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Entries in Tilda Swinton (131)

Sunday
Nov302014

Abstew's Cinematic Thanks

Editor's Note: I asked Team Experience to tell us what they're thankful for this year during the holiday weekend. Here's abstew in the cinematic spirit.

abstew here. Thanksgiving may be only once a year, but it's always a great time to appreciate the greatness of film. Here are a few of the things I'm thankful for this year...

For Oscar Issac's camel coat in A Most Violent Year - practical and stylish winter wear while waging a war
For Tilda as a love-struck octogenarian socialite. Tilda as a yak-haired vampire. Tilda as a dentured dictator. Proving the existence of extraterrestrial life because, quite simply, Tilda Swinton is a shape-shifting, otherworldly being. 

For two favorite breakout stars: Jack O'Connell (dynamic in Starred Up and 71; I'm eagerly awaiting Unbroken) and Gugu Mbatha-Raw (compelling in two very different films, Belle and Beyond the Lights). I'm excited to see what new opportunities come their way for years to come.
For Miles Teller's epic finale drum solo in Whiplash
For Rose Bryne's hilariously spastic take on the line, "Keep it down!" in Neighbors
For Eddie Redmayne's freckles
For the achingly sweet, yet realistically grounded love of John Lithgow's Ben and Alfred Molina's George in Love is Strange

For Uma Thurman bursting in and stealing an entire two-part film in a single scene. "Would it be alright if I show the children the whoring bed?" 
For Emmanuel Lubezki's faux single-take cinematography in Birdman, perfectly translating the immediate, kinetic energy of the theatre into a cinematic equivalent.
For Eva Green's fully committed, go-for-broke performances, elevating everything she's in from the big screen (300: The Rise of an Empire) to the small screen (Penny Dreadful).
For Star Lord's "Awesome Mix Volume 1" cassette tape
For the return of Rene Russo
For the look of Angelina Jolie's Maleficent (if only the perfect character design wasn't wasted on the film...)

For the mouth-watering food porn in A Hundred-Foot Journey and Chef 
For Wes Anderson's candy-colored, intricately detailed world of The Grand Budapest Hotel

For TFE's series Hit Me With Your Best Shot. The single best opportunity to view and explore a film in ways you hadn't thought...and then to gain even more insight after reading what others have posted. If you haven't participated, you should when it returns!

And that I live in NYC, home of the Tribeca Film Festival, NYFF, NewFest and countless other film festivals. That there are still single screen theatres like the Zeigfeld and Paris where it feels like an event to go to the movies. And, most importantly, that I'm actually given the opportunity to see every movie (not just Hollywood blockbusters) in the theatre the weekend they are released.

And finally, for Nathaniel, Team Experience, and everyone who reads and comments. I'm beyond thankful that we have such a wonderful place to share our cinematic obsessions and affections.

 -Andy (abstew)


More Thank Yous: Nathaniel, Amir, Manuel & Jose

Sunday
Nov092014

Red Carpet: Governors Award Fashions... Let the Campaigns Begin

Jose here. As Nathaniel noted, the Governors Awards were held last night in Hollywood (yay Maureen O’Hara!). As usual they were pretty much a rehearsal dinner for the Oscars next year. While their red carpet is more subdued than Oscar’s - they’re there to pay tribute to legendary honorees, not to steal their thunder - there were a few exceptions to the rule. After all, if you want people to vote for you, you gotta make sure they remember you.

Let's take a look at what 16 of the Oscar hopefuls wore. What might it mean in the larger scheme of things?

 

Emily Blunt has worn this exact same thing to at least 10 other award ceremonies, color variations aside. Don't get me wrong, she's stunning etc. etc. etc. but will it help The Baker's Wife's Oscar cause, to look so every-year Blunt? The under-nominated actress should start experimenting and leave her go-to silhouette behind - wear a massive ball gown that tells people...

you've changed! you're daring! You're different in the woods!  ♪ ♫

Reese Witherspoon, too, looks the same, except it works to her favor. She's paying homage to Elle Woods, reminding voters how funny and cute she was in Legally Blonde, and how complex and dark she is in Wild by contrast. I rest my case.


