Yes, No, Maybe So: Suspiria

What’s good? It's Salim. Yesterday, Amazon Studios graced us with the second trailer to their upcoming horror film, Suspiria, a film that performs double duty as the remake to one of the seminal horror films in cinematic history by Italian legend Dario Argento and Luca Guadagnino’s follow-up to his acclaimed Oscar contender Call Me by Your Name. To some, the attempt to remake such a perfect masterpiece as Suspiria may feel like sacrilege. To yours truly, it has been one of my most anticipated movies ever since Guadagnino was announced as the director years ago (Much less so when the poor fit of David Gordon Green was attached) and seeing the cryptic first teaser months ago felt like manna after long speculation of how the results would be (including Armie Hammer going on record after seeing it calling the movie “evil”). 

More on the Trailer After the Jump

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Eye Spy With "The Favourite"

Chris here. Oh was white text on a black background not enough to prep us for a Lanthimos costume drama? The NYFF-bound The Favourite inches closer to release and we've now been given a genius poster that takes "closer" to a whole new level of Lanthimosian wrongness. Reader, what are Emma Stone and Rachel Weisz doing to Olivia Colman's face?? We love some Lanthimos body horror humor, but do we need to brace for The Favourite to punish us with... eye stuff? Eek! Or maybe there's some more hidden hints at what the movie has in store for us?

My Fair Linky

• Los Angeles Times Black Panther wants the Best Picture Oscar. Is making plans to get it 
• Deadline If they want to keep Daniel Craig, the Bond producers have to move fast to replace Danny Boyle in the director's chair for the next Bond film. Here's the candidates they're considering. I love the idea of Yann Demange because '71 proved he can do propulsive nail-biting tension even without big stunts and budgets
• The Guardian fun report on the tragic lack of quality in Netflix's much-hyped romcom programming
• Awards Daily  Upcoming festivals and how they typically shape the Oscar race

• Broadway Blog Lauren Ambrose is leaving My Fair Lady early for a TV role so in steps Laura Benanti
• Variety New animated film in the pipeline called My Boyfriend is a Bear. Sadly it's not an animated gay romcom but what sounds like G rated beastiality for children.
• Coming Soon Elton John biopic Rocketman has a release date: May 31st, 2019. Bold move for a biopic, aiming for summer box office. Taron Egerton (Kingsman) stars
• Us Magazine Scott Eastwood is having sex "lots of it"
• EW Troye Sivan on his music and Boy Erased. When asked if Kidman is a fan:

I’m…not sure! She said in an article that she and Keith are fans. And I was really gagged by that. I just don’t know if it’s true or if she was just being really nice.

politics & showbiz
• THR how is the #metoo era affecting sex scenes and no-nudity clauses?
• The Cut tries to work out the complex contradictory feelings resulting from Asia Argento being revealed as both alleged victim and alleged harasser
• New Yorker "Crazy Rich Asians and the end point of representation"
• /Film on that Buffy reboot. "Talent of color do not need white tv show and film hand-me-downs" I like this article but this wave of 'diversity rebooting' has less to do with the white lens, I'd argue, than it has to do with Hollywood's typical modus operandi: regurgitate! regurgitate! regurgitate! That's what they know how to do.

Exit Track
Michelle Yeoh making the press rounds. Here's her interview w/ the HFPA (The Golden Globes).

Ben is Such a Tease. And He's Back!

The vernacular definition of the word "teaser" keeps expanding. Now it basically means "first trailer" and they're usually two minutes in length. But here's an ACTUAL teaser "teaser," like what the word used to mean for movie marketing. Julia Roberts and Lucas Hedges star in Ben is Back. 

I kind of love it for its brevity, and moodswitch / rug pull. You?

Blueprints: "The Marvelous Mrs. Maisel"

As we approach the Emmys, Jorge is looking at the pilot episodes of Best Series contenders. 

Amy Sherman-Palladino made a name for herself with dialogue. Best known as the creator of Gilmore Girls, but also behind the one-season wonder Bunheads, her newest series The Marvelous Mrs. Maisel follows a 1950s housewife who finds refuge in standup comedy after her husband leaves her. The delightfully twee vintage setting and the world of verbose comedy sets and big performer personalities is a perfect fit for her now immediately recognizable patter-chatter, all anchored by a revelatory performance from Rachel Brosnahan. 

Let’s take a look at the climax of the pilot episode: Midge’s drunken, cathartic stand-up set. How she slowly wins the audience. How it escalates on the page. How the endless sentences, tangents, and colorful adjectives create explosive tension...

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