Soundtracking: White Christmas

by Chris Feil

White Christmas is a classic “let’s put on a show to save the barn” musical, except its traveling entertainers are saving... a resort hotel in Vermont. What it isn’t is a Christmas staple that has all that much to do with Christmas. Despite the title, the film is closer to a winter-set cousin to the likes of Gentlemen Prefer Blondes or Summer Stock, and still we watch it every holiday season. Perhaps that’s partial carryover from Bing Crosby’s White Christmas album (more of a staple in my household than the film was) and Crosby’s other holiday films (ditto, strangely) - his presence alone is enough to make him some baritone duke of the holiday season in the eyes of audiences.

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Seven Stocking Stuffers!

Our year in review continues. A new list daily.

MERRY CHRISTMAS, HAPPY HANUKKAH, HAPPY KWANZAA to our beloved readers! 

For this festive morning of gift-giving, here's a list of some treasures from this year's movies that would make some lucky recipient smile from ear to ear. Which of these 7 would you most want to kiss Santa Claus for stuffing in your stocking this morning? Do tell in the comments.

(We wanted to include JLo's Hustlers fur or Tom Mercier's mustard Synonyms coat but we've never seen a stocking big enough to include either so we decided clothing was not allowed for this particular list) 

• The 'Scholar's Rock' from Parasite. You'd have to be more careful with it than the Kims were but it did bring them sudden success as advertised. 

• A Sith wayfinder from Rise of Skywalker. They are very rare so they're valuable. Though why would you want to go to Exegol? What a (surreal) dump...  

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Looking back at 2019 Filmmaker Interviews

by Murtada Elfadl

2019 gave me the chance to speak to a few filmmakers about their films, their process, what they think their art contributes to the world. These filmmakers came from all over the world, and the breadth of their experiences and the topics they tackled is astounding. As the year comes to an end and we look back at the moments that stood out, here are some of the most fascinating insights I heard.

Recently The Farewell was not allowed to compete in the main film categories at the Golden Globes, and accepted only as a “foreign” film when its story is quintessentially American. After all the United States is a country of immigrants. Some people’s insistance on calling The Farewell foreign when it's so American just indicates that they don't think anyone whose 1st language isn't English is American enough despite their contributions to this country. When I talked to Lulu Wang during the summer, I asked her if she thinks her film being not entirely in English might limit its appeal...

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How do you solve a problem like "Cats"?

by Cláudio Alves

With Cats horrifying audiences around the world, including possibly you, let's all step into a hot-air balloon and travel to the heavenly lands of speculation. You see, a screen adaptation of the silliest mega-musical in Andrew Lloyd Weber's repertoire (give or take Love Never Dies or Starlight Express) was already a dicey proposition, but it needn't be so doomed. But add to that the deranged incompetence of Tom Hooper and digital fur technology,and we have something for the pantheon of all-time bad movies.

What could have been done to avoid catastrophe? Many psychologically scarred movie-goers may be asking this question from the depths of the madness that now consumes them: Could this have been any different? Could it have been better? Could it have been good, even? Maybe…

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Over & Overs: "My Girl"

Over & Overs is a series where we talk about movies we've watched countless times.

by Camila Henriques

I don't recall the first time I watched My Girl, but I do remember where I've seen it the most. This Howard Zieff-directed coming of age drama was a fixture on TV as I was growing up, and, for the past 25+ years, it has been for sure one of these films that becomes something new with every rewatch.

Probably best known for being Macaulay Culkin's first on-screen kiss, My Girl tells the story of Vada (Anna Chlumsky, in her breakout role), a 11 year old girl experiencing change in various ways whilst being surrounded by death: her widowed father falls in love again, her grandmother is in that there-but-not-there situation, and, of course, she goes through her first love - and heartbreak...

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