Who Wore It Best? Todd Haynes Edition

For Carol Week, all I, Dancin' Dan, would like to talk about, is the men. 

Well, the man. That would be Kyle Chandler as The Husband, Harge Aird.

He delivers wonderful supporting work that should be garnering awards attention. But all I've been thinking about since seeing him with his slicked-back hair and 50s-style tailored suits is.... well, another man.

THAT man would be Dennis Quaid, who played The Husband in Haynes's other 1950s melodrama masterpiece, Far From Heaven.

Quaid also delivered a wonderful supporting performance that should had gotten more awards attention, and he looked perhaps the best he has ever looked (quite a feat) in Sandy Powell's luxe costumes and era-appropriate slicked-back hair.

So with all that said, WHO WORE IT BEST?

NYFF: 10 Best Things About "Carol" (First Impressions)

Todd Haynes' highly anticipated Carol screened a week ago for NYFF press and I immediately began marking time P.C. "POST CAROL". It was that impactful. For something that appears so delicate it breaks with immeasurable force. Carol recounts the relationship between a posh 40something society wife (Cate Blanchett), no stranger to lesbian affairs, and a curious 20something photographer/shopgirl (Rooney Mara) who has never been in love. Haynes's sixth feature is one of his best and thus both a marvel and a relief since he had gone AWOL from movie screens for eight years. The film which began the long drought, I'm Not There, is the only one that this longtime Haynes fanatic doesn't cherish.

Herewith 10 favorite things (in no particular order) about Carol right after meeting her. This infatuation is too potent to think clearly at this point for a traditional review. A word of caution: exciting first dates don't always lead to fullblown rewarding relationships but this one appears to be a (celluloid) romance for the long haul. 

1. Gifts & Gift-Wrapping
We like to think of final quarter movies as "gifts" since so much of awards season is centered around the holidays. This one is beautifully wrapped (the production values are breathtaking on literally every level) and even better once you start tearing the careful packaging apart to see what it's gifted you with. Carol also takes place during Christmas just like Tangerine so in one single cinematic year we've received the best Lesbian Christmas movie and the best Trans Christmas movie. How about that? More...

Click to read more ...

Uptown Link You Up

Guardian Amy Schumer taking up active role in fight for more US gun control
Variety in strange news MacBeth will be available to stream shortly after its December release
Empire Channing Tatum has only just now agreed to play Gambit in the upcoming superhero film. This is why i hate internet superhero culture. We've been hearing about this for about ten months. And he's only just made it official so now we get to hear about it again? 
/Film Relativity's bankruptcy has saved us from at least one reboot: The Crow (though as with Terminator the idea of rebooting it makes no damn sense since the very concept enables endless sequels with very little connective tissue to the originals
Playbill at least one cast member (Josh Gad) of Beauty & The Beast is done filming
The Matinee looks back at Her after reading Aziz Ansari's "Modern Romance" 
E! Online WHOA. Kyle Chandler played Coach Taylor (Friday Night Lights) again... albeit for just a few seconds

 

YNMS
We've done so many of these lately that to do them all would be a bit like becoming a trailers only site and no thank you... so a few that we missed are Alex Ross Perry's Queen of Earth starring Elisabeth Moss who was so so excellent in Perry's Listen Up Philip (it also has a great poster!),  the Oscar hopeful Brooklyn (which I loved at Sundance), Nancy Meyer's The Intern which we will obviously see because Anne Hathaway (♥), the Half Nelson directors returning with Mississippi Grind though they've moved from Gosling to Reynolds in the "Ryan" department, that continuous shot German movie Victoria (which Sebastian already talked about) and the latest trailer for the animated version of The Little Prince. 

Video To Go
"Uptown Funk" as sung by the movies. 

Cute. (I was wondering what they'd use for "Michelle Pfeiffer" and had no idea that she was referenced in The Bucket List) But wow is that a boy-movie montage. Even the dance breaks are sans-actresses!

Cannes Review: Carol

Our friend Diana Drumm is in Cannes and will be sending a few reviews our way. First up, Todd Haynes hotly anticipated Carol... (note: this review contains a couple of spoilers for those who haven't read the book)

Within a year of publication, Patricia Highsmith’s first novel “Strangers on a Train” became a seminal Hitchcock thriller. After half a century, her second novel “The Price of Salt” (published under the pseudonym of Claire Morgan) is now a Todd Haynes romantic drama (under the succinct title Carol). Whereas the former concerns two male strangers duplicitous in murder, the latter is about two women finding love in constrictive 1952 New York City. Turning the pulp novel into a palpable parable, Carol is a master stroke in Haynes’s 21st century oeuvre (Far from Heaven, Mildred Pierce, et al.), and harkens back to the pressurized strength of Safe and the sexual fluidity of Velvet Goldmine - both capturing and throwing off the starched restrictiveness of postwar America, and deftly upgrading the melodrama with social relevance.

Inspired by Highsmith’s own stint at Macy’s (and her affair with Philadelphia socialite Virginia Kent Catherwood), 20-something shopgirl Therese Belivet (Rooney Mara) waits on and is struck by elegant “blondish woman in a fur coat” Carol Aird (Cate Blanchett). A friendship builds between the two, to the jealousy of Therese’s huffy square boyfriend (Jake Lacy), who dismisses it as schoolgirl crush, and the consternation of Carol’s matinee-handsome, soon-to-be ex-husband (Kyle Chandler), who uses it as ammunition in their ongoing divorce negotiations. [More]

Click to read more ...

April Foolish Oscar Predix - Supporting Actors

As is the case every year the supporting categories are incredibly foggy early on. One rarely knows which supporting players have big roles (unless they're co-leads campaigning fraudulently which we should always expect). And then there's the matter of who will steal scenes and who will be reduced to glorified cameos even if their roles sound good on paper.

Will Poulter and Tom Hardy heading to shoot scenes for The Revenant

Perhaps the most important thing to remember about this Foolish early punditry: Supporting players, unlike leads, almost never win traction unless their film is also well liked. That adds yet another layer of clouds blocking future vision.

All of which makes April Foolish supporting pictures an exercize in fantasy. But it's fun! The chart is now up for  Best Supporting Actor and to start things off I'm predicting an all newbie lineup. But looking over the general foggy field one could have genuine with high hopes for a couple of respected actors who've never had a real Oscar shot like Tom Hardy and Kyle Chandler, actors who have been mistreated by Oscar like Ralph Fiennes (future cinephiles will be driven mad puzzling how he missed for Grand Budapest Hotel) and Kurt Russell (tell me again how he missed for Silkwood?) and actors who fit right into Things Oscar Does like Seth Rogen (comic gone serious), Bradley Cooper (you like me you really like me) and so on. The chart is big and extensive because it's silly to rule anyone out before most films have begun screening.

Among films with large casts that we suspect are teeming with possibly eventful supporting players but who can really say are Warren Beatty's Untitled Howard Hughes Project, Quentin Tarantino's Hateful Eight, and the press expose of the Catholic Church scandal drama known as Spotlight

Some of "Spotlight"s key cast members: Keaton, Schreiber, Ruffalo, McAdams, Slattery, James

And that's not all. There's also the head-injury medical sports drama Concussion led by Will Smith, an FBI drama led by Emily Blunt called Sicario, and the all star period literary drama Genius which features Jude Law, Guy Pearce, Dominic West, and others as famous authors. There's also the Hollywood Blacklist drama Trumbo which is headlined by Bryan Cranston but features a lot of other actors as famous showbiz figures

Do you have any suspicions about this field or any wild card predictions?