Now two Best Actress dark horses, Gugu Mbatha-Raw has been in our minds all year long with her breakthrough performance in the sleeper box office hit Belle, and as she prepares to do the publicity rounds for Beyond the Lights it was delightful to see her attend. Perennial nominations-bridesmaid Marion Cotillard showed up with the Dardennes to remind people how terrific she is in Two Days, One Night, while I'm not particularly in love with her Dior dress (pretty much an altered version of what J.Law wore at the Oscars this year) I hope she talked to everyone at that party (it was 600 people) to convince them to vote for her.

 In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at this year's ceremony. I hope that helps her cause! Jessica Chastain was there too, as she always is nowadays and rightfully so, and of course she was campaigning for her three or four scenes in Interstellar because it's November and she has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick...I seriously don't.

In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at the Oscars. Will it help her campaign subliminally? Jessica Chastain was there too - where isn't she nowadays? -- and of course she was campaigning for her three or four scenes in Interstellar because it's November and she [ahem] has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick with Oscar Isaac in which she's giving us Michelle Pfeiffer in Scarface ...I seriously don't.

 Literally, every single person involved in Boyhood was there. All. Of. Them. Look!

Moving on...

If there was such a thing as prom king and queen of awards season red carpet, this year would continue to be a popularity contest by way of The Imitation Game vs. The Theory of Everything. (Cumberbatch may have won round 1 in Toronto but round 2 on the early campaign trail has gone to Redmayne.) Just look at how cute they all are! Will people who vote for Eddie Redmayne feel like they must vote for Felicity Jones too? Can Benedict Cumberbatch win without Keira Knightley? For now, all I can say is that not since Kate & Leo have I wanted two screen couples to get married like I want these Brits to do.

 All of these handsome men below are potential Best Actor spoilers, and all of them seem to have shown up primarily to remind voters "hey, we clean up nice too!" since none of them play particularly glamorous characters. I'm especially bowled over by Oscar Isaac's bold brown tux with Clark Gable mischievous mustache accessory. Which one is making you swoon?

About that not-stealing-honorary-thunder business...

When does Tilda Swinton not steal everyone else's thunder? At first it seems strange she was even there until you remember "Remember that weird lady in Snowpiercer !" She undoubtedly has to remind people many times that that was her, which makes her instantly praise worthy. From frumpy to avant garde, now that's how you get votes. Similarly David Oyelowo showed up in one of the only tuxes worth talking about. 

Which of these dazzling stars will we be seeing in every red carpet from now until Oscar? What were some of your favorite looks?

Sunday
Nov092014

Say What? Tilda to Miyazaki-san

What did Tilda Swinton say to Hayao Miyazaki? 
Amuse us with your best guess in the comments.

Swinton, Lasseter, and MIyazaki at the Governors Awards

 

Bonus Round Competition: Correctly guess / make a case for what her favorite Miyazaki movie is.

I'll name two winners on Wednesday.

Thursday
Jul102014

Halfway Pt. 5 Best Performances

Are you getting restless about all these halfway posts? We're almost done. The Power of List compels me. There's one more halfway post to go that's basically 'The Oscar Charts are Updated!' as the coding problem I mentioned is fixed and the updates are happening behind the scenes as you read this. We must get all this halfway business behind us by Saturday morning so that we can ape out all weekend with Andy Serkis & Co and start this second half of the year off right.

Herewith...

