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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Entries in Steven Soderbergh (35)

Friday
Feb142014

Linkers Dozen

TFE Mrs de Winters or Danvers? So little time to vote for these ladies without first names. It's Beauty vs. Beast
Google has Valentine's stories today, with simple line animations and audio, and they're just adorbs 
NY Times film restoration isn't only for old hollywood. They also do porn!
/Film Black Widow film still being considered by Marvel Studios. But then, what isn't?
Coming Soon Ron Howard replacing Alejandro González Iñárritu in the director's chair on a new Jungle Book. Because a) they're so interchangeable! and b) we need another Jungle Book for some reason I guess.
LA Times what are the most memorable clips for the lead nominees. How to choose a key moment?

 

Extension 765 features a must-read list by Steven Soderbergh of everything he's watched last year. All I can say about this is that I LOVE THAT HE WATCHED ALL THE EPISODES OF "SMASH"
All Things Considered on the friendship between Shirley Temple and Bojangles
Cinema Blend The Spencer Tracy & Katharine Hepburn romance may get its own biopic. Take that one millionth, Liz Taylor movie!
Variety with her remake of Murder She Wrote no longer happening, Octavia Spencer picks "Red Band Society" as her TV series
Awards Daily "Meet the Academy" a pie chart
VF Leonardo DiCaprio on why he didn't star in Moulin Rouge!

To be honest, I’m not really prepared to do a musical, simply because I think I have a pretty atrocious voice 

Bye!

 

P.S. Right after I posted this news update, Ellen Page came out. What timing.

Saturday
Aug242013

Una Noche, Kill Your Darlings and the Problem with Gay Films at the Box Office

Glenn here. I read an article the other day at IndieWire asking "why don't LGBT movies make money at the box office anymore?" It's a worthy question to ask since I know I'd love for films focusing on "our" stories to be more prominent in cinemas and the only way to get that is to receive the backing of Hollywood and audiences. What I don't think is that there's anything insidious going on in the seeming rapid decline in mainstream representations of LGBT characters on the big screen. It's not like film audiences have gotten more homophobic with time, right?

My biggest theory is one that the article only flirts with: that gay culture itself has become so mainstream that the idea of paying $15 for a dash of it is rather unnecessary. And as the article wisely states, television has been more than willing to take up the baton of telling complex, romantic, tragic, funny, and unique stories about gay characters. And it's cheaper, too. That medium has certainly come a long way from the days of advertisers cancelling their marketing on Ellen less than 20 years ago!

Is LGBT the new black... on TV?

Gay TV and two new gay-centric films after the jump

Click to read more ...

Sunday
May262013

Review: "Behind the Candelabra"

This review was originally published in my column at Towleroad

Too much of a good thing is wonderful."

That was a signature catchphrase of Liberace, the classical pianist who became a household name as a flamboyant nightclub entertainer. Liberace was born Vladziu Valentino Liberace but known by "Walter" or "Lee" to his intimates -- even the names were too many… too much! He didn't just popularize the catchphrase but lived it maintaining his most unlikely monster career for roughly four decades -- which is, what, a century in showbiz years?

The new biopic BEHIND THE CANDELABRA, premiering tonight on HBO, is smart enough to adopt it as tagline. But is it too much? Is it wonderful? Hollywood studios thought so, at least in regards to the first question. Director Steven Soderbergh hasn't been shy about telling the press that the story was too gay for the movie studios and while we can't know the ins and outs of how true this is or to what extent he tried to make it happen as a theatrical feature before going to television, it sounds trueish. Hollywood has been curiously reluctant to relive the mainstream success of Brokeback Mountain (a major hit grossing nearly $100 million in domestic release) even though they're usually downright shameless about cashing in on any success with quick imitation.

But bless Soderbergh for pushing it forward even if he's a weird fit for the material...

Click to read more ...

Saturday
May252013

Cannes Endeth. Who Picks Up The Laurels?

Mr & Mrs Polanski hit the red carpet for the premiere of their picture VENUS IN FUREach year round about this time I find it greatly amusing that people think they have even the slightest idea who will win the Cannes prizes. It's a mystery - though Guy Lodge does a beautiful job of summing up the possibilities here.

You can tie yourself into absolute knots coming up with scenarios and discarding them. But buzzy frontrunners there are so watch out for the sapphic Blue is the Warmest Color, the Italian entry The Great Beauty, Asghar Farhadi's latest The Past (like his masterpiece A Separation, it's said to be an intricately scripted divorce drama), and the Coen Bros - who have great luck at Cannes -  for Inside Llewyn Davis... and watch for someone french-speaking to win Best Actress: Cotillard (The Immigrant), Bejo (The Past), Seigner (Venus in Fur), Seydoux and Exarchopoulis (Blue is the Warmest Color)

Do you have any hunches? I'm too busy fantasizing about what Nicole Kidman thinks of the competition films to make any guesses but I will admit to great curiousity as to whether the jury will feel any sentimental pull to give Soderbergh something for his final film Behind the Candelabra considering that he began his career with a Palme for sex, lies and videotape (1989). What a story that would be, right? 

Thursday
May022013

The State of the State of Cinema

Hey everybody, it’s Tim, here to add my two cents to what has been, incontestably, the film story of the last few days: the sprawling, self-described “rant” delivered by Steven Soderbergh as his keynote speech on the State of Cinema at the San Francisco Film Festival on April 27. The San Francisco Film Society has made the video of his entire speech available, accompanied by a not-quite-accurate transcript; it’s worth checking it out in either form, though I found it easier to puzzle out what the director was getting at in the text version.

By all means, it takes some puzzling. I yield to no-one in my love of Soderbergh, but there’s no denying that his speech is very much a rambling, discursive piece, meant to be enjoyed as conversation, rather than analyzed closely for a structure it very much does not possess. It’s pure stream-of-consciousness (it wouldn’t be the least bit surprising to find out that it was predominately improvised), and that’s okay: anybody who has listened to one of Soderbergh’s DVD commentaries is well aware that when he gets to rambling, some very keen insights on the nature of the art form tend to come tumbling out...

Click to read more ...

Thursday
Feb142013

Podcast: Side Effects & Oscar Symptoms

Have you ever sleepwalked? Joe, Katey, and I (Nathaniel) discuss this creepy phenom and a wide variety of other things that Steven Sodebergh's Side Effects brings to mind in this spoilery discussion including 'best in show' acting honors and which thrillers it reminds us of.

For those who'd like to see the movie fresh, the Side Effects discussion takes up the last half of the podcast. The podcast begins with very brief words on A Good Day To Die Hard (which just opened for Valentine's Day Weekend) before we move on to Oscar theories like "which Oscars can Lincoln and Amour win?" and "Who the hell will win Best Director?" as well as pressing Oscar-Obsessive-Only Worries like "will winning the Oscar kill Jennifer Lawrence's drive as a young actress?"

You can download the podcast on iTunes or listen right here at the end of the post. 

 

Side Effects & Oscar Symptoms

Monday
Feb112013

Posterized: The Steven Soderbergh Experience

Given that Steven Soderbergh's "final" theatrical release is 'Now Playing' in theaters near you, I thought it was time to look back on his entire oeuvre. His movies stretched from the Palme D'Or winning breakthrough sex, lies and videotape (1989) to the mid-career twinner Traffic & Erin Brockovich (2000) that won him an Oscar and on through a last rush of product in the past 13 months from experimental action Haywire to stripper drama Magic Mike (a Best Picture nominee right here) and culminated with Side Effects. 

How many have you seen?

sex, lies and videotape (1989)
Kafka (1991)
King of the Hill (1993) 

21 (or so) more after the jump

Click to read more ...