RIP Adam West (1928-2017)

by Nathaniel R

Adam West at Comic Con last year

Holy Longevity, Robin. Our first Batman, actor Adam West passed away yesterday from leukemia but what a long life. He nearly made it to 89 and kept his great sense of humor throughout his life. He achieved pop culture immortality with the starring role on the kitsch classic Batman series in the 1960s. Some actors feel uncomfortable about the role that made them famous or the one they become too associated with but the smart ones embrace it. West did just that with gusto, and wasn't above poking fun of himself, either...

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Surprise, "The Boss Baby" is Good.

A slightly shorter version of this review was originally published in Nathaniel's column at Towleroad...

With a childish man-baby terrorizing us from the White House who needs a movie about one? Shocked as I am to say this… “surprise!,” this past weekend’s #1 film The Boss Baby is actually good.  For those fearing a one-joke gimmick film (Baby in a suit. Get it?), fear not. The new Dreamworks comedy actually has at least five broad joke topics. In descending order of amount of miniature jokes mined from the big ones:

1. Corporate culture
2. Babies
3. Childhood imagination
4. Sibling rivalry
5. Puppies

While Dreamworks pictures largely still lack the emotional complexity of their Pixar counterparts — this isn’t Inside Out or anything, let's not get carried away — at their best they still offer plenty to giggle with and gawk at for fans of animated comedy...

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Swing Tarzan Swing: Disney's 1999 Animated Take

We've reached the penultimate episode of our Tarzan series. Now sailing into Disney wilds...

by Nathaniel R

For over half a century in film and television storytellers didn't think Tarzan needed an origin plot but when the movies told it (Greystoke, 1984), it was as if everyone had always wanted to. Why not Disney then? Disney hadn't quite run out of classic fairytales to adapt by the mid-nineties but they were shifting their focus to boys. This was arguably due to their gargantuan back-to-back biggest-ever successes of Aladdin (1992) and The Lion King (1994), two animated features that deviated from their princess focus. Enter Hercules and then Tarzan. Neither were girly fairytales but both were still firmly embedded in fantasy and heightened enough for musical numbers.

Sort of.

By the time Tarzan rolled into town, Disney executives had clearly begun to wonder if audiences were done with the musical part of their Animated Musicals because Tarzan is only a musical in the sense that non-diegetic adult contemp ear worms keep popping up. They arrive without warning, with all the subtlety of a slasher movie jump scare.

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Review: Kubo and the Two Strings

This article was originally published in Nathaniel's column at Towleroad

Kubo and the Two Strings begins with Kubo's mother, navigating treacherous waves by slicing them in half with one melodramatic strum on her magical shamisen. The instrument has three strings, not two, but the title can wait. It's time to watch. Kubo's (Art Parkinson) narration warns us to do so closely.

"If you must blink, do it now."

That's a handy if redundant warning because who is going to blink during a Laika movie? The animated studio reliably crafts spectacularly intricate stop motion (with some CG boosting). When Kubo's mother splits the waves desperate to save the baby in her boat, it was hard not to think of Moses, twice over, both a babe in on the water and an ocean-parter.

Religiously suggestive folklore with magic turns out to be perfect fit for Laika because they always bring the eye popping images and movie magic...

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An IndieWire TIFF Poll

We'll wrap up our TIFF coverage tomorrow with the full index of reviews for now I wanted to point you to IndieWire where they've published their "best of TIFF" critics survey and the results are interesting but also disheartening since they remind us that US critics rush to films that are about to open rather than to films without distributors when they hit festivals. (I'll never understand this really.) They also don't seem to care about foreign language films - only one picture from their entire top collective top ten is in a foreign language (Hungary's Son of Saul) and you have to go down into the #13 before you see them crop up with regularity.

The already wildly overrated Charlie Kaufman joint Anomalisa is #1 just barely in a photofinish with the only marginally overrated Spotlight. Hee. Lots more on the actors and a distinct Oscar possibility after the jump...

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