Is Black-and-White the Path to Gold?
Lately, it seems every time a film shot in black-and-white is even tangentially associated with Oscar buzz, it becomes an immediate contender for the Best Cinematography trophy. Even if many were skeptical (not Nathaniel, who predicted it), The Lighthouse proved this once again when it conquered a nomination for the work of DP Jarin Blaschke. In this case, at least, the nomination is amply justifiable with The Lighthouse looking like a series of haunted daguerreotypes, full of shiny fluids and battered bodies, ominous tempests and the enticing flame of the titular lighthouse.
Still, that's not always the case. Here are all the black-and-white Best Cinematography nominees of the 21st century…