The Link Jar

NewsTalk How Cartoon Saloon became a major draw and how those Oscar nominations helped
Playbill Stephen Schwartz says Wicked (the movie) will have several new songs. Geez, it already has a ton of songs. I guess he wants that Oscar.
MTV Frankie & Johnny is Garry Marshall's best film

Variety Idris Elba responds to those endless Next James Bond rumors
Coming Soon Star Wars: Episode VIII (as yet untitled) wraps production. It's due in theaters in December 2017 as these things take time in Post-Production
The Playlist the teasers for all the new Marvel/Netflix TV series: Iron Fist, Defenders, Luke Cage
Towleroad an interview with the stars of Looking 
Comics Alliance Wonder Woman gets her own US postage stamps for her 75th anniversary this year 
AV Club Brie Larson spoils Room for dumb people on Twitter 
The Retro Set looks back at Judy Garland in her final film I Could Go On Singing (1963)
The Guardian celebrates the five great screen moments for Penelope Wilton (of BFG & Downton Abbey fame)
EW Justin Timberlake talks about his theme song to the upcoming Trolls movie 

Finally....
I was going to write a piece about Kirsten Dunst choosing to direct the feature film adaptation fo Sylvia Path's famous novel "The Bell Jar" with Dakota Fanning in the starring role. But Indie Wire's Kate Erbland beat me to it and said basically everything I wanted to say. I love this part.

Dunst’s ability to dive deeply into depression was not just confined to her work in “The Virgin Suicides,” she also captured rich, worldly ennui in Coppola’s “Marie Antoinette” and terrifying, world-ending fear in Lars von Trier’s “Melancholia,” for which she won Cannes’ Best Actress award... Even in her younger years, Dunst was uncannily able to translate bone-deep sadness to the big screen in fascinating ways, like she did as a child in “Interview With the Vampire.” And while most fans of Michel Gondry’s “Eternal Sunshine of the Spotless Mind” remain hung up on Jim Carrey and Kate Winslet’s work in the film (and rightly so), Dunst’s own subplot about lost love (and lost memories) is one of the film’s most heartbreaking elements.

My only fear here with this project is that it's too on the nose for Dunst. Like Terry Gilliam's desire to make a Don Quixote Picture; haven't they already been making these pictures, figuratively speaking, for their whole careers?

Halfway Mark: Achievements in Costume Design

We've celebrated the male performances, the heroes and villains, cinematography & production design. So let's hit Nathaniel's (c'est moi) favorite craft category costume design, as we wrap up our halfway mark festivities this week (actresses still to come). Who would I choose and who might Oscar choose if the year had ended June 30th? 

HALFWAY MARK BEAUTY BREAK ~ BEST COSTUME DESIGN
(January to June theatrical releases only) 

Achievements in Overall Costume Design
If I were drawing up my year end ballot right now (January to June releases) I'd pick these five films though there will inevitably be strong competition to come -- will any of them be nominated at year's end?

The Neon Demon, Erin Benach
While Benach doesn't manage anything as iconic as her scorpion jacket for Drive, few films do so you can't hold that against this film. Between the dichotomous looks of the innocent ingenue (half sexual / half innocuous flowing girlie dresses) to the rigid couture of her rivals, there's lots of texture and color and editorial looks to consider.

Sing Street, Tiziana Corvisieri
Corvisieri pulls from a surprisingly wide range of styles in this film to trace the DIY looks of "Sing Street," the band within the film, and how their music video style translates into their schoolboy uniforms. Great fun on a costume level but always believably low-budget and "thrown together" (though they were surely well planned by Corviseri)

9 more honored costume designers after the jump...

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Marvin Hamlisch's Big Oscar Haul. And Other Stories...

On this day in history as it relates to the movies...

