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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Sunday
Sep242023

Emmys 2023: What if TV Movies had their own awards? (Key Stats + Personal Ballot)

by Juan Carlos Ojano

TV movies (now that mostly means streaming titles) have returned to favor amongst Emmy voters after a nadir of interest last season. All of the nominees for Outstanding Television Movie have received nominations outside that category - a stark difference from last season. This year, Weird: The Al Yankovic Story (8 noms) and Prey (6) lead the pack, with Hocus Pocus 2 (3) and Dolly Parton’s Mountain Magic Christmas and Fire Island (2 each) trailing behind. Even Boston Strangler got a single nom despite being absent in the Television Movie category. Frankly, this should have been the case for the past few years - especially beginning with the pandemic year/s - since this category has registered a steady uptick of eligible films.

Stats, graphs, and a personal ballot after the jump... 

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Saturday
Sep232023

TIFF '23: Final Farewells and a Jury of One

by Cláudio Alves

Since THE BOY AND THE HERON opened the festival, there was a Studio Ghibli pop-up store. Sadly, I didn't take either of these giant fur babies home. But it was tempting!

All things in life must come to an end, so it's time to say goodbye to TIFF '23. Words will never be enough to express my gratitude to Nathaniel and the Media Inclusion Initiative, whose help made this coverage possible. Overall, I watched 59 features and six shorts, reviewing most of them along the way, and getting positively drunk on cinema. It was especially incredible to experience so many of these films on giant screens, unlike the sort I get to experience in Lisbon-based festivals. To watch something like Rosine Mbakam's Mambar Pierrette on the Scotiabank Theater's IMAX screen is an experience I won't soon forget.

Beyond the films, I met amazing people at TIFF, from fellow critics to festival programmers and ex-directors, editors, and the like. I even got to take a selfie with Abe, my fellow Team Experience member who I only knew through Zoom until now. Pardon the sentimentality, but this was a dream come true…

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Friday
Sep222023

7 More Films (Some Surprises) Join the International Oscar Race

by Nathaniel R

While Denmark and Germany have been Oscar's two favourite countries in the past 20 or so years, they weren't always the biggest draws. Four traditionally powerhouse countries in the International Oscar Race -- France, Italy, Sweden, and Spain -- haven't had as much consistent pull of late but underestimate them at your own peril. All four have now announced their horses for the Oscars so it's an exciting week for news in this category. And they weren't the only countries to share their golden news this week. The charts are updated but let's talk about 7 of the new submissions... 

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Friday
Sep222023

TIFF ‘23: A Humorous Look at Activism in ‘A Difficult Year’

By Abe Friedtanzer

Courtesy of TIFF

There are many things to be angry about in today’s world, including the inaction by governments around crucial issues. Activism takes many forms and often has specific aims, but the goals of a protest movement can also be wildly unattainable. The very funny A Difficult Year pokes fun at that notion with its story of two opportunists who become involved with an anti-commercialization group for all the wrong reasons...

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Friday
Sep222023

TIFF ‘23: A Political Love Story in ‘Shoshana’

By Abe Friedtanzer

Courtesy of TIFF

Those who are confused by the current situation in the Middle East have a long, even more complicated history to consider that explains some of the roots of today’s issues. Shoshana takes place in 1938, when the British control Mandatory Palestine and the Nazis are beginning to conquer Europe. Two separate Jewish underground armies exist, the Haganah and the Irgun, each fighting for their vision of the future Israel, and tolerated and vilified to different degrees by the British forces trying to keep the peace. At the center is Shoshana (Irina Starshenbaum), a Jewish woman romantically involved with English police officer Thomas Wilkin (Douglas Booth)…

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