Margaret with more on Sunday's Golden Globes...
Awards show speeches are weird and wonderful things. They’re awkward and rushed, they hold the weight of hundreds of peoples’ expectations, and they are bound to disappoint or offend somebody no matter what they contain.
Since the Golden Globes are the first big ceremony of awards season (People's Choice A-whats? Haven't heard of 'em), the winners have their work cut out for them to be memorable and charming and humble enough to make their new statuette the first of many.
Below we have a roundup of my picks for best movie-category speeches of the night, plus some speculation about whether they might influence the Oscar race. (For wins, not nominations, since the voting is closed and they're now set in stone.)
Honorable mention goes to Just-Keep-Simmons for his amusingly gruff speech ("I think I only have 45 seconds, so shut up").
5. Wes Anderson – Best Motion Picture, Musical or Comedy (Grand Budapest Hotel)
Oh, Wes Anderson. Never change! I mean, look at him. Look how uncomfortable he is, how his eyes are locked to his notes. Look at that slightly crooked bowtie. So many ‘um’s and ‘uh’s. He does not want to be the center of attention. If we needed any proof that he’s not the awards-campaigning type, we have it now. It’s lovely to see a Grand Budapest Hotel win, and that could mean that it's got a more solid shot at an Best Picture Oscar nomination than most of us dare hope... but then again, the HFPA often marches to the beat of their own drummer.
4. Julianne Moore – Best Actress in a Motion Picture, Drama (Still Alice)
Remember when we never got to watch Julianne win anything? Judging by her adorably delighted reaction, the thrill is a fresh one. She shares a lovely dictum from her mother (“a happy person is someone who has work and love”) and gets choked up thanking her family. On the cynical side, the speech hit all the right marks. People love their frontrunners (especially women—boo) to be humble and surprised and emotional when they win. A good move towards Oscar.
3. Michael Keaton - Best Actor in a Motion Picture, Musical or Comedy (Birdman)
Sure, it’s a little long (more obvious since it came near the end of the late-running program), but he’s telling a story instead of listing off names, and in the dynastic industry that is Hollywood it’s refreshing to hear from people who were born far from the business. Also: he produced actual tears as he choked out a touching tribute to his son (“Two things I wasn’t gonna do—cry, and give air quotes—damn”), and we all know Oscar loves a good manful cry. This may have pushed him into winner territory.
2. Patricia Arquette - Best Supporting Actress in a Motion Picture (Boyhood)
The win was an expected one, but it was no less enjoyable for that. She’s concentrating so hard on getting all her written words out (“Sorry I’m the only nerd with a piece of paper”), but you can just see the immense feeling threatening to bubble out as she gives sweet, genuine thanks to her movie family. It’s clear that the role and the film mean very, very much to her. No major shakeups from this speech; it seems pretty clear she’s headed straight to the Dolby podium.
1. Common and John Legend - Best Original Song in a Motion Picture (Selma)
Potent, stirring, beautifully put. What every awards speech should be if it possibly can. Common did almost all of the talking, more about Selma itself than the winning song, and put the focus back where it should be: “Selma has awakened my humanity… Selma is now.” If there’s any justice (there isn’t), this would be making the rounds among all the people crying “historical inaccuracy!!” and giving them something else to think about. Good for their awards chances as songwriters, good for the film as a whole. Bonus points for making Oprah cry.
What were your favorite speeches of the night? Who didn't win that you'd like to hear a speech from soon?
Thursday, January 15, 2015 at 3:45PM 
Manly men and the men who love them and direct them and vote for them to win miniature idols of gold men. 