Dr Duran Duran and the Orgasmatron

1835 P.T. Barnum and his circus begin their first tour of the US. Wasn't Hugh Jackman supposed to play him in an original movie musical? Is that still on or did the endless Wolverine show derail it? (sigh)
1840 Novelist Thomas Hardy is born. Movies adapted from his work include multiple versions of Jude, Tess,  and Far From the Madding Crowd
1904 Johnny Weissmuller is born. We just wrote about Tarzan and His Mate (1934) which you should definitely see
1926 Character actor Milo O'Shea, aka Dr Duran Duran who tried to kill Jane Fonda by excessive pleasure in Barbarella, is born.
1937 Sally Kellerman, the original " 'Hot Lips' O'Houlihan" is born

1944 EGOT composing legend Marvin Hamlisch (of "A Chorus Line") fame is born...or as Cher calls him "Marvin Hamilsmisch". Classic songs include the Oscar winning "The Way We Were" and Oscar nominated gems like "Nobody Does it Better," and "Through the Eyes of Love." Get this: He is the only person other than a director or screenwriter to win more than two Oscars on a single night. At the '73 Oscars he took Song and Original Score for The Way We Were and also Adapted Score (back when they had that) for Best Picture winner The Sting. 
1953 The coronation of Queen Elizabeth II, aka Helen Mirren's signature role. Did you know that Queen Elizabeth II is now the longest running monarch in British history?
1989 Dead Poet's Society opens in theaters. Goes on to 4 Oscar nominations including Best Picture in one of the all time least satisfying Oscar years. I mean that Best Picture lineup is atrocious given that sex lies and videotape, The Little Mermaid, Fabulous Baker Boys and Do the Right Thing (all nominated for something) were right there for the taking.

No, don't take my picture.

1995 Bridges of Madison County opens in theaters and audiences start loudly demanding Meryl Streep's third Oscar. The conversation lasts for 16 whole years thereafter. (Demands for #4 have not yet begun but it's only a matter of time.)
2006 Peyton Reed's The Break-Up opens in theaters with Jennifer Aniston & Vince Vaughn 

And one year from today...
2017 Wonder Woman will open in theaters. Somehow it only took them 75 years to get her on the big screen. 

Happy Birthday, Robin Wright

Tim here. Robin Wright turns 50 today, and it's my good fortune to wish her a very happy birthday on behalf of the Film Experience. She's entering the decade of her life that generally finds actresses facing the worst odds they ever get from the powers that be in Hollywood (there's that infamous stat that only two women have ever won a Best Actress Oscar in their 50s), but for my tastes, she's never been more interesting than in the past few years.

Indeed, it's been only in this decade that Wright has gotten some of her best-ever movie roles, on top a key performance in the Netflix hit House of Cards, and really gotten to show off as an actress. Some of her best film work, sadly, has been in underperforming movies that most people have never seen or heard of; what better excuse than a birthday to go out and track one of these down?

In 2010, Wright appeared as the title character in The Conspirator, director Robert Redford's story of an idealistic young lawyer defending Mary Surratt, whose boarding house sheltered John Wilkes Booth and company as they devised their plot to assassinate Abraham Lincoln. It's hard to go to bad for the movie as a whole, which wants very badly to be a history lesson rather than a piece of cinematic entertainment. Certainly, Redford's very prim and precise direction of James D. Solomon's research paper-feeling screenplay turn this into a social studies diorama rather than a living, breathing character drama.

But!...

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Review: Batman v Superman (aka the Dawn of Wonder Woman)

This review originally appeared in Nathaniel's column at Towleroad

Just over a hundred years ago the movie serial was born. The stories were divided up into small chapters and kids would return each week to the movie theater to see how the cliffhanger endings were resolved. And then they’d watch the feature presentation. Cut to: March, 2016. Batman v Superman: Dawn of Justice is now open in theaters. There’s no serial preceding it but it is one. While Warner Bros, the studio that owns the DC heroes, has several superhero shows on television and stresses that they’re unrelated to the movies, the lines are ever blurrier betwen the two mediums. In fact, Batman and Superman actually both had movie serials in the 1940s. The most popular movies seventy years later are all what you’d call “franchises”. That’s code name for a very expensive serial which doesn’t air weekly but annually. And you have to see them in movie theaters.

With serials/franchises/TV shows you’re perpetually aware that there will be another episode. So the heroes are never really in danger; contractually they’ll be back next episode/season. But let’s not leap tall buildings in a single bound into the future. Is Batman v Superman: Dawn of Justice a worthy movie or satisfying episode on its own?

Spoiler alert: It’s not. Many reasons why come after the jump...

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