Best Director Fun. What a Category This Year!

How cute is this? Here's Adapted Screenplay nominee Barry Jenkins (If Beale Street Could Talk) celebrating Spike Lee's Best Director nomination for BlacKkKlansman:

And the biggest congrats to the 🐐 — ran into this portrait last night in Paris, couldn’t help but grab a selfie; no words necessary. And by every measure, this man — so necessary 👌🏿🙌🏿🙏🏿 pic.twitter.com/YXuzAwNdk3

— Barry Jenkins (@BarryJenkins) January 22, 2019

In related news: the Best Director Chart is updated and ready for your votes (who should win? vote every day!) and commentary. We've added trivia, stats, as well as speculated on "How'd they get nominated?" as is our annual habit. Let's take Spike Lee as an example. This is how'd we'd wager Spike got his nomination...

35% Reputation and do-over. An iconic director who'd never been so honored. Sorry about Do The Right Thing!
30% His biggest hit and best film in several years. Critically adored and guild supported, too. 
16% Timely themes - plus the world has caught up to him.
12% Cannes gave him an early boost and his movie instant highbrow cred.
7% Had the summer all to itself to percolate as Best Picture worthy

Find out how the others got nominated on the chart. Agree? Disagree? Are we forgetting a key factor? Do tell in the comments.

One Last Hurrah for the Unloved! (Our Post-Nomination Eulogies)

by staff

We asked Team Experience to share eulogies & tributes to their most beloved cinematic achievement that was left out on Oscar nom morning. Not everything can be nominated. Since we must now turn our attention to the actual nominations, please shed one last tear of appreciation for these great artists and films.

BEN MILLER: Leave No Trace - you were too beautiful and non-assuming to be truly embraced by an awards body like the Academy.  Yes, Winter's Bone got a Best Picture nomination for Debra Granik's 2010 film, but you were rated PG and there was not a cliche, line of exposition, or bit of over-acting to be found.  You are too perfect a creation to be lumped in with the Oscars.  We will remember you when Ben Foster, Thomasin McKenzie and Granik eventually accept their future statues.

NATHANIEL R: Eighth Grade, you were too lovely and far far too young. Too humiliatingly real, too emotionally fragile and too comically pure for the heightened spectacle of Hollywood's back-patting event. You gave us hope for the future (Elsie Fisher and Bo Burnham have bright ones) while also transporting us back to our own childhood. You were a time machine even H.G. Wells would have marvelled at and cringed through... provided, of course, that he attended the British equivalent of junior high in the 19th century...

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The Best Picture race and the Bechdel Test. Thoughts?

What do these two talk about when they're not talking about T'Challa?We still have so much Oscar work ahead of us but this is a notice that the Best Picture Chart is now updated. You can vote (DAILY!) on which Best Picture you think should win the race and also check out various rankings of the movies by thing liks global success, running time, degree of horniness, how violent they are or aren't, and so on.

We can also discuss whether or not the movies pass the Bechdel Test. If you've been living under a rock all that test is (which should be easy to pass) is that a movie has to 1) have two female named characters who 2) talk to each other about something other than a man. That's it! Should be easy to pass but many many many films fail. Sadly only two of the Best Picture nominees are easy passes (The Favourite and Roma). But perhaps two more do as well. In Black Panther do the women discuss anything together besides T'Challa together? I think they do discuss the glories of Wakanda and possibly strategies for battle but I haven't seen the movie since February so perhaps I'm equating their fierceness with robust conversations? And in Vice do the Cheney women talk to each other about anything other than Dick? Perhaps they do discuss Mary's sexuality and Liz's political campaign? Or is that only a mom & dad conversation? My memory is a bit fuzzy on these details but perhaps yours isn't?

Anyway, enjoy the chart and the various lists. We love to list and we're just trying to keep ourselves, and you, entertained. Check it out and return to discuss.

Related Articles: 
• 12 things we learned from the noms • Adams vs Weisz, Round Two • Deep Cut Oscar Trivia • Mourning the Snubs • How to Stage the Original Songs • Nomination Index 

New Oscar Trivia, courtesy of this season's nominations

by Nathaniel R

We just called to say we love you!With each new year's nominations, new trivia or follow-up stat discussions can emerge. Here are some things we noticed straightaway this morning. If you have any suggestions, do tell!

ACTRESSES

• With Glenn Close's seventh nomination for acting at 71, she is now the 8th oldest nominee in that category ever, and THE most-nominated actress who has never won. Meanwhile Amy Adams, with her sixth nomination if she loses, takes Glenn Close's previous spot in a three way tie with 1950s mainstays Thelma Ritter and Deborah Kerr for 'most noms for an actress ever without a competitive win'. Related: OUR CHAT WITH GLENN LAST MONTH

• If Glenn Close wins in February for The Wife (2018), she'll become only the third leading actress over 70 to have won. The other two were 80 year old Jessica Tandy for Driving Miss Daisy (1989) and 74 year old Katharine Hepburn for On Golden Pond (1981).

• Last year Mary J Blige became the first actor ever nominated for Best Original Song and acting in the same year! The very next year, Lady Gaga has repeated the trick with A Star is Born , so now there are two people who have done it. Note: Barbra Streisand is the only person to win for both songwriting and acting but she did it in two separate years...

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Adams / Weisz + Oscar

by Murtada Elfadl

Weisz and Adams at their first Oscars as nominees

This year marks the second time Rachel Weisz & Amy Adams have been nominated together in the supporting actress category: Weisz for The Favourite, Adams for Vice. The first time they did so was for their first nominations, thirteen years ago for The Constant Gardener and Junebug respectively. They are linked together in my mind -and possibly for some of you - because of that. Adams’ performance in Junebug is my favorite of her nominated performances and I've always said that if she had won that year we wouldn’t be talking about overdue status for years on end. 

Since that time their Oscar careers have diverged...

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