Judy by the Numbers: "Country Medley"

Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

Despite the upheaval caused by firing most of the crew only a few weeks before, change was slow to come to The Judy Garland Show. Producer Norman Jewison made incremental changes, first giving writers free reign to make jokes about Judy, then bumping up the presence of guests and side acts, before eventually dialing them back. This show was one of the last to feature Jerry Van Dyke, Dick Van Dyke's younger brother who had acted as comic relief for the first few episodes but was critically panned for poking fun at Garland. Already a third of the way through its eventual 26 episodes, The Judy Garland Show was still very much a work in progress.

The Show: The Judy Garland Show Episode 8
The Songwriters: Various, arranged by Mel Torme
The Cast: Judy Garland, Jerry Van Dyke, George Maharis, The Dillards, directed by Bill Hobin 

The Story: All of this experimentation meant strange and wonderful things appeared on the show. For instance, who would look at Judy Garland's career and think, "needs more bluegrass?" Yet, the eighth episode guest stars were bluegrass group The Dillards, best known for their recurring role as The Darlings on The Andy Griffith Show. While this episode heavily featured The Dillards playing on their own, Judy and the rest of the cast joined them for a large production number near the end of the show which blended - sometimes well, sometimes uneasily - bluegrass, big band, jazz, and folk music. No matter how many changes were pushed through, The Judy Garland Show was never dull.

previously on Judy by the Numbers

Now Streaming (Netflix): A Slim Selection But Jude (!) and Gillian (!!)

Netflix, which initially looked like the 21st Century Blockbuster is well on its way to being the new HBO, so they're cutting back severely on movies now. But there's still a few titles of interest each month. Here are streaming options as of November. We'll randomly freeze frame a handful of titles and share the results. Okay? Okay!

Shop till you drop, girls

Alfie (2004)
The Year Jude Law Was in Every Movie. Also, arguably, the peak of his gorgeousity.

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tfw

...you surround yourself with art but you're the masterpiece.

Now Streaming (Prime): Rocky, Bond, and Brad as "Joe Black"

It's that time of the month again. Streaming! Here are the new titles on Amazon Prime. As is our practice we'll freeze frame some at random to see what comes up -- no cheating! Will you be watching any of these? Do you remember them?

Russian Coach: He's nothing, he's soft
Swedish Dolph Pretending to be Russian: He's not a man. He is like a piece of iron.

Rocky IV (1985)
Remember when America was totally obsessed with Dick-Measuring with Russia. Oh wait... we're back there again only with a really gross twist (sigh). Side note: Most but not all of the Rocky films are avaiable for streaming but the not all point kind of defeats the purpose doesn't it? See also: James Bond movies.

Speaking of...

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Doc Corner: Revisiting 'The Loving Story'

For this weeks edition of Doc Corner we are celebrating the release of Jeff Nichols' Loving by looking back at the documentary that was quite clearly a heavy inspiration on it.

That Richard and Mildred Loving often got overlooked for their unwilling but necessary part in the civil rights movement is hardly surprising when you watch The Loving Story, Nancy Buiski’s sober and low-key documentary from 2011. The pair, quiet and dignified, do not make for the sort of protagonists that make traditional narratives – a comment that has come up throughout the festival release of Jeff Nichols’ feature adaptation. Theirs is a story of quiet suffering; their victory an almost anticlimactic ‘duh’ moment that it’s easy to see why it has taken so long to get films made about them.

But it is that very reserved nature that makes their story equally compelling. Mildred, especially, is a woman whose soft-spoken nature so often goes unseen by storytellers throughout moments of great historical upheaval. Buiski’s film doesn’t try to pad it out with flash and narrative diversions. Instead it lets the humanity of its story and the relevance of its themes permeate across wisely assembled talking heads (including the couple’s only surviving child, Peggy) and a treasure trove of fascinating archival footage, newsreels, and family photographs that makes up the bulk of the film’s short yet resourceful runtime.

The entire story of the Loving v Virginia case holds relevance today in the face of race and same-sex marriage. Their story is one of barbaric cruelty where they were subjected to being woken up in the middle of night with flashlights in their faces, their relationship opened up to the inspection and scrutiny of hate-filled bigots in positions of power.

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