Tweetweek: the Susan Hayward and Timothée Chalamet of it all

martin scorsese was once asked by a ten year old "how do i become a film director?" he waited and replied "make your movie. grab a cell phone, everyone has one these days". that kid was orson welles.

— catarina. (@cacmrg) September 1, 2022

🤣 Curated tweets for you after the jump featuring Susan Hayward, Timothée Chalamet, animal actors, and solo moviegoing... 

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Cannes Diary #3: A stubborn wife, a great grandpa and... a donkey?

by Elisa Giudici

While I was on screening duty, Hollywood glamour was on shift-change with Tom Cruise out and Julia Roberts in. Roberts was here to hand the Chopard Awards to new promises of world cinema (Jack Lowden and Sheila Atim) and to enjoy a marvelous party, as I've heard from friends that witnessed it firsthand. But as for the movies, I am happy to report that on the second day of the competition (the third since opening nightl) we already have a soon-to-be infamous scene with the immense Isabelle Huppert as a momentary protagonist. Some weird festival stuff is coming, brace yourself...

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Interview: The Director of 'Lunana' on making the Oscar finals, working with yaks, and meeting Ang Lee

by Nathaniel R

Making movies is never "easy" but some movies achieve the impossible. Pawo Chonyning Dorji's debut feature, the Bhutanese Oscar finalist Lunana A Yak in the Classroom, is one of the latter kind. Its very existence is a miracle, and that's before you even get to the lottery-ticket like good fortune of competing for the Oscar. While Bhutan has a growing local film and television industry, heavily influenced by the films of Bollywood, the pictures are mostly low budget and don't travel outside of the small landlocked country. They definitely don't travel anywhere near the mountainous village where Lunana A Yak in the Classroom takes place, since there is no electricity let alone a movie theater. The charming soulful movie is about a restless young teacher named Ugyen (first time actor Sherab Dorji) who dreams of moving to Australia to pursue a music career. He very reluctantly accepts a final teaching gig to complete his government contract but that assignment is in the most remote part of all Bhutan.

Setting a story there is one thing, filming there without electricity with cast and crew of first timers -- some of whom had never even seen a movie -- is another.  We had the pleasure of talking to the director about his miracle Oscar contender and why he made it and our interview follows after the jump...

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Year in Review: Best Screen Animals from Shark to "Pig"

by Team Experience

Animals didn't always have an easy go of it in 2021 movies. Consider Jonathan Larson's elusive super-neglected cat in tick, tick... BOOM!, wondering if its box would ever again be cleaned. Or, worse, those dalmations in Cruella demoted from loving titular characters to growling weapons. And it's best not to think too long on the fate of either bunny we meet in The Power of the Dog. 

But the following animals were luckier (for the most part) winning enough screen time and giving off enough personality to become an essential part of their movies, so let's talk about them...

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A "Wolf" in Men's Clothing

by Jason Adams

There is an unfinished quality to the actor George Mackay's face, as if he's a first-draft in putty, not quite defined into full features yet. That quality makes him a perfect fit for Wolf, writer-director Nathalie Biancheri's new film about a young man who believes himself to actually be, under all that pretty pink skin, a you-guessed-it wolf. Mackay naturally seems permanently half fixed, like he's trapped in the middle part in a werewolf  transformation montage -- his impermanence putting this character's indeterminate selfhood right there written over his taut cheekbones.

I wish the rest of Wolf, which sees Mackay's character of Jacob shuffled off to a mad doctor's experimental psychological retreat/prison for, you know, "his own good," worked as well as Mackay does...

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