FYC: Best Costume Design, The Dressmaker

By Glenn Dunks.

Cinderella. Mirror Mirror. Bright Star. I Am Love. Australia. Marie Antoinette. The list goes on.

The costume design branch so commonly gives films their single solitary Oscar nomination that it’s become a prognosticator mission of sorts to figure out which couture creations the branch will extend this particular honor to. They are also the branch most likely to ignore critical and commercial receptions and nominate based purely on the craft and that’s why we love them. Perhaps it is because costume designers have spent decades being the frills-and-sequin-loving daughter of Oscar when all he wanted was sons, but they use their unique privilege more wisely than others (we’re looking at you, composers!)

It was obvious, then, to me which film I should be championing here and it is Marion Boyce and Margot Wilson for The Dressmaker...

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One Last Day of Golden Globe Goofing - Four Questions

Perhaps in an effort to stave off worries about the impending T****ocalyspe, I've been doing a whole lot of pretending it's still last Sunday night in my head to relive the joys of the most consistent part of life that's not as depressing as taxes and death: awards shows!

So I did a quick poll of Team Experience to get one last rush of feelings out about the Golden Globes before we're on to Oscar nominations (Jan 24th) and SAG Awards (Jan 29th). Four happy questions after the jump. You should answer them, too. More being merrier, etcetera...

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Amy & Isabelle... and that perplexing Best Actress race.

Isabelle Huppert shared this lovely glamorous blur of two of our Best Actress Contenders at a Globe party on her Instagram account. Share worthy it is though our favorite part is Huppert's matter of fact no-frills captions which are usually "avec [insert celebrity's name]" brief. 

These two ginger beauties remind us that we've been playing with that Best Actress Chart all day and no combo of five women still feels quite right. Something's got to give. But we don't want to give any of them up! Now more than ever can't we cancel one of the male acting categories and just give them women another 5 slots?

Who do you think is stronger than the buzz suggests? I keep thinking Ruth Negga which is why I still am betting on her (for this update at least. We'll obviously have to revisit each chart for final predictions). And which leading lady is more vulnerable and could be a surprise miss? Sound off!

Cinematography Prizes: ASC and Oscar

The American Society of Cinematographers recently added an very welcome category called "Spotlight" in which they note the work of DPs working in films with either very limited releases or festival only entries. It's a smart way to draw attention to work that might otherwise go unnoticed. In this new category they've nominated Lol Crawley for Childhood of a Leader (which we recently discussed), Gorka Gomez Andreu's work on the Georgian Oscar submission House of Others, Ernesto Pardo for the Mexican film Tempestad, and Juliette van Dormael's lensing of the Belgian film Mon Ange (My Angel). Why there are only 4 honorees and not the traditional 5 we do not know.

But the marquee category is of course Theatrical Motion Pictures. And here's the beauties they most loved looking at this year...

Bradford Young for Arrival
1st ASC nomination. Also his first BAFTA nomination. One previous Spirit nomination for Selma. Other key credits: A Most Violent Year, Pariah, Ain't Them Bodies Saints

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Best Picture - How many and which ones?

Though the Academy Awards and the Golden Globes don't share voters, La La Land's sweep at the latter -- winning the most prizes, literally ever, at the Globes-- suggests the kind of overall crowd-pleasing and respectability strength that means the Best Picture Oscar is already won. The only suspense is how many other statues will be keeping it company on Hollywood's High Holy Night in February. But the race for nominations, which we've always maintained is the most exciting part each year anyway, is still relatively heated. So the Best Picture Oscar chart has been updated (more charts to follow over the next couple of days). But in short yours truly in punditry believe that the race currently breaks down like so

Tier 1 - The Locks... La La Land, Moonlight, and Manchester by the Sea
Tier 2 - If There Were Still Only 5.... Arrival and Hell or High Water?
Tier 3 - Probably Also In (So That Makes 8)... Lion, Hidden Figures, Hacksaw Ridge
Tier 4 - It Depends on How Many Nominees? Nocturnal Animals or Fences
Tier 4.5 - Unless I'm Wrong In Which Case Loving, Jackie, or Sully

Assuming La La Land, Manchester and Moonlight are competing for the win... how would you rank the other Best Pic hopefuls?

That's ten pictures right there which means I have less faith in the rest though there are other films making noise like Silence (albeit a quiet kind of 'Jesuit priests in Japan but its Scorsese' noise) and Deadpool. I know I know... the PGA nomination... but I frankly can't imagine the latter as a BP nominee and my reasoning is this: it's the kind of picture you'd vote for if you're like "burn this whole place down! Oscars are silly and too elitist" -- there are surely some voters like that but in a year with so many richly loved movies I can't imagine this feeling is the dominant one. Also if the high budget superhero universal acclaim of The Dark Knight and the High Budget but similar to Deadpool (In Snark and Success) Charm of Guardians of the Galaxy couldn't do it why would the comparatively lowbudget and lowbrow Ryan Reynolds comedy be able to? And if it were to be nominated wouldn't that be like spitting in Marvel Studios' face? (Yeah, yeah, we know you've worked hard at consistent quality for a decade with barely any nominations to show for it even in tech categories, but whatever)

YOUR TURN. How many nominees do you think we'll get this year and which film is in the so-close but it's not going to happen position?