Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I โ™ฅ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in The Lighthouse (17)

Thursday
Nov212019

Spirit Award nominations spread the wealth for 2019.

by Nathaniel R

Nominations for the 35th annual Independent Spirit Awards have been announced with the wealth really being spread. For example the 5 nominees for the top prize “Feature” only crossover with “Best Director” on a single film, the Safdie brothers Uncut Gem which co-led the nominations with 5 prizes though it’s yet to open in theaters. Tying that films lead for most nominations was The Lighthouse even though that black and white oddity did not score a nomination for Best Feature!

Interestingly enough, the just-opened indie Waves was (almost) entirely shut out even though it’s a Best Feature nominee at the often quite parallel Gotham Awards. On a similar note the acting nominations aren’t heavily dependent on Best Feature love, either. 

A complete list of nominations plus commentary after the jump...

Click to read more ...

Monday
Oct282019

What did you see this weekend?

What did you see over the weekend? We skipped new releases to see And Then We Danced (Sweden's soulful deserving Oscar submission) a second time and to catch up with Gaspar Noe's insane dance/drug film Climax on Amazon Prime. The full box office chart after the jump with a few notes...

Weekend Box Office
October 25-27 (ACTUALS)
๐Ÿ”บ = new or expanding / โ˜… = recommended
WIDE RELEASE (800+ screens)
PLATFORM TITLES
1  MALEFICENT MISTRESS OF EVIL  $19.3 (cum. $66.2)
1  ๐Ÿ”บ THE LIGHTHOUSE $3.2 on 586 screens (cum. $3.6) REVIEW โ˜…

Click to read more ...

Sunday
Oct202019

A big weekend for Parasite and The Lighthouse

by Nathaniel R

Weekend Box Office [ESTIMATES]
Oct 18th-20th
๐Ÿ”บ = New or Expanding / โ˜… = Recommended
W I D E
PLATFORM / SPECIALTY TITLES
1 ๐Ÿ”บ  MALEFICENT: MISTRESS OF EVIL  $36 *new*
1 ๐Ÿ”บ PARASITE $1.2 on 33 screens (cum. $1.8) PODCAST โ˜…
2 JOKER $29.2 (cum. $247.2) REVIEW
2 ๐Ÿ”บ PAIN AND GLORY $463k on 67 screens (cum. $1.1) REVIEWPODCAST โ˜…

Click to read more ...

Saturday
Sep212019

Best Actor / Supporting Actor - Chart Updates!

by Nathaniel R

Netflix would like to have 80% of the BEST ACTOR field (Driver, Murphy, Pryce, DeNiro) but that will prove impossible.

The new predictions are in. Best Actor is more exciting and competitive than Best Actress this year which is a strange and unusual development... and we don't like it! We kid. The male actors deserve their moment in the sun occassionally, even if they're not as fun to shine light on. The strangest thing about the leading actor competition is, at least at the moment, Netflix literally appears to have about 1/3rd of the entire competitive field. But since their can be only 5, we think that this shotgun approach will only result in two nominees at best. Right now we're going with Adam Driver (who feels like the ultimate winner... though let's not pretend anything's locked up yet in late September) and Eddie Murphy (who could easily not happen given Netflix's other horses in the race).

As for Supporting Actor. It isn't that much different than Best Actor this year. This year has been fairly heavy with duet films for men (The Lighthouse, A Beautiful Day in the Neighborhood, Ford v Ferrari, The Last Black Man in San Francisco, Once Upon a Time in Hollywood, The Two Popes) so naturally a few of the co-leads will definitely block out supporting players for the coveted nominations. We're mostly giving the side-eye to Willem Dafoe. He's the most egregious category frauder this year since you can't be a supporting actor in a cast of two! (There are technically a few other actors that appear in The Lighthouse but they're non-speaking cameos. It's a duet film from start to finish). It's a shame that Dafoe is competing supporting because we think he'd still be competitive for a nomination in lead despite the strong year. The only traditional-sized supporting role that we think won't be hurt by the co-leads muscling in is Alan Alda's divorce attorney in Marriage Story. In some ways he's the film's most loveable character, and Alda has been nominated for less (The Aviator). At 83 he'll have sentiment on his side, too.

UPDATED CHARTS
PICTURE | DIRECTOR | ACTOR | SUPPORTING ACTOR | INTERNATIONAL FEATURE | ALL INTERNATIONAL FEATURE SUBMISSIONS 

Friday
Sep062019

TIFF: Robert Eggers' euphoric hell of "The Lighthouse"

by Chris Feil

As gloopy with various bodily fluids as it is with sea foam, Robert Eggers’ The Lighthouse lulls us into insanity from its first foggy frame. Diverging from the more straightforward horrors of his debut The Witch, Eggers thrusts us into the isolate hellscape that is the male mind with this Mellville-esque absurdist dark comedy. The bizarre quotient is high, both in the film’s psychosexual hysterics and crusty verbal dexterity, as the film devolves into an abstract battle of the wits and wills of two men meant to preserve the titular phallic monument. It’s genius and a complete hoot.

Set over a century ago on an offshore island, this tempestuous and physically taxing setting plays host to the two male egos of Robert Pattinson and Willem Dafoe’s lighthouse watchmen. Dafoe’s superstitious, more experienced Thomas immediately puts Pattinson’s Ephraim to back-breaking arduous work, dominating him further over candlelit dinnertime monologues...

Click to read more ...