Funny Girl at 50

by Tim

This past week bore witness to one of the most very important anniversaries imaginable: Funny Girl turned fifty. And if you don't know what Funny Girl is and why it matters, I'm a little shocked you found this site, but I'm happy to explain that it's a Best Picture-nominated musical directed by Oscar favorite William Wyler, and the film debut of cabaret singer-turned-Broadway star-turned embodied deity Barbra Streisand. Who also got some Oscar love, winning Best Actress in a tie with Katharine Hepburn's turn in The Lion in Winter.

Not least among the achievements of Funny Girl is that, when thus compared head-to-head with one of the grandest dames of screen acting, Streisand looks like pretty worth recipient of that honor. Funny Girl, as scripted by Isobel Lennart (who also wrote the book for the 1963 stage version, also starring Streisand), is a gift to its lead, offering pretty much everything you could want to demand of a musical theater actor: broad comedy! tear-jerking heartbreak! steel-willed fortitude! songs where you have to be manic! songs where you have to be pensive!

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YNMS: Mary Poppins Returns

Movie trailer step in time.
Movie trailer step in time.
Movie trailer step in time.
Never need a reason, never need a rhyme
Movie trailer step in time!

It's finally here! After the jump the Mary Poppins Returns trailer and our Yes No Maybe So™ breakdown.

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Old Man and the Link

• EFA You can now vote on the People's Choice Award at the European Film Awards and maybe win a trip to the ceremony (strange choices this year. I don't like it when it's easy to decide!)
• Variety Buzzy titles at TIFF without a distributor that are hoping to inspire big sales / awards buzz -a la I Tonya last year
• NWI Robert Redford's swan song in Old Man and the Gun
• Playbill Megan Hilty singing "Suddenly Seymour" (!) from Little Shop of Horrors
• Bobby Rivers TCM's "The Black Experience on Film" - set your DVRs
• Deadline Cats, the movie musical, has moved into Wicked's previous release date December 20th, 2019. It's so weird that Cats is going to happen before Wicked when the latter so clearly needs to be a movie and the former so clearly shouldn't.
• The Playlist Dave Bautista not sure if he wants to continue his Marvel Universe contract post James Gunn firing
• The New Yorker great piece on the shaming of character actor Geoffrey Owens for his grocery bagging job on the side
• Vulture let these photos of Lady Gaga be your air conditioning
• Film School Rejects Crazy Rich Asian's had a historically big Labor Day weekend. It's also the first romcom to win that weekend since Bring It On in 2000!
• Next Best Picture a potential controversy for A Star is Born
• Gothamist the Village Voice is officially dead, after publishing since 1955 *sniffle*

Finally, over at Towleroad I shared feelings about the Summer Movie Season as we bid it goodbye. You've heard most of that article's introduction feelings before here at TFE but if you want to see the silly awards I handed out like "sexiest men," "stealth MVPs," and "best quotes", click on over.

Dance Break: "A Lot in Common"

Fred Astaire and Joan Leslie tapping up a sweet storm 75 years ago in The Sky's The Limit (1943). Just because. 

Happy Alan Jay Lerner Centennial!

by Nathaniel R

Today marks the 100th anniversary of the birth of Alan Jay Lerner, one of the most crucial figures in the American songbook. The lyricist, librettist, and screenwriter was born in New York City. That's where he first made his mark, too, on Broadway with his first big hit Brigadoon in 1947. Soon he went Hollywood, working on original movie musicals as well as transfers of his famous work from the stage, and garnering 7 Oscar nominations and 3 wins (for his screenplays to Gigi and An American in Paris, and songwriting for"Gigi"). His career ended with The Little Prince (1974) but at the time of his death in 1986 he was working on a musical adaptation of My Man Godfrey and had started work on Andrew Lloyd Webber's Phantom of the Opera, though his only efforts are in the song "Masquerade" (uncredited).

Earlier this summer I had the opportunity to moderate a screening of My Fair Lady (1964) and my guest was Amy Asch who co-edited/annotated the book you see to your left here. So for fun today I thought I'd share a handful of favorite lyrics from his vast repertoire. 

You can sing along as you read...

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