"Argo" is a Fake Movie but its Box Office is Real

Argo F*** yourself!"

That's what I imagine Ben Affleck and team were saying to their box office competition this weekend. In the Best Picture hopeful's third weekend, it climbed to the top of the charts which is a fine very good extremely significant sign that it's going to have legs and thus a indefatigable sturdy stride towards February's Oscar ceremony. Those getting f***ed included Cloud Atlas (some are wild for it -- see below -- some think its silly but the nearly 3 hour running time and gargantuan budget have made profit a ridiculously ambitious dream), and Chasing Mavericks... When was the last time Gerard Butler had a real hit? Was it The Ugly Truth? The specialty box office was good for The Loneliest Planet (reviewed) and The Sessions which will continue to expand as it moves into awards season.

Did you know that ARGO was inspired by this Wired article by Joshuah Bearman?

Box Office 15
01 ARGO  $12.3 (cum $60.7)
02 HOTEL TRANSYLVANIA $9.5 (cum. $130.4)
03 CLOUD ATLAS  $9.4 *NEW IN WIDE RELEASE* 
04 PARANORMAL ACTIVITY 4 $8.6 (cum. $42.6)
05 TAKEN 2  $8  (cum. $117.3)
06 SILENT HILL: REVELATION 3D $8 *NEW IN WIDE RELEASE* 
07 HERE COMES THE BOOM $5.5 (cum $30.6)
08 SINISTER $5  (cum $39.5)
09 ALEX CROSS $5 (cum $19.3)
10 FUN SIZE $4 *NEW IN WIDE RELEASE*

a rather, uh, "enthusiastic" text received from Beau. Some people just go crazy for this movie!

11 PITCH PERFECT $3.9  (cum $51.3) podcast fun
12 FRANKENWEENIE $2.4 (cum $31.7) capsule | notes on the original short
13 CHASING MAVERICKS $2.2 *NEW IN WIDE RELEASE*
14 LOOPER $2.1  (cum $61.5) Review
15 SEVEN PSYCHOPATHS $1.4 (cum $11.9)

What did you see this past week? 

I saw Anna Karenina but Cloud Atlas eluded me in part because I am allergic to three hour movies, in part because I haven't rushed to see it because I disliked every single film the Wachowski Siblings made after The Matrix (which I didn't even love as much as Bound so it's frankly been all downhill with them since their debut). But mostly I missed it because my favorite theater stopped showing movies at 2 pm today (!) -- presumably due to Hurricane Sandy (quite the troublemaker)  -- and the subways are also closing up tonight which is big trouble. Boo. Thankfully I have screeners to keep me company and Sunday night is always good television (Revenge + Homeland. Holla!)

Say What, Princess Nicole?

I asked you to amuse us by adding a caption or dialogue to this photo of Nicole Kidman on the set of Grace of Monaco. 

You obviously like Say What better when I choose a winning caption or dialogue but I'm stuck this time. Help me pick the winner!

poll by twiigs.com

Horror Movies For Pets

Monty, my reluctant feline Oscar pundit, is usually bored by movies but these would absolutely terrify him!

More Horror Movies For Pets at Pleated Jeans. Funny stuff.

Oscar Horrors: Martin Landau in 'Ed Wood'

Oscar Horrors continues was Beau looks at one of his favorite performances of all time.

HERE LIES.. Supporting Actor Martin Landau as Bela Lugosi in Tim Burton's 1994 masterpiece, Ed Wood.

Martin Landau. Holla.

Martin Landau's performance in Ed Wood is a joyous celebration of its time period. The manic energy with which Landau performs as Bela Lugosi mirrors Tim Burton's marvelous pacing and infectious love of the genre in this, his career-best. Bela Lugosi was a legend. He is primarily known today for his signature role, Dracula, but Lugosi was in fact a very ambitious actor. (He has said in several interviews that he always wanted to be the lead of romantic comedy.) His failure to diversify reflects a typecasting and stereotyping in 1950s Hollywood that helped set the foundation for how business is done today. It's not a matter so much of whether or not Lugosi was good enough to try different roles. It's about the compartmentalizing of the personality, boxing it up, shipping it out. Maintaining hold.

Landau's gruff drug addicted depiction of Lugosi is a treat. My generation is not well acquainted with the works of Ed Wood or b-movies from the 1950s and I'm no exception, so  I couldn't take as much enjoyment from the reenactment of certain moments as I might be able to, in say, the upcoming Hitchcock in terms of Psycho. The central joy of watching these kinds of mimick'ed performances is seeing an actor that you're familiar with side-by-side with a legendary performer -- two contrasting takes -- but it's not the only joy. Landau understands that to successfully play Bela Lugosi is not to simply imitate or mimicking him, but imbibe him. You can get drunk so easily watching Martin Landau drink a case of Bela Lugosi. His Oscar win is one of the best choices the Academy ever made in Best Supporting Actor.

"Look into my eyes"

Tim Burton's direction eerily mirrors and compliments the ferocity with which Wood approached each and every project. The beautiful thing about Ed Wood, is the fact that this man who was completely oblivious to the fact that he had no true talent still managed to let his passion drive him through his life. In a very interesting way his story is not so much a cautionary tale for storytellers, but a map. In the 21st-century with production values taking precedence over narrative structure and any of the foundational building blocks of great films young independent filmmakers are looking to one another to trust in each other to build themselves up. With the advent of video-on-demand, filmmakers are discovering new outlets in order to release their product and story out into the world. You can market it a certain way. You can advertise a certain way. You can sell it with your passion for the project. One could go so far to abel Ed Wood as much of an auteur as Alfred Hitchcock or Howard Hawks. There are distinct notes, unique trademarks and fingerprints that are over every single frame in his films. Andrew Sarris would drop dead reading this, but it's true. Ed Wood is a hero to the American cinema because of his love for it.

Landau's contribution to the film is the spark that reignites Ed Wood's fire. And for that, in a very roundabout way, I am eternally grateful.

Oscar (ACTING) Horrors
[S2]
The Picture of Dorian Gray - Angela Lansbury
Hush Hush Sweet Charlotte - Agnes Moorehead
Shadow of the Vampire - Willem Dafoe
Rebecca - Judith Anderson
[S1]
Rosemary's Baby - Ruth Gordon
Whatever Happened to Baby Jane - Bette Davis
Carrie - Sissy Spacek
Dr Jekyll and Mr Hyde - Fredric March

Linkfall

My New Plaid Pants "13 Whores of Halloween" a fun countdown of film characters: "Jules" from Cabin in the Woods, "Lucy" from Bram Stoker's Dracula and 11 more!
Star Ledger movies as political propaganda: Won't Back Down, 2016: Obama's America, and more
Pajiba a shirtless link roundup. Why haven't I thought of this? On a content related note: I hadn't heard that Ryan Gosling has left Nicolas Winding Refn's Logan's Run remake. Sad face. But I guess Ryan Gosling, who is 31 going on 32, would already be dead by Logan's Run standards! 
Hollywood Elsewhere on John Goodman's Oscar campaign problem for Flight.

 

After Elton cute and thorough interview with the star of Gayby out actor Matthew Wilkas
The Incredible Suit meets James Bond Daniel Craig in posh hotel as Skyfall takes London by storm 
Fashion It So funny newish tumblr on the costumes in Star Trek: The New Generation. Love how randomly specific the interwebs can be
In Contention looks at all the contenders in the Best Animated Feature race 
/Film gets excited by one random comment from the difficult brilliant genius Paul Thomas Anderson about Chris Nolan's Dark Knight trilogy  
Movie|Line wonders if Idris Elba will win the James Bond role in the future. But why are we talking about this? I want Daniel Craig to keep on running, shooting, fighting, travelling, stripping, and bedding those Bond girls. Don't you?
Cinema Blend ...at any rate, Daniel Craig's possibly final two Bond pictures MIGHT have linked stories, a la Casino Royale and Quantum of Solace