Ranking the Alien Franchise, from Classic to Calamity

by Cláudio Alves

They call it a perfect organism. The beast brings forth destruction like nothing else in the universe, designed for maximum lethality and single-minded bloodlust. It slays and reproduces, only ever caring about the perpetuity of its kind over other living creatures. There are many ways for it to come into the world, whether through a mysterious black liquid or intelligent spores, an infection, or insemination by a violating face hugger. It is the product of mutation, ravaging existing beings as incubators or raw material for a further step in monstrous evolution. So, is it perfect or just good at killing and hard to kill? Is it perfect or an abomination? Am I talking about the xenomorph or the franchise that birthed it?

Through transforming genres and crossbreeding with other movie legacies, through artistic inspiration and corporative rot, through thick and thin, masterpieces and mediocrities, the Alien movies have persisted across decades. With its ninth installment now in theatres, it's a good time to take a look back at the saga and rank its nine films...

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Halfway Honors: The Gold Digger's 2024 Mid-Year Awards Have Been Announced!

by Nick Taylor

DUNE: PART TWO leads with 16 nominations, though CHALLENGERS is swaggering right behind it into that sauna with 15

As some of you may remember from last year, guest contributor Patrick Gratton has been spearheading a group known as the Gold Diggers Awards since 2018. Comprised of critics, cinephiles, festival circuit regulars and trusted besties around the globe, the organization is once again back with their Mid-Year Awards slate. As is tradition, these nominations are solely cultivated from films that received a US release in the first half of 2024. Also in keeping with tradition, these lineups are an eccentric mix of mainstream, arthouse, underground, and international cinema. Where else will you see Dune: Part Two duke it out with the likes of The People's Joker for Best Effects, or held up against Lea Seydoux's other sci-fi thrill The Beast? I love these nominations, and not just cuz I'm a member.

For the best of the best in 24 categories, follow me below the cut . . . .

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Víctor Erice's return will make you believe in miracles

by Cláudio Alves

Miracles haven't existed in movies since Dreyer.

So says a gruff film editor to his aged director friend in Víctor Erice's first feature in three decades, a work brilliant enough to make a lie of that line. Well, it was miraculous to me, though there must be some dissenters out there. Folks like Thierry Frémaux who infamously conned Erice into opening the flick at Cannes under the assumption it would play in competition. Only, Close Your Eyes didn't get to vie for the Palme d'Or, getting shafted into the newborn Premiere section. At this point, that farrago must be water under the bridge, though one presumes a big Cannes victory would have helped Close Your Eyes get to theaters sooner. For American audiences, it only now made it to screens, enjoying a limited release courtesy of Film Movement…

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Almost There: Lois Smith in "Five Easy Pieces"

by Cláudio Alves

No matter how respected or prolific a thespian may be, the glow of Oscar gold isn't guaranteed. Just ask Lois Smith, a titan of the contemporary American stage with nearly 150 screen credits to her name. The closest she ever came to the Academy's good graces was at the start of the 70s and the New Hollywood craze, when playing Jack Nicholson's pianist sister in Five Easy Pieces. Bob Rafelson's film is something of a classic for those interested in this era of American cinema, but its legend tends to circle around the leading man and, maybe, Karen Black. Still, Smith delivers a performance worth considering and, as the title of this post suggests, she was almost there…

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The People's Joker Is A Woman of Her Word

by Nick Taylor

That’s right folks: It’s time. The review you’ve all been waiting for. It’s me, talking about The People’s Joker, one of the year’s best films. You’ve had over a week now to see this magnificence in your own homes, to treasure its weird earnestness barely submerged amidst so much scuzzy kitsch, to marvel at such ingenuity despite palpably limited assets, to bemoan the lack of international release or festival screenings even though this would kill at a queer film festival. My two trips to see this in a packed theater, flanked on all sides by queers who were so ready for the madness Vera Drew promised them, rank among the best crowd experiences I’ve ever had, and it’s a genuine bummer more people won’t get to experience The People’s Joker in that environment.

It’s not the release this film deserves, but being even this accessible to a wide audience is what it needs. For those wondering what The People’s Joker is, or need an extra push to check it out, follow me below the cut and learn all about it . . . . 

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