THE GREATEST PERFORMANCES OF 2014's FIRST HALF


BEST LEADING ACTRESS: Keira Knightley does her most relaxed and fluid work ever in Begin Again as a musician at a crossroads, never letting any one aspect of the character's situation pigeonhole her emotional responses; Agata Kulesza is an abrasive and evasive presence in her first scenes in Ida as a cynical woman who is too guarded to let her affection for the niece she's just met show but the performance keeps revealing more in each scene, like a window opening up; Luminita Gheorghiu sure can hold the camera and doesn't care what you think of her complicated often unpleasant character in Child's Pose; Marion Cotillard often silent and soulful performance in The Immigrant as a Polish woman who is lured into servitude (sexual and otherwise) is a beauty; and Scarlett Johansson proves herself quite the auteur vessel in her enigmatic, curious, unpredictable, sexual and unsettlingly "off" star turn in Under the Skin.

(This was so difficult to narrow down from ten so my apologies to: Emily Blunt who gives one of the great bad-ass performances even if there's not a lot to her Edge of Tomorrow role beyond that; Angelina Jolie who gifts her wicked witch Maleficent with subtle and unfamiliar affections as well as her usual screen presence for days; Gugu Mbatha-Raw who is so beautiful when righteously aggrieved as Belle; Jenny Slate plays abrasive stand-up well and is even better at believable impulsive decision making on the fly in Obvious Child; and Agata Trzebuchowska as the silent and watchful Ida - and yes both actresses from Ida are named Agata which is funny considering the polar oppositeness.)

BEST LEADING ACTOR: Russell Crowe reminds us he's a movie star with his commanding title performance in Noah, a strange collision of righteous pacifism and violent obsessivenessRalph Fiennes is brilliant as the perfect concierge in Grand Budapest Hotel not quite playing against type but subverting his usual sophisticated cad with new comic energy and a remarkably innocent carnality; It's Jake Gyllenhaal versus Jake Gyllenhaal in Enemy and it's easy to tell the characters apart (and argue about preferences) which is a real coup for this perpetually underrated if well employed actor; And finally James McAvoy seriously owns X-Men: Days of Future Past in his second go-round as Professor Xavier, never phoning it in (always a danger with reprisals... his co-stars are much flatter than before) and absolutely committing to the genre, the emotional logic of the highly convoluted plotline and Xavier's combustible feelings for his co-stars and his desire not to feel at all.

 (...and I'm going to stop there at four since I cheated on the next category with six though please note that I also appreciated the work of Aaron Paul who is believably limited in the parental skills department as a grieving widower in Hellion, Pierre Deladonchamps who serves Stranger by the Lake's vision with unobtrusive being on camera as opposite to "Acting!", Chris Evans minimalist but effective leading man skills twice over in Captain America: The Winter Snowpiercer and Colin Firth's Firthishness as filtered through PTSD and bookishness in The Railway Man.)

BEST SUPPORTING ACTRESS: I cheated with six women (Shut up! I don't do such things once we get official. You know that by now.) but at the moment I'm going with Jillian Bell who is so much the comic MVP of 22 Jump Street that it positively hurts... like a punch to the face; Rose Byrne who is sharp, sexy, funny and alive to all the ways she refuses to play a stock wife character in Neighbors; Laura Dern, The Face, who gives The Fault in Our Stars its most genuine tears; Gaby Hoffman who is a complicating but also soothing and sobering presence (neat trick) in the funny Obvious Child; Scarlett Johansson in Captain America 2 who is getting better and better all the time (and she was no slouch at the start) and proves it by upping her Black Widow game every damn time infusing character, layers and specificity into the mandatory surface sexiness and showmanship; and I'm holding a spot open for Uma Thurman in Nymphomaniac because.... well... let's talk about that one next week since both Volumes just came out on DVD.

(I'd tip my hat to several other ladies too -- how much time do you have? -- but none were quite on this level so let's not list them all. But please know that this does not mean that I am any less obsessed with Tilda (who was possibly genius but also possibly bad... I'm still deciding... in Snowpiercer) or Nicole (whose role was a dud even if her performance wasn't in The Railway Man, sorry about it.)

BEST SUPPORTING ACTOR: May I abstain? No. Fine... I guess I'd go with Patrick D'Assumçao for fish-out-of-water directness and unfussy depression in Stranger by the Lake; Song Kang-Ho for embracing the selfish agenda of his character while giving generously to the spark of Snowpiercer; Adam Levine for surprisingly natural ease with acting in Begin Again - no false notes; and Jeff Goldblum and Tony Revolori from Grand Budapest Hotel though I should see the film again before justifying those names with any explicit commentary on their performances; And I'd make those five choices while glancing over at Scoot McNairy (The Rover), Jeremy Renner (The Immigrant), Wyatt Russell (22 Jump Street), Christopher Walken (Jersey Boys), Jake Lacy (Obvious Child), and everyone else in Snowpiercer and wishing all dozen or so men either had more complicated characters to play, more screen time to prove themselves, or were just a bit more transcendent of the limitations of their roles. I like all of these performances but it's been an uneventful year in this particular category. 

LIMITED OR CAMEO ACTRESS: Emma Levie is somehow malevolent and frightening without doing much at all in Snowpiercer; Alison Pill is an atypical joy in one of Snowpiercer's oddest scenes; Susan Prior does a lot with a very little in her extended scene in The Rover as a dog loving doctor - the movie doesn't care about her but she sure cares about the movie; Charlotte Rampling wows and completely elevates Young & Beautiful in one of its last scenes; and Tilda Swinton is sublime and memorable as the horny ancient heiress in Grand Budapest Hotel who sets the plot in motion.

LIMITED OR CAMEO ACTOR: Matthew Goode is believably progressive and stalwart in a very short bit in Belle; Harvey Keitel and Edward Norton are great fun in their small roles in Grand Budapest Hotel; Luke Pasqualino is magnetic in a nearly silent role in Snowpiercer; and Craig Roberts is hilariously deadpan as "Ass Juice" in the raunchy comedy Neighbors

And I'll end with a tweet about Luke Pasqualino because it's uncool that more people aren't talking about him...

 

 

Oh wait one more...
BEST ENSEMBLE: Grand Budapest Hotel; Neighbors; Obvious Child; Snowpiercer; Young and Beautiful

YOUR TURN. Which performances and characters were you just wild for in these past six months?

 

Thursday
Jul032014

Halfway Pt. 1: What if They Voted on the Oscars Right Now?

Oscar Chart Note: I'm experiencing some coding problems with the charts so I apologize for the update delays. Until it's fixed, please to enjoy this hypothetical discussion as we begin our Halfway Mark Review...


Happy July! We're now officially done with the first half of the year. There are MANY films to come including the bulk of Oscar contenders given Hollywood's preferred release patterns. But that doesn't mean the film year hasn't already delivered enormous pleasure. All conscientous Oscar voters, cinephiles, and critics ought to keep a list so they aren't tricked into believing that the thing they saw 5 minutes ago is the only thing worth voting for six months from now.

Which naturally begs the question: If the voting was sprung on everyone right now, which films would AMPAS go for? It's worth jotting them down because they have a head start and they'd be smart to capitalize on it somehow. They need to settle in the mind and hearts as viable options as it were so that the forthcoming biggies will have to unseat them rather than trample them on their way to Oscar thrones.

I'm thinking mostly of Wes Anderson's Grand Budapest Hotel and Ralph Fiennes as Best Actor. They'd both surely snag nominations if the voting were held today. But at this date, some 17 years into his career, Academy voters haven't yet fully embraced Wes Anderson. Comic performances are always trickier sells so Ralph Fiennes will need to capitalize on the fact that he's playing against type (in a way) and voters respect that. If Budapest hangs on for real Oscar play that should make the waters safe for all future Wes Anderson films (see also: David Fincher, David O. Russell, and Paul Thomas Anderson who all struggled to win attention until Oscar finally caught up with the critical passion and devout public fanbases and now they're automatically "in the conversation" before their films arrive.) 

Let's fantasize about what might be nominated if the voting were cut off right now when so few expected contenders have opened. My guesses as to the nominees go like so...

Click to read more ...