belfast. Even at 86 years-old, and with her deteriorating eyesight, Dench is still going strong, managing to get quality roles in an industry notoriously unkind to actresses when they reach a certain age and whose names don’t rhyme with Beryl Deep. 

Astonishingly, Dench didn’t become an official Academy darling until she reached her 60’s. Up until she joined the James Bond franchise as M in GoldenEye, and earned her first Oscar bid for Mrs. Brown in ‘97, Dench was more of a theater mainstay while working sporadically on film. Yet since that one-two punch, she's been a consistent movie presence with Notes on a Scandal being a high water mark. She deserved to win her the Best Actress Oscar that year...

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A Room with a View Pt 1: A Florentine Summer

Occasionally we'll take a movie and baton pass it around the team and really dive in. If you missed past installments we've gone long and deep on Rebecca (1940), West Side Story (1961),  Who's Afraid of Virginia Woolf (1966), Rosemary's Baby (1968), Cabaret (1972), Silence of the Lambs (1991), Thelma & Louise (1991), Aladdin (1992) and A League of Their Own (1992).  

 

A ROOM WITH A VIEW
(a three part retrospective)
part 1 by Cláudio Alves

Ismael Merchant and James Ivory's breakthrough hit, A Room with a View, based on the 1908 novel by E.M. Forster marked the beginning of a new era of British costume pictures. It opened in both the UK and the US in the spring of 1986 (the year we're celebrating this month at The Film Experience) on its way to becoming a beloved modern classic.

The movie won the BAFTA for Best Film and was nominated for 8 Academy Awards, including Best Picture. Since it's currently streaming on both HBOMax and the Criterion Channel, it's a perfect time to revisit. Let's dive in...

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That Shakespeare + Gods & Monsters conversation

We received word from readers that the Apple Podcast/iTunes service has suddenly gone glitchy with The Film Experience so we wanted to let you know that you can also listen on Stitcher or on Spotify if you haven't yet given the conversation a go. One more round of applause please for writer/director/showrunner Leslye Headland (Russian Doll, The Acolyte), actor Mitch Silpa (Bridesmaids, The Heat), DJ Rob Campion (Cooler Than Ecto), writer Jenelle Riley (Variety), and animator/illustrator Dashiell Silva. 

Read the Full Post Here
Conversation Index (74 minutes)

00:01 - Introduction of the Smackdown Panel and the 1998 Nominees
04:00 - Primary Colors. What works (Kathy Bates) and what doesn't, and how it plays in today's much different political climate.
15:41 - A detour to the 2020 Oscar race and "Da Butt"
17:00 - Hilary and Jackie's odd structure, sadness porn, and tortured artists
28:30 - A detour to The English Patient (1996) and the Weinstein/Miramax industrial complex
34:45 - Shakespeare in Love "a rom-com for theater nerds". Why Judi Dench deserved the Oscar.
50:20 - The disastrous miscalculations of Little Voice, and Brenda Blethyn, hot off of Secrets & Lies
59:30 - Gods and Monsters, hampered by its budget, and maybe even its Oscar winning screenplay. Beautiful performances!
1:12:28 - Wrap-up / Goodbyes.

And in case you missed our 1998 "extras" we revisited Velvet Goldmine, High Art, Beloved, Central Station, The Prince of Egypt, A Bug's Life, The Truman Show, Hollywood's onslaught of blonde ingenues, and the pop culture hits that year. 

Smackdown '98: Kathy, Brenda, Dame Judi, Rachel, and Lynn

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back to 1998. 

THE NOMINEES  A politically savvy lesbian, a bawdy working-class mother, a theater-loving Queen, a failed musician / devoted sister, and a homophobic immigrant housekeeper in Hollywood walk into the Dorothy Chandler Pavilion...

For the 1998 film year, the Academy invited one new actress (Rachel Griffiths) to their Supporting club while offering a second nomination to four respected women of a certain age (Dame Judi Dench, Brenda Blethyn, Lynn Redgraves) only one of whom (Kathy Bates) had already won.

THE PANELISTS Here to talk about these performances and films are (in alpha order) DJ Rob Champion, Writer/Director Leslye Headland, Journalist and playwright Jenelle Riley, Actor/writer Mitch Silpa, Illustrator Dashiell Silva and, as ever, your host Nathaniel R. Let's begin...

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