TCM Film Festival: OKLAHOMA! is better than OK

“So it’s a film festival, but for old films? Why?”

When I told folks how excited I was to finally go to the 5th annual TCM Film Festival this year in Hollywood, I got this question a few times. This isn’t just about the old adage “see a film on the big screen, like it was meant to be seen.” This is about celebrating the old and new: old films for new audiences, new restorations for old classics, old audiences sharing the new experience, and at the center of it all, Turner Classic Movies, which turns 20 this year, thereby becoming something of an old classic itself.

Last night, TCM rolled out the red carpet and opened TCMFF with a brand new restoration of OKLAHOMA!(1955) starring Shirley Jones and Gordon MacRae. Diana and I were able to nab (literally) front row seats to the screening at the TCL Chinese Theater, and this may count as the first I’ve been glad to sit front and center. The reason for the hooplah surrounding OKLAHOMA! has to do with its history: When Twentieth Century Fox brought the Rogers & Hammerstein musical to the screen in 1955, they shot it twice: once in Todd AO 65mm widescreen, and once in a lesser 35mm widescreen. This is a fact that has mostly been relegated to behind-the-scenes trivia, and the difference between the two versions has been negligible in home theater viewings. I’ve seen one or the other a few times on TV (including TCM) over the years, so I thought I knew what to expect. And then the film started, the camera pushed through the corn as high as an elephant’s eye, and I realized how very important it is that we save moments like this.

Photo Credit: Mark Hill

Twentieth Century Fox provided a beautiful 4K restoration of the 65mm version, complete with a restored 6 track stereo score, to play on the Chinese Theater’s huge IMAX screen.  Speaking as someone who usually isn’t usually an OKLAHOMA!-lover, I fell in love. When Shirley Jones said Gordon MacRae was her favorite singer, surely she didn't imagine him on such a grand scale. The sheer power of it won me over. Personally, I'm usually a South Pacific kind of gal, but I've been whistling since I left the theater and I would feel like a bad cliche if not for the fact that my fellow Metro passengers nearly broke out into "Oh What A Beautiful Mornin" with me. If you can get cranky Angelenos on a rundown train to sing at 1AM, then you've clearly made an impression.

Film restoration is a tricky balance between preserving the original filmgoing experience while also using to best advantage modern digital tools. Turner Classic Movies has arguably been one of the most important commercial advocates for restoration, providing studios with large audiences via the small screen for 20 years. How grateful we can be to TCM that for a weekend in Hollywood they’re bringing back the oldschool via new methods.

Anne Marie is our resident classic movie freak. Follow her on Twitter and read her weekly series "A Year With Kate"

Link Flood

Entertainment Weekly Mark Harris sounded off on horror television like Hannibal and The Walking Dead "with gore less is more"
LA Times treasure trove of silent films found in Amsterdam including Mickey Rooney's first film role at age six
The Playlist interviews Denis Villeneuve (Enemy, Prisoners) on working with Jake Gyllenhaal, and his future projects
The Wire watching Noah during the Los Angeles earthquake

Playbill talks to F Murray Abraham about his career resurgence at 74
Variety Spain's Malaga festival reveals its winners. Maybe we should look at some of these as Oscar submission possibilities
Salon a new book makes the case for Wonder Woman as one of the greatest superheroes
The Wrap Game of Thrones and The Secret Life of Walter Mitty win the very first "Location Manager" awards - both shot partially in Iceland which is where it's at lately but more on Iceland in a special series in April
Comics Alliance the creator of the beloved Batman TV series died at 91 
Salon Catherine Keener does not think she should be called 'Spike Jonze's muse' 
Slate loves Darren Aronofksy's Noah but thinks the environmental message is problematic 

Must Read
We like her. We've always really liked her. Sally Field pens an open letter about being the mother of a gay son to encourage people to join the fight for civil rights and marriage equality and the like...

Sally Field and her son

One of the great privileges of my life to have been allowed to be a part of Sam’s journey.

There are people out there – organizations and politicians, strangers who have never even met Sam – who would rather devote themselves to denying his happiness...

Not only a wonderful actress but a wonderful person.

In the History of Shamelessly Greedy Ideas We Have a Winner
The movie industry's fever for making movies just like television with endlessly padded storylines to win more billlions from our pockets continues. Variety reports that J.K. Rowling's 54 page Harry Potter tie-in book "Fantastic Beasts and Where to Find Them" will now become a film trilogy.

P.S.
I CANNOT WAIT to see what people choose for their "best shot" from CAN'T STOP THE MUSIC (1980) on Tuesday night. It's absolutely insane. tacky. ridiculous.  And I'm not just talking about the opening glitter splooge credits and rollerskating sequence with Steve Guttenberg and his padded crotch.

If you'd like to join the Best Shot party, the movie is available for instant watching on Netflix, Amazon Instant and iTunes. Just pick your best shot and post it and we all party with the same movie on Tuesday night. Here's the upcoming schedule for other movie selections. 

i've been linking i've been linking why cant i keep my blogging off it, baby

They Live By Night amusing Noah anecdote with Robert Bresson and Dino de Laurentiis
AV Club Masters of Sex starts again in July. Wow, that was quick. Pleased I am.  
My New Plaid Pants have you seen this inexplicable trailer to Bad Johnson. Cam Gigandet's career is so weird 
Variety Jon Chu to direct Jem and the Holograms live action modernized version 

The Wire It's Time to Kill "Happy" - how the Oscar nominated and still #1 Pharrell tune overstayed its welcome 
Guardian Charlie Kaufman lining up film stars for his "How and Why" TV pilot: Catherine Keener, Michael Cera, John Hawkes, and now Sally Hawkins 
In Contention thinks these are the 20 best Fox Searchlight movies as they approach a big anniversary. They are a great company
/Film collects all the Mad Men Season 7 promos in one place which is helpful, though still unrevealing. I love that Weiner refuses to budge on spoilers, even in "next week on..." and has since the start. Though I do think this season is going to be L.A. heavy if I were guessing
Cinema Blend why Marvel might start killing off their big heroes at the movies in Phase Three
Towleroad Madonna unveils new skin care line "MDNA Skin" 
i09 names the 12 worst muppets, apparently in hopes they don't have screen time in the new film 
Film School Rejects 6 filmmaking tips from Lars von Trier 

Today's Watch
Louis Virtel uncovers 44 reasons for the earthquake in Los Angeles

My favorites are: 1, 4, 11, 15, 19, 29, 30 and 34

#19. Jonah Hill has as many Oscar nominations as Vivien Leigh."

An Open Letter, Some Linkage, Blurry Photos

The Dolby Theater was quick about getting 12 Years a Slave up in their awesome atrium of Best Picture winners in Hollywood. I stared at that so much while I was in LA, trust. But naturally it must prompt my annual outrage again.

Dear, Internet. If the Academy themselves understand that we just watched the 2013 Oscars, so can you! - Love, Nathaniel R

This is really all the IMDb's fault and then Google, too. Now virtually everyone except the Oscars and The Film Experience calls the Oscars by the wrong year, which will wreak so much havoc at future trivia nights and in every way of documenting film history. I have a friend who did really great work on several Wikipedia pages and people kept trying to change his dates to the wrong year so now it's a mess of conflicting pages. This madness must stop. Cate Blanchett is not the Best Actress of 2014... (at least not yet. Will Carol be ready in time?). She's the Best Actress of 2013. The Oscars aren't like a Beauty Pageant where you get a title andtour the country for the following year before you pass on the tiara. It's not like that. It's for a movie you did. Pretending that Cate is the Best Actress of 2014 puts you in People's Choice territory where people just win prizes even if they sat at home that year but are still popular. It's not really territory you want to be in. 

Five completely random links (more time to catch up what's happening elsewhere tomorrow)

• Vanity Fair on their Oscar Party 
• Daily Mail on that pizza guy and the tipping situation at the Oscars
• Buzz Feed if John Travolta had to pronounced other people's names at the Oscars
• Vulture Pharrell's Happy performance gifs of the stars joining in. This was SO smart to include so early in the show. The energy was perfect. 
• Vanity Fair [LONG READ] I bookmarked this story about trying to find out what happened to the real "Patsey" from 12 Years a Slave and I haven't had time to finish it yet but it's totally an interesting subject. I WILL carve out time to read it this week and so should you. 

After the jump my favorite blurry photos I took of my TV last night. But why blurry photos, you ask?

Click to read more ...

7 Costume Sights to See Before The Oscars

I sent Anne Marie to the FIDM Museum to check out this year's costume design exhibit. Here's her report. (I'm seething with jealousy right now!) -Nathaniel

Michael Wilkinson with some of his Oscar nominated costumes for American Hustle

The advantage to being a cinephile in Los Angeles is that there’s a wealth of Oscars-related activities around this time to check out. Costume lovers, rejoice! The Fashion Institute of Design & Merchandising Museum has launched the 22nd Annual Art Of Motion Picture Costume Design. Here are 7 things you’ll see if you get a chance to go:

1) Sydney’s physics-defying gown from American Hustle - Which is, upon closer inspection, almost see-through. Kudos to Amy Adams and Michael Wilkinson (Oscar-nominated) for pulling off Sydney’s daring looks, which seem all the more daunting to flaunt in person. (There just must have been so much boob-tape.) It's impossible to tell the period pieces from the original creations, which is more than can be said for...

2) Jay Gatsby’s surprisingly striking pink suit - Away from the noisy CGI of Baz Lurhman’s anachronistic adaptation, I was shocked to realize that this suit is dapper as hell. The color is absolutely beautiful, not the alternately washed-out-or-bubblegum pink it had seemed to be in the film. DiCaprio should ask Catherine Martin (nominated for The Great Gatsby) to design his Oscars tux, because otherwise I guarantee he won’t look nearly so good.

Click to read more ...