Nicole Kidman Tribute: Paddington (2014)

by Nick Taylor

I’m going to tell you a secret: I think the first Paddington movie is better than its more critically-adored sequel. Not in every way is this one better: There’s a couple instances of harsh overlighting that take out some shots at the knees, like a key character emerging from a phone booth as a one-sided meet-cute. You could also say that both films - but maybe especially this one - are leaning into Wes Anderson-type confectionaries, especially with the score. But Paddington’s got a lot of buoyant, colorful entertainment to recommend it, and I can’t help but feel Nicole Kidman’s delightful, icy villainess has been overlooked as one of this series’ most notable achievements, alongside the children’s-book palette, Hugh Grant’s more lauded performance in Paddington 2, and fumbling the bag on Sally Hawkins for the upcoming trip to Peru...

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Almost There: Emma Stone in "Battle of the Sexes"

by Cláudio Alves

Our most recent two-time Best Actress champion is back in theaters with Yorgos Lanthimos' Kinds of Kindness, a black-hearted tryptic that allows Emma Stone to experiment with three distinctly realized characters. To mark the occasion and the success of another tennis-related movie – Guadagnino's Challengers – let's think back to one of the few times this Academy favorite was in the race but didn't land a nomination. In 2017, right after her first Oscar win, Stone played Billie Jean King in Battle of the Sexes. Directed by Jonathan Dayton and Valerie Faris, the biopic was made in parallel with a Presidential election that saw a very different outcome than its titular match. Looking back, Battle of the Sexes reached for the zeitgeist yet failed to predict where the world was headed.

As for Stone, the project signaled her most outward flirtation with traditional prestige before her career went into another direction altogether…

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"The Queen of Spades" @75: Faustian Bargains with a Gothic Twist

by Cláudio Alves

Some would sell their soul for riches beyond compare, fame and the immortality that comes with it, or perchance beauty, wisdom, and other such treasures. The Faust of Teutonic legend yearned for all the knowledge in the world and pleasure to go with it. When Goethe re-imagined him as a dissatisfied scholar, Faust sought to trick Mephistopheles by asking for transcendence. Compared to these bargains, the protagonist of The Queen of Spades seems modest in his ambitions. For Captain Herman Suvorin of the Russian army, the immortal soul is an appropriate price to pay for the secret of winning at cards.

Starring Anton Walbrook and envisioned by director Thorold Dickinson, Suvorin's story becomes the basis for an oft-forgotten gem of Gothic Horror that's also one of Martin Scorsese's favorite movies…

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Dorian TV Awards: Horny Vampires, Queer Comedians, Fellow Travellers, and Baby Reindeers

by Nathaniel R

Fellow Travelers © Showtime

The Society for LGBTQ Entertainment Journalists have released the Dorian Award nominations for the 2023-2024 TV season in twenty-four categories. As per our usual disclaimer, multiple members of TFE are in the 500-wide membership of GALECA. It's a four way tie for the leading show between AMC's interpretation of Interview with the Vampire, perennial Emmy favourites Max's Hacks and FX/Hulu's The Bear, and Netflix sensation Baby Reindeer all grabbing six nods each. FX/Hulu's remake of classic period epic Shōgun and Showtime's thrilling romantic drama Fellow Travellers were not far behind with five nods each. 

After the list, the full nominations and a few scattered comments...

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Review: “Last Summer” will make you squirm

by Cláudio Alves

In 2019, May el-Toukhy's Queen of Hearts was a study about power imbalances and masterful manipulation. As a wealthy lawyer who starts an affair with her teenage stepson, Trine Dyrholm embodied a sickening conundrum - someone who defends the abused in the public eye but is an abuser in private. Chilly and sharp, the actress delivered a terrifying performance, opaque in ways we'd expect her to be transparent, a mystery whose actions precipitate a devastating end. Indeed, the Danish film could be described as a tragedy, and it made for a particularly unsettling entry in the season's Best International Film race.

Five years later, Catherine Breillat's French remake arrives in American theaters, offering a most perverse twist on the same premise. Rather than tragedy, Last Summer presents the affair as something closer to farce…